Identifier7247862
Created AtThu Jun 28 2007 01:30:32 GMT+0000 (Coordinated Universal Time)
Reference Number144
Media TypeSHN
Note(5406) Grateful Dead: Acid Test compilation; via Alan Bershaw, Thomas Wulf; includes 1/8/66, 1/29/66, 3/12/66, 10/2/66, 10/31/66, ??/??/65, 7/23/67, ??/??/67; supplements to this set also circulate
Trades Allowed
Source
SHNIDDateVenueCityStateArchive Identifier
54061966-??-??The Complete Acid Test ReelsVariousVarious
Acid Test compilation; via Alan Bershaw, Thomas Wulf; includes 1/8/66, 1/29/66, 3/12/66, 10/2/66, 10/31/66, ??/??/65, 7/23/67, ??/??/67; supplements to this set also circulate
Performance
Grateful Dead 1966-??-?? Avalon Ballroom, San Francisco, CA
Set 1?Vintage Dead?
Avalon Ballroom, San Francisco
Sunflower/MGM (SUN-5001, October 1970)

1 Disc
01 I Know You Rider 04:24
02 It Hurts Me Too 04:25
03 It's All Over Now Baby Blue 04:54
04 Dancing in the Street 06:56
05 In the Midnight Hour 18:28

39:11

Set 2?Historic Dead?
Avalon Ballroom, San Francisco
Sunflower/MGM (SNF-5004 May/June 1971)

06 Good Morning Little Schoolgirl 11:06
07 Lindy 03:03
08 Stealin' 03:03
09 The Same Thing 12:03

29:16

Set 3"The History Of The Grateful Dead"(Pride/MGM PRD-0016)
1 LP compilation of tracks from this set.

Dancin' In The Streets
Lindy
Stealin'
It's All Over Now Baby Blue
I Know You Rider
Midnight Hour
It Hurts Me Too
CommentMusicians: Jerry Garcia , Bob Weir, *Pigpen, Phil Lesh, Bill Kreutzmann

Recorded Live at the Avalon Ballroom, San Francisco, 1966 (possibly recorded on September 16 and 17, 1966, which are the nights shown on the Kelly / Mouse poster seen on the cover) Tracks 8, 9 possibly recorded on November 1966 at The Matrix, San Francisco

Produced and Engineered by Robert Cohen
(Tracks 8,9 Produced by Peter Abram)
Edit and Remix by Richard Delvy

Cover art - John Pierce, Mokelvey (Vintage)
Back cover photos - Baron Wolman (Vintage)
Poster design - Kelly / Mouse Studios (Vintage)
Ripple Bottle by Gallo (Vintage)
Album design - Robert Hickson (Historic)

Original LP master tapes remastered for CD at Polygram (1995) > DAT > CDR

Background on these LPs:
These 2 LPs were release without explicit permission from the Dead.Producer Robert Cohen (a bit more on Mr. Cohen here: http://www.lumiereprod.com/history.html) got the masters from recordingsmade at the Avalon, adding applause and other sounds where needed to helpthe flow (there is a bit of audio, a small segment with some mostlyinaudible band chatter, which was added to "extend" tracks so theywouldn't end so abruptly. The same segment used in a couple of differentspots, once as a loop that repeats 2-3 times). Some of the songs have cutintros, but are segued with applause anyway. These are pretty muchbootleg quality from today's perspective, and frankly most interest inthese LPs is because of their status as collectibles rather than beingworthwhile musically. But fans of the early days will especially enjoythe lengthy workouts of "Midnight Hour", "The Same Thing" and "GoodMorning Little Schoolgirl".

Some info on the Sunflower label:
http://www.bsnpubs.com/mgm/sunflower.html

Footnote: An LP released in 1973, "The History Of The Grateful Dead"(Pride/MGM PRD-0016), compiled the following tracks from the SunflowerLPs: Dancin' In The Street, It's All Over Now, Baby Blue, I Know YouRider, In The Midnight Hour, It Hurts Me Too, Lindy and Stealin'. Therewas also an official release on Warners released in 1973 with virtuallythe same title (subtitled "Bear's Choice", as we all know), so the PrideLP couldn't have been very welcome at that time.