| Identifier | 516709 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Media Type | audio |
| Media Count | 2 |
| Trades Allowed |
Performance
| Grateful Dead 1970-02-?? Fillmore East, Fox Theatre, The Warehouse, various, various | |
|---|---|
| Set 1 | 2/11/70 Fillmore East w/Greg & Duane Allman & Peter Green
1. Dark Star (12:18) > 2. Alhambra (5:23) > 3. Turn On Your Lovelight (28:53) 2/2/70 Fox Theatre, St. Louis, Mo 4. (some of) Cumberland Blues (2:21) 5. Dark Star (21:30) > |
| Set 2 | 2/2/70 (cont')
1. > St. Stephen > Mason's Children (8:51) 2/1/70 The Warehouse, New Orleans w/Fleetwood Mac 2. ...The Other One (3:37) > 3. Turn On Your Lovelight (39:43) |
| Set 3 | |
| Comment | Selections from 2/11/70, 2/2/70, and 2/1/70 featuring jams with
Fleetwood Mac and Greg & Duane Allman and Peter Green From a bootleg CD entitiled "The Best Damn Music In The World" Post Processing =============== These shows are soundboards, and sound great. Originally, however, 2/11/70 suffered from a very low bass mix. I played around with a bunch of EQ curves (using Sound Forge 4.5), burned selections with different EQ curves to CD-RW, and listened on my good stereo to decide what curve to use. 2/2/70 also was low in the bass, less so than 2/11, and I did the same to determine what kind of EQ to use. Secondly, for the 2/1 Lovelight, the right channel would completely disappear for anywhere from seconds to handfuls of minutes, which obviously sucks. So I mono-ized it where this occurred, pasting the left channel to the right where it went away. Much less annoying. As a side note, I must say that my philosophy is ONLY EQ IF THE RECORDING REALLY NEEDS IT. I asked myself, would I enjoy the music as it is? The answer was, sortof. My next question was do I enjoy the EQed music more? The answer was a resounding YES. I hope you enjoy it too. There is a bonus track included. You win absolutely nothing by determining where it comes from. I will probably eventually seed the entire show from whence it came. Leigh Orf ("Orp") |