| Identifier | 6957607 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Media Type | CDR |
| Media Count | 2 |
| Note | "A Desert Passage - Platinum Edition"
Artwork created. http://www.digitalrushexperience.com/database/review.php?RecordingID=31 The Digital Dan's comments: "This is the even fuller soundboard from the infamous Tucson show. This show is actually an amalgamation of several sources using the best source for the overall show and filling in any problems or adding extra material from other sources. Many of the bootlegs from this period have captured the part where Neil is warming up on the drums while music is playing over the PA. For the first time that I am aware of, we get to hear the actual song that is played before the band takes the stage. It's rather interesting music to start off a Rush show with to say the least. The sound changes right before the line "With our people left..." through the section right after "My ship Rocinate..." line in Hemispheres, and then sound changes back to normal. That was present in all four sources I had for this show. The section of Hemispheres that was cut (Dream Sequence) was filled in from the same section of the Detroit '78 soundboard. Being only 13 days apart, the performance was virtually identical and the sound close enough to make a fairly seamless transition. If you are a purist and this bothers you greatly, I would suggest going with "Every Soul's a Battlefield" which is another fine production of the full soundboard with almost no treatments to the raw source. But if you are a semi-purist, you'll be happy to know that no noise reduction was used on this production. At the end of the show, two bonus tracks were included, "Something for Nothing" and "Cygnus X-1". Both originally appeared with the Frankfurt '79 source, but became apparent than these two tracks do not belong to any of the known soundboards from this era. Therefore they are a kind of "mystery" as to where they come from. The performance itself is quite excellent and also very unique. The extended intro is interesting, though not remarkable in and of itself. The problems with the crowd are further expounded upon by the venue management after Geddy is unable to gain the cooperation of the massing crowd. Cygnus X-1 is finally presented in an uncut format. And we finally have the rest of 2112 and the encores. Geddy has a little fun with Lerxt in the Working Man lyrics. Then the soundman decides to do some interesting things to the sound of each of them during the Medley. Geddy's vocals are changed considerably during "In the Mood" and some of the effects on Neil's drums are quite interesting in the Drum Solo. All in all the definitive Rush concert. Many thanks to Rubicon for donating one of the sources used, and many thanks to the others that donated sources, but wished to remain anonymous. As with all Digital Reproductions releases, this is for free trade or blank media trade only. If someone is trying to sell this show, they are trying to rip you off and profit off the work of others. Please visit the DRE Newsgroup to find other Rush fans that will gladly trade the show for free." |
| Source Info | SBD > ANA(1)+filler > Editing & Mastering by |
| Traded From | Zomb.com |
| Trades Allowed |
Performance
| Rush 1978-11-20 Convention Center Arena, Tucson, AZ | |
|---|---|
| Set 1 | Anthem A Passage To Bangkok By-Tor And The Snowdog Xanadu Something For Nothing The Trees Cygnus X-1 Hemispheres Closer To The Heart Circumstances A Farewell To Kings La Villa Strangiato 2112 Working Man Bastille Day In The Mood Drum Solo Something For Nothing Cygnus X-1 |
| Set 2 | |
| Set 3 | |
| Comment | |