Identifier | 514360 |
Created At | Thu Aug 22 2002 22:34:01 GMT+0000 (Coordinated Universal Time) |
Media Type | SHN |
Media Count | 3 |
Source Info | Neumann u89i (Cardiod, ORTF)>EAA-PSP2 (Set I @ 35dB, Set II @ 41dB)>Graham Patten ADC-20>Sony PCM-M1>Montego II S/PDIF>Cool Edit 2000/CDWav>SHN V3.0 |
Trades Allowed | |
Taper Name | Bryan Austin |
Source
SHNID | Date | Venue | City | State | Archive Identifier |
---|---|---|---|---|---|
3286 | 2001-03-02 | Thomas Wolfe Auditorium | Asheville | NC | |
Neumann u89i (Cardiod, ORTF) > EAA-PSP2 (Set I @ 35dB, Set II @ 41dB) > Graham Patten ADC-20 > Sony PCM-M1 > Montego II S/PDIF > Cool Edit 2000 > CDWav> SHN v3.0; Taped and Transferred by Bryan Austin |
Performance
Trey Anastasio 2001-03-02 Thomas Wolfe Auditorium, Asheville, NC | |
---|---|
Set 1 | When the Saints Come Marching In^, Mozambique, I Done Done It, Ooh Child, The Chicken, Push On Till the Day, Tube Top Wobble, Sunday Morning, At the Barbeque, Come on Baby Let's Go Downtown, Burlap Sack And Pumps, Happiness in My Pants^^, Mountains in the Mist^^^, At the Gazebo |
Set 2 | Drifting, First Tube, I Want to Take You Higher, Rainy Day Women
#12 & 35, Gotta Jibboo, The Way I Feel, Till I Met You#, Windora Bug#, Aqui Como Alla |
Set 3 | Encore: Hard Hearted*, Possum*, Yellow Submarine*### |
Comment | ^ - with band marching into the venue (through the crowd) in band
outfits ^^ - or 'Waves' (???) ^^^ - Trey on acoustic guitar # - new original; Trey began by explaining the title, and telling how he has been on a "pop love song writing" kick. # - Trey on keys * - Trey and Mike Gordon only (both on acoustic guitars) ### - Trey motioned backstage for the rest of the band. When the lights came up on them in the middle of 'Yellow Submarine,' they were wearing costumes and proceded to march out of the auditorium through the same door they came in. They played some sort of an exit march; Mike was playing cymbals, and Trey was playing a bass drum. The crowd followed them outside until the band vanished backstage through a side door. |