Identifier | 6940905 |
Created At | Fri Feb 02 2007 23:20:50 GMT+0000 (Coordinated Universal Time) |
Media Type | SHN |
Media Count | 2 |
Note | -- THE DSBD --
Source: DSBD > Master DAT > My first-generation DAT clone (Taped by Mr. Anonymous) Transfer: My DAT (First Gen Clone) > Fostex D5 > optical cable > HOSA ODL-276 > coax cable > Waveterminal 2496, hardware downsampling to 44.1KHz on Set I only (Set II was apparently recorded at 44.1) > CoolEdit 2000 Static removal & other fixes > CDWave 1.6 > WAV > mkwACT 0.97b1 > SHN v3 (By Jeff Ishaq <jishaq@earthlink.net>) Scarcity: Mr. Anonymous's DSBD DATs are widely circulated, though because they are unauthorized, they don't show up on etree and some traders don't indicate the show on their list. Some copies have noise reduction performed on them, I'm sure. Notes: * The master DAT is plagued by constant, light static throughout the entire show -- IMHO, it's unlistenable. Also, it is missing the first song. I used Cool Edit 2000 to remove 99.9% of the static clicks, and I also integrated Makisupa, Nellie Cane, and Sweet Adeline from the FOB AUD. The sound quality of the original DSBD DAT is identical to the click-removed version, it's not like it was compressed or lost high end or has phase shifting or anything nastly like that! * I produced this mix to liberate the DSBD source into a continuous, listenable source for my own collection. I don't intend this to be the de facto "best source" for this show. In fact, the FOB AUD in wide circulation sounds just as good as the DSBD, and it's unadultered. I only recommend this show for the sake of archival purposes. -- END OF DSBD NOTES -- -- THE AUD -- Source: FOB AKG460 (13 Ft. pole, front row, center-right {12-7}, center-left {12-8}) > 10' XLR > PS > 3' XLRs > Technics SV260A > DAT (Taped by Linda Webster) Transfer: Technics SV260A > COAX > Cool Edit WAV (editing done here) > CDWAV > mkwACT v3 > SHN (By Linda Webster) Scarcity: Linda's AUD source is widly available via etree. Notes: * This FOB AUD sounds as good as the DSBD, so if you're a purist looking for an unadultered show, seek these out! * Linda used Cool Edit to make the acoustic/a capella songs louder, and to stifle audience noise. -- END OF AUD NOTES -- |
Source Info | Matrix: DSBD>...>SHN |
Trades Allowed |
Source
SHNID | Date | Venue | City | State | Archive Identifier |
---|---|---|---|---|---|
4790 | 1994-12-08 | Spreckels Theatre | San Diego | CA | |
SBD > DAT; DAT > Fostex D5 > optical cable > HOSA ODL-276 > coax cable > Waveterminal 2496 (48>44.1KHz Set I only) > CoolEdit 2000 > CDWav > WAV > mkwACT 0.97b1 > SHN v3; Transfer by Jeff Ishaq; Patches in DSBD by FOB AKG460 (13 Ft. pole, front row, center-left) > 10' XLR > PS > 3' XLRs > Technics SV260A > DAT; Technics SV260A > COAX > Cool Edit WAV > CDWAV > mkwACT v3 > SHN; Taped and transferred by Linda Webster; md5's provided 1/7/02 |
Performance
Phish 1994-12-08 Spreckels Theatre, San Diego, CA | |
---|---|
Set 1 | Makisupa Policeman > Maze, AC/DC Bag, Scent of a Mule, Punch You in the Eye, Simple > Catapult > Simple, Lizards, While My Guitar Gently Weeps |
Set 2 | Possum, My Mind's Got a Mind of its Own, Axilla II, Reba, Nellie Cane, Sweet Adeline, David Bowie, Golgi Apparatus, E: The Horse > Silent in the Morning, Rocky Top |
Set 3 | |
Comment |