| Identifier | 6665902 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Media Type | shn |
| Media Count | 1 |
| Note | The Doors
4/10/1970 (late show) Boston Arena, Boston, MA Source: AUD > MR (see Notes) Taper: Joe Maloney [maloneyjoe68_at_aol.com] Lineage: MR > DAW > SDII > WAV > shn (see Notes) Transfer: Jamie Salerno [jjs4_at_po.cwru.edu] 5/29/2005 Disc 1 [55:31] 1. Intro 2. Break On Through 3. When The Music's Over 4. Roadhouse Blues 5. The Spy -> 6. Alabama Song -> 7. Back Door Man -> 8. Five To One 9. Build Me A Woman 10. You Make Me Real 11. Fade Out Disc 2 [45:28] 1. Fade In 2. People Get Ready -> 3. // Mystery Train-> 4. Away In India-> 5. Cross Roads 6. Band Intros 7. Light My Fire-> 8. Fever-> 9. Summertime-> 10. St. James Infirmary-> 11. Graveyard Poem -> 12. Light My Fire 13. Been Down So Long -> 14. ??? -> power cut off 15. After The Cutoff Notes: Joe Maloney's first stealth concert recording. (Actually, back then security did not stop him from entering w/recording equipment, so I really can't call it "stealth"). Disc 1 ends with a tracked fadeout & disc 2 begins with a tracked fade in: to join the music tracks of both discs, remove d01t11 & d02t01 track. The two "discs" will splice together. At Joe's request, I left in the crowd reaction to the power cutoff (mostly for Morrison's reacting to the show being stopped). You can leave out d02t15 if you want. The transition from tape 1 to tape 2 (during the intro to Mystery Train) involved a change of tape brands (Scotch 290 -> Sunset 600) & seemed to produce a drop in recording quality. Tape 2 also seems to have many gain changes as part of the recording process. Not bad for a fist attempt at recording live music, especially having to flip tape & thread a 3 in. spool of tape in the middle of a concert crowd. Also included are Toast/Jam printouts for the CDs (so you can use the "Audio starts in Pause" timings to have a track end when the music stops and the subsequent track start when the music begins). Recorded on a 1968 RCA portable reel to reel model YLS 15B at 3 3/4 ips, using an external microphone. Original 3" reels were transferred to a Mac DAW using a Wollensak T-1500 reel to reel recorder (approx. 45 yrs old). The analog signal was first run through: a) a SAE 2800 parametric equalizer to bump the highs slightly; & b) a Phase Linear Autocorrelator to remove hiss. Lo Cut filter on Mackie 1402-VLZ used to remove hum & grunge below 75 Hz (-18 db/octive). Bias Deck used to splice tape flips & even out volume levels. Bias Peak again used to transfer SDII files to WAV files for shn compression. xACT used to fix SBEs & encode to SHNs. This recording is the one of literally dozens of concerts recorded by Joe Maloney in the late '60s - late '70s to be released to the live recording community. The bulk of the concerts recorded were in the Boston area, with some in Maine venues. |
| Source Info | AUD > MR |
| Trades Allowed | |
| Taper Name | Joe Maloney [maloneyjoe68_at_aol.com] |
Performance
| The Doors 1970-04-10 Boston Arena, Boston, MA | |
|---|---|
| Set 1 | Break On Through, When The Music's Over, Roadhouse Blues, The Spy, Alabama Song, Back Door Man, Five To One, Build Me A Woman, You Make Me Real, People Get Ready, Mystery Train > Away In India > Cross Roads, Light My Fire > Fever > Summertime > St. James Infirmary > Graveyard Poem, Been Down So Long |
| Set 2 | |
| Set 3 | |
| Comment | Late set. Power is cut during "Been Down So Long". |