| Identifier | 513046 |
| Created At | Thu Aug 22 2002 22:34:01 GMT+0000 (Coordinated Universal Time) |
| Media Type | SHN |
| Media Count | 2 |
| Note | ** Rob Eaton's Re-Master |
| Source Info | Betty Reel - Eaton ReMaster |
| Microphones | Betty Reel - Eaton ReMaster |
| Tech Note | Lineage: Betty Board Portion -- Master 7" Nagra reels 1/2 track @ 7.5ips>Sony PCM 501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT>DB 924 D/A>Dolby 361's w/dbx K9-22 Cards>DB 124 A/D>Neve Capricorn (Digital mixing console)>DB 300S>Panasonic 4100 DAT>DAT>Digi Coax Cable>Tascam CD-RW 700>CDR (x1)>SHN (Rob Eaton remaster) Audience Portion -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive. The excellent aud splices were normalized and patched using ProTools by Karen Hicks Culled from a May 6, 1999 post by Rob Eaton to dnc -- I recently re-decoded 5/5/77 and 5/8/77. I went into Right Track Studios in NYC (my home base studio ) set up in studio B (which is the premier state of the art Digital Music Studio in world). I had clean dat copies (provided by Tim Daulton) that were NOT decoded. I set up a chain consisting of: Panasonic Sv4100 AES out-->DB Technologies 924AD (24bit/96k capability)-->Dolby 361 Modules w/DBX K9-22 cards-->Neve Capricorn 32bit point processing/full 24bit Digital Console-->DB Technologies 122s 24bit/16bit conversion and 44.1k/48k sample rate conversion-->Panasonic Sv4100 Dat AES in. This is State of the Art Tchnology, getting as much of the music that was on the tapes as possible. The thing about DBX that nobody else got is that in order to decode it properly the volume into the decoder has to be exact, otherwise the tapes can be to bass heavy or to bright and compressed. These tapes are absoultly the best possible reproductions of the dig tapes made from the masters (I only wish I had the actual reels so I could do a proper azimuth adjustment on them). |
| Trades Allowed |
Source
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 4982 | 1977-05-08 | Barton Hall, Cornell University | Ithaca | NY | |
| freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin | |||||
Performance
| Grateful Dead 1977-05-08 Barton Hall, Cornell University, Ithaca, NY | |
|---|---|
| Set 1 | New Minglewood Blues Loser El Paso They Love Each Other Jack Straw Deal Lazy Lightning > Supplication Brown Eyed Women Mama Tried Row Jimmy Dancing In The Street |
| Set 2 | Scarlet Begonias > Fire On The Mountain Estimated Prophet Saint Stephen > Not Fade Away > Saint Stephen > Morning Dew One More Saturday Night |
| Set 3 | |
| Comment | Jerry Garcia - Guitar Bob Weir - Guitar Keith Godchaux - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums Donna Jean Godchaux - Vocals |