Identifier7200956
Created AtTue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time)
Media Typeflac.cdr
Media Count2
Show RatingA
Sound RatingB+
Notethe 4 discs listed can be combined into 2 discs
J-Card Comment12-19-87 (early show) Disc 1 1 Baby Let Me Follow You Down 2 Angry Young Man 3 Hometown Blues 4 My Old Friend The Blues 5 Someday 6 Johnny Come Lately 7 Nothing But A Child 8 Lungs (Townes Van Zandt) 9 So Different Blues (Mance Lipscomb) 10 Limousine Blues (Lightnin' Hopkins) 11 The Rain Came Down 12 Copperhead Road Disc 2 1. Even When I'm Blue 2. I Ain't Ever Satisfied 3. No. 29 4. The Devil's Right Hand 5. Guitar Town 12-19-87 (late show) Disc 1 1 Baby Let Me Follow You Down 2 Angry Young Man 3 Hometown Blues 4 My Old Friend The Blues 5 Someday 6 Little Sister (Greg Trooper) 7 Little Rock & Roller 8 Saturday Night and Sunday Morning [David Olney] 9 Limousine Blues (Lightnin' Hopkins) 10 Even When I'm Blue 11 Johnny Come Lately 12 Copperhead Road Disc 2 1. I Ain't Ever Satisfied 2. Nothing But A Child 3. Down The Road 4. Fearless Heart 5. White Freightliner Blues (Townes Van Zandt) 6. Nebraska [Bruce Springsteen] 7. Continental Trailways Blues This set was compiled from the 6 CD-R set of three shows (one recorded December 18, and two on December 19) at McCabe's Guitar Shop in Santa Monica, CA during Steve Earle's December 1987 solo acoustic tour. These shows were a great glimpse at both where Earle had been and where he was headed; the setlists included some of his earliest songwriting efforts, then-unrecorded songs that would appear on Copperhead Road (and some that would not see released versions until 1995's Train A Comin'), and a number of covers. His manner, as well, is worth noting; his jokes, friendliness, and general ease seem at odds with the incredible turmoil in his life at the time (this was when his woman troubles and heroin addiction were spiraling out of control, and less than two weeks before the Dallas arrest for assaulting a police officer that would haunt him for years)...Though lo-fi audience recordings, these are still far more than merely "listenable" and a great glimpse at an artist at his most raw and pure, captured at an intimate and legendary venue.
Trades Allowed
Performance
Steve Earle 1987-12-?? McCabe's Guitar Sop compilation, Santa Monica, CA
Set 1Baby, Let Me Follow You Down [Eric von Schmidt] (b)
Angry Young Man (b)
Hometown Blues (c)
My Old Friend the Blues (b)
Someday (a)
Tom Ames' Prayer (a)
Mercenary Song (a)
Johnny Come Lately (c)
So Different Blues [Mance Lipscomb] (a)
Limousine Blues [Lightnin' Hopkins] (c)
Little Rock & Roller (a)
Little Sister [Greg Trooper] (a)
Lungs [Townes van Zandt] (a)
Sometimes She Forgets (a)
Copperhead Road (a)
Set 2Even When I'm Blue (a)
Saturday Night and Sunday Morning [David Olney] (a)
Nothing But a Child (b)
The Rain Came Down (b)
No. 29 (a)
The Devil's Right Hand (a)
I Ain't Ever Satisfied (c)
Guitar Town (b)
Down the Road (c)
Fearless Heart (c)
White Freightliner Blues [Townes van Zandt] (c)
Nebraska [Bruce Springsteen] (c)
Continental Trailways Blues (c)
Set 3
CommentAll songs written by Steve Earle unless noted.
(a) 18 December
(b) 19 December, early
(c) 19 December, late

This set was compiled from the 6 CD-R set of three shows (one recorded December 18, and two on December 19) at McCabe's Guitar Shop in Santa Monica, CA during Steve Earle's December 1987 solo acoustic tour. These shows were a great glimpse at both where Earle had been and where he was headed; the setlists included some of his earliest songwriting efforts, then-unrecorded songs that would appear on Copperhead Road (and some that would not see released versions until 1995's Train A Comin'), and a number of covers. His manner, as well, is worth noting; his jokes, friendliness, and general ease seem at odds with the incredible turmoil in his life at the time (this was when his woman troubles and heroin addiction were spiraling out of control, and less than two weeks before the Dallas arrest for assaulting a police officer that would haunt him for years)...Though lo-fi audience recordings, these are still far more than merely "listenable" and a great glimpse at an artist at his most raw and pure, captured at an intimate and legendary venue.