| Identifier | 5190214 |
| Created At | Thu Mar 10 2005 23:07:50 GMT+0000 (Coordinated Universal Time) |
| Media Type | SHN (2) |
| Media Count | 2 |
| Source Info | SET 1: Sennheiser 442 > Marantz PMD430 (Cass/0) > Cass/1 > Sony WA9ES > Tascam DA-302; Tascam DA-302 > MAudio Dio 24/48 > CDWav > SoundForge > SHN; SET 2: AKG 460/ck61 > Custom Pre-amp > Teac DA-P20; DAT > CDR > EAC &g |
| Microphones | SET 1: Sennheiser 442 - SET 2: AKG 460/CK61 |
| Tech Note | Show fits on 2 80min discs. SET I Source: Sennheiser 442>Marantz PMD430 Tape Deck>Cass 1>Sony WA9ES Tape Deck>Tascam DA302 Transfer: Tascam DA302>MAudio Dio 24/48>CDWave>SoundForge (editing)>SHN Taped by Pierre Perault Analog>Dat/Dat>SHN by Blane Harvey Fixed: Patch at 14:14 of Reba (tape was flipped right after the music stopped). Patched ~20 seconds of crowd noise from the shoddy mp3 source that has circulated lightly for this set, just to maintain the flow of the song. Known Flaws: Level adjustments and mic attenuator switch before Carolina on master analog tape.??I didn't make any changes to these adjustments on the SHN file. |
| Trades Allowed | |
| Taper Name | Unknown |
Source
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 13170 | 1994-07-06 | Theatre St. Denis | Montréal | QC | |
| SET 1: Sennheiser 442 > Marantz PMD430 (Cass/0) > Cass/1 > Sony WA9ES > Tascam DA-302; Tascam DA-302 > MAudio Dio 24/48 > CDWav > SoundForge > SHN; SET 2: AKG 460/ck61 > Custom Pre-amp > Teac DA-P20; DAT > CDR > EAC > SHN; Set 2 SHN Conversion by Phil Joubert | |||||
Performance
| Phish 1994-07-06 Theatre St. Denis, Montréal, QC | |
|---|---|
| Set 1 | Llama, Fluffhead, Julius, Bouncing Around The Room, Reba, Axilla II, My Mind's Got A Mind Of Its Own, Carolina*, David Bowie |
| Set 2 | The Landlady, Poor Heart, Tweezer > Lawn Boy, Chalk Dust Torture > Big Black Furry Creature From Mars > Sample In A Jar > Big Black Furry Creature From Mars, Harry Hood, Tweezer Reprise E: Old Home Place*, Nellie Cane*, Memories^, Funky Bitch |
| Set 3 | |
| Comment | * - Acoustic Performance Without Microphones ^ - A cappella Performance Without Microphones |