Identifier5735880
Created AtTue Oct 04 2005 18:57:07 GMT+0000 (Coordinated Universal Time)
Media TypeSHN (2)
Media Count2
Source InfoDTS Audio 5.1 mix based on matrix source
MicrophonesSBD / FOB Schoeps cmc5/mk4
Tech NoteSource Info SBD Source: SBD > DAT > Cassette > DAT AUD Taper: Eliot Byron Source: FOB Schoeps cmc5/mk4 -> Sonosax -> AD500 -> D10 @48K --------------------------------------------------------- Tech notes I used EAC in secure mode to extract all tracks at 100% no reported errors. Cool Edit Pro 2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD, AUD, center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by dan@am-dig.com - Shn conversion done by dan@am-dig.com 9-JLY-2004 - Artwork by dan@am-dig.com 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Left Channel SBD > DAT > Cassette > DAT Front Right Right Channel SBD > DAT > Cassette > DAT Center Mixed to mono -5db SBD > DAT > Cass > DAT Surround Left Left Channel Schoeps cmc5/mk4 -> Sonosax Surround Right Right Channel Schoeps cmc5/mk4 -> Sonosax Sub/LFE Mixed to mono -4db SBD > DAT > Cass > DAT --------------------------------------------------------- Notes Both sources were recorded quite low. I raised the levels on the SBD 3db. I raised the levels on the AUD 4.5db. Fade in/outs applied to the start and end of both discs. Missing 0:02.888 crowd on SBD source between Weekapaug Groove and Purple Rain (cassette flip). AUD trimmed accordingly to match. This is smooth and most likely undetectable. Missing 02:27.000 crowd on SBD source between last song and the encores. AUD trimmed accordingly to match with 10 second crossfade. Smooth but ever so slightly detectable. --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analogue audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from .shn files. --------------------------------------------------------- More Info On the SBD Source Source: SBD > Panasonic 3700 (master DAT); Master DAT played back on 3700 > Tascam pro analog deck (1st gen cass); Playback of 1st gen cass on Nak CR3A > Sony DTC700 @48kHz Master (from Sony DTC700) used in below transfer Conversion: R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/edits/48>44.1 at highest setting[4of4] with anti-alias filter) > CD Wave > SHNv3 via Monkey's/md5sum.exe (shn files have seek tables appended) **No DAE at all** Transfer was done twice, then inverted over itself to determine transfer errors. No errors were present or the errors that were present were inaudible and due to differing error correction on the DAT playbacks not transfer errors. Detailed info: This was the seed for the phish.net tree in early 1994; see google files (txt) contained in this file set for more info. During this show there was occasional distortion in one of the drum channels--due to either a mic or mixer. This ispresent in all versions of the show, as it came through the PA. This same noise is also present in the 8/20/93 Red Rocks SBD. Minor Edits: Fades in/out beg/end of sets--5 sec in all cases All of the below was done at the 48k level, so there are edited and unedited 48k archive .shn's for archival: First set cass flip: patched at the sample level as the music overlapped on the first gen cass and subsequently on the DAT--nothing missing at all! Second set cass flip: cut out 45f and crossfade (duration of 2s26f) Break between set-2 & encore: cut several frames of silence and crossfade (duration of 4s45f) All crossfades were done at: source: -infdb to 0db and the destination: 0db to -infdb. Edits took place after Paul and Silas, Weekapaug and Slave. Taper: Paul Languedoc Huge thanks to Shelly who supplied Mikey Perrott with the cassettes to make the DATs and to Mikey for sending me the master DATs for this transfer! Transferred and uploaded by Jim Raras <jraras@yahoo.com> via Dankseeds. Please contact me with questions etc. There are also 48k shn's of this seed for archival. *Dankseed Certification received 2002-03-22* and posted at http://groups.yahoo.com/group/dankseeds/ files/ph1993-12-30 Listening test performed by *6* danksters positive criteria met: Tracking- OK Seamless and complete- OK Lineage listed- OK negative criteria met: DAE- NO Resampled- NO Diginoise- NO
Trades Allowed
Taper NameAUD: Unknown - FOB: Eliot Byron
Source
SHNIDDateVenueCityStateArchive Identifier
292821993-12-30Cumberland County Civic CenterPortlandME
DTS Audio 5.1 mix based on this source
Performance
Phish 1993-12-30 Cumberland County Civic Center, Portland, ME
Set 1David Bowie*, Weigh, The Curtain > Sample In A Jar, Paul And Silas, Colonel Forbin's Ascent > Fly Famous Mockingbird, Rift, Bathtub Gin, Freebird
Set 2Also Sprach Zarathustra > Mike's Song > The Horse > Silent In The Morning > Punch You In The Eye > McGrupp And The Watchful Hosemasters > Weekapaug Groove > Purple Rain, Slave To The Traffic Light

E: Rocky Top, Good Times Bad Times
Set 3
Comment* - w/ Aerosmith's "Dream On" Tease