Identifier5174627
Created AtWed Jul 06 2005 15:43:04 GMT+0000 (Coordinated Universal Time)
Media TypeFlac(2)
Media Count2
Source InfoSBD->16-track mixer->DAT@44.1khz->PC via Event Gina Transferred by James Treworgy on 2/20/05
MicrophonesSBD
Tech NoteSource: SBD->16-track mixer->DAT@44.1khz->PC via Event Gina Transferred by James Treworgy jamie@treworgy.com on 2/20/05 Info From Kevin Shapiro: "11/3/90 and the other tapes of the era (10/30-11/4) were all done by Mike Grace through a separate 16 track mixer and ran direct to 2 track DAT. He basically used the same setup in Spring 1991 too." Well, the other sources in circulation sound great, but if they can be even better, why not? What you have here is the gold standard version of this show. This is a 100% digital transfer from a master DAT clone with no flaws and no cuts. While the other sources in circulation are almost certainly based on this original source, they have unknown lineage and at least minor flaws. The most recent one is circulating as "unknown soundboard". More importantly, it's almost certain that this other source has gone through analog or other processing. The differences between this and the currently circulating source are as follows: 1. Source is of known lineage with no DAE. The technical quality is substantially different. Peak levels are almost 100% higher than the other source, and use most the full dynamic range. Since they are both obviously from the same original recording I suspect that the other version was transferred from the master through analog rather than digital, or some other processing got introduced along the way. This source is a 100% unprocessed digital transfer from a master DAT clone. 2. Nothing has been cut between songs. The other version had been clipped for space in Set I so it will fit on an 80 minute CD. This version will not fit on a standard 80 minute CD, so you'll either need to overburn or use a longer CD. The pre-encore crowd chanting from the master DAT has also been included in Set II and tracked separately so you can leave it off the CD if you want, though Set II is still under 80 minutes. 3. There are no known flaws in this version. The other version has at least one digital flaw that I found, a split-second dropout in the beginning of Divided Sky. 4. This version is distributed as FLAC rather than SHN ;-) C'mon people isn't it time to stop clinging to that ancient religion... FLAC compresses better, has integrated integrity checking so you don't need MD5 checksums, and you can encode tag details into the files so you get CD-TEXT and all sorts of other good stuff automatically. The FLACs in this distribution have been tagged. Long life FLAC! Death to SHN!
Trades Allowed
Taper NameMike Grace
Source
SHNIDDateVenueCityStateArchive Identifier
287451991-03-13Boulder TheaterBoulderCO
flac16, 44kHz; SBD > 16 track mixer > DAT(c); DAT(c) > ??? > Event Gina > ??? >FLAC; Source by Mike Grace; Transfer by James Treworgy
Performance
Phish 1991-03-13 Boulder Theater, Boulder, CO
Set 1Fluffhead, The Landlady, You Enjoy Myself, Cavern, Divided Sky, Esther, Llama, The Squirming Coil, David Bowie
Set 2Suzie Greenberg, Split Open and Melt, Bouncing Around the Room, My Sweet One, Guelah Papyrus, Runaway Jim, The Sloth > Reba > Tweezer, HYHU > Terrapin > HYHU, Oh Kee Pa Ceremony, Golgi Apparatus, E: Take the A-Train, B.B.F.C.F.M.
Set 3

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