| Identifier | 7210900 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Media Type | flac,cdr |
| Media Count | 2 |
| Show Rating | A |
| Sound Rating | B |
| Source Info | AUD>cdrX(?)>EAC>Sound Forge>FLAC(level 8) |
| J-Card Comment | Patti Smith October 30, 1997 CBGB's, NYC SQ: Good, I rate it "B-" Artwork included; many thanks to G. The Cock for creating the very cool artwork! Lineage: Audience recording of otherwise unknown lineage, CDR I received by mail>EAC>Sound Forge>FLAC(level 8) Disc One 67:38 01 Dead City 5:59 02 Dancing Barefoot 5:08 03 1959 4:22 04 Revenge 6:02 05 Last Call 6:29 06 I’m So Lonesome I Could#Cry 2:52 07 Wicked Messenger 6:30 08 Don’t Say Nothing 8:51 09 Franklin’s Tower* 7:23 10 New Speedway Boogie* 8:21 Set Two 11 //S#pell 5:42 *w/Robert Hunter Disc Two 64:30 01 Waiting Underground 7:52 02 Whirl Away 5:59 03 Wing 5:30 04 Satta Massagana 10:06 05 Death Singing 4:03 06 About A Boy 7:45 07 Not Fade Away 12:19 08 Wild Leaves 6:44 09 Gone Again 4:13 Total: 132:08 Size: 715MB Patti's 10/31/97 show is at http://www.dimeadozen.org/torrents-details.php?id=77111 *Fixes* d1@30:35.073 (in t6) I removed 18.934 seconds of silence. d1@61:45.066 the last 11.315 seconds of d1t10 was filler at the end of d2; I moved it because I think it's likely, and sounds like, it belongs there (d1t10 used to end with 21.32 seconds of silence [which I removed], and was followed by a cut near the beginning of "Spell"; the 11.315 seconds is pre-"Spell" tuning; spectral analysis appears very similar). Absolutely no selling! Please share freely. Please only convert to mp3 for your own use. |
| Trades Allowed |
Performance
| Patti Smith 1997-10-30 CBGB's, New York, NY | |
|---|---|
| Set 1 | Dead City Dancing Barefoot 1959 Revenge Last Call I'm So Lonesome I Could Cry Wicked Messenger Don't Say Nothing Franklin's Tower* New Speedway Boogie* |
| Set 2 | Spell Waiting Underground Whirl Away Wing Satta Massagana Death Singing About A Boy Not Fade Away Wild Leaves Gone Again |
| Set 3 | |
| Comment | * with Robert Hunter |