| Identifier | 6259178 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Media Type | fuji |
| Media Count | 3 |
| Note | Amy Board MVHS HiFi Video > MC > CDR .,.
Okay, here's the damage I (un)did to this source. I patched in the missing space from Doug Oade's excellent recording. In order to match the levels with Drums at the beginning and Wheel at the end, I had to put up with a certain amount of clipping on the drums during the space set - just where the snares are hit really hard. It's worth it, though, first to make the transitions smoother, second to illustrate how an AUD can shine. Doug Oade was obviously not using any limiter, which Amy probably was, at least for her recording - you can instantly tell the difference in clarity. A local soundman friend of mine once told me, "I don't mix for tapes, I mix for the room". Soundboard snobs take heed! I also eliminated a short gap at the end of The Wheel, restoring the seamless transition into Stella Blue. The gap was possibly a TAO artifact. The US Blues encore from the original fileset is probably also from the Oade AUD. Bill Tetzeli (btet@adelphia.net) 3/23/2006 |
| Tech Note | Grateful Dead Providence Civic Center Providence RI April 4, 1985 ----------------------------------------------------------- Okay, here's the damage I (un)did to this source. I patched in the missing space from Doug Oade's excellent recording. In order to match the levels with Drums at the beginning and Wheel at the end, I had to put up with a certain amount of clipping on the drums during the space set - just where the snares are hit really hard. It's worth it, though, first to make the transitions smoother, second to illustrate how an AUD can shine. Doug Oade was obviously not using any limiter, which Amy probably was, at least for her recording - you can instantly tell the difference in clarity. A local soundman friend of mine once told me, "I don't mix for tapes, I mix for the room". Soundboard snobs take heed! I also eliminated a short gap at the end of The Wheel, restoring the seamless transition into Stella Blue. The gap was possibly a TAO artifact. The US Blues encore from the original fileset is probably also from the Oade AUD. Bill Tetzeli (btet@adelphia.net) 3/23/2006 ----------------------------------------------------------- Source: Amy Board Lineage: MVHS HiFi Video > MC > CDR DISC ONE 1st Set 01. Alabama Getaway > 02. Jack Straw 03. Dire Wolf 04. El Paso 05. She Belongs To Me 06. Brother Esau 07. Friend Of The Devil 08. Lost Sailor > 09. Saint Of Circumstance > 10. Deal DISC TWO 2nd Set 01. I Need a Miracle > 02. Crazy Fingers > 03. Samson & Delilah 04. He's Gone > 05. Goin' Down The Road Feelin' Bad > 06. Drums > 07. Space > (patched in from Oade AUD) 08. The Wheel > 09. Black Peter > 10. Around & Around > 11. Turn On Your Lovelight Encore 12. U.S. Blues (patched in from Oade AUD?) NOTES - Subsecond drop-out during the first second of 'Friend of the Devil' \- First 'She Belongs To Me' since 01-07-66! - First 'Crazy Fingers' since 10-08-83 - CD Wave and Shntool were used to retrack and verify sector boundaries, and CE2K for all editing. EAC/SHN by Willy _willy_@junkiesplace.com Seeded to etree 08/27/02 Audio discs provided by Tommy Danscuk |
| Trades Allowed |
Performance
| Grateful Dead 1985-04-04 Providence Civic Center, Providence, RI | |
|---|---|
| Set 1 | Alabama Getaway > Jack Straw Dire Wolf > El Paso She Belongs To Me My Brother Esau > Friend Of The Devil Lost Sailor > Saint Of Circumstance > Deal |
| Set 2 | I Need A Miracle > Crazy Fingers Samson & Delilah > He's Gone > Goin' Down The Road Feeling Bad > Drums > Space > The Wheel > Black Peter > Around & Around > Turn On Your Lovelight U.S. Blues |
| Set 3 | |
| Comment | Jerry Garcia - Guitar Bob Weir - Guitar Brent Mydland - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums |