Identifier | 5075357 |
Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
Media Type | DVD |
Media Count | 2 |
Note | SOURCE
Video: MAC (8mm camera with dual Sony ECM 77-B mics > Sony EV-S1 8mm Recorder > Videum 1000 Capture card > Ulead Videostudio version 6 > SVCD or VCD > VCD-compliant MPEG-1 Audio: SBD>DAT>CDR>EAC>Cool Edit Pro>Video Note: After capturing the video, the audience soundtrack (from the video) was exported and then loaded into Cool Edit Pro along with a copy of the sbd audio. Then, an unique note at approximately 1 minute intervals on the video soundtrack was found and matched to the same note from the sbd. Some modification (ie stretching or shrinking) to the length of these segment was required in order for the sbd to flawlessly match the captured video. The original video audience track was then muted and the sbd tracks imported as background music prior to rendering the video file as either a vcd or svcd. The video was captured at 480x480 resolution (SVCD) and 24bit RGBT compression for a fairly clean picture. The camera was on a tripod, a little shakey at times but not too bad. A 50-200mm lens was used for some great closeups. The SVCD format will play on most DVD players otherwise the VCD will. The SVCD format also includes a song menu. VCD format (352x240) was rendered from the svcd file and does not have the song menu, but does have the imported sbd audio as part of the file. Flaws: 1) 1 min 24 secs had been cut from the dead space between Big River and Stagger Lee on the cd - I used the video audience soundtrack to fill in. 2) 3 seconds into Help on the Way, there was a 6 sec gap on the video. I filled in using the last frame before the gap that transitioned into the first frame after the gap with no cut in the music. 3) 32 sec gap during space (possible tape flip) was filled in using the video audience soundtrack. Brokedown House Productions Original 8mm cassette supplied by Dan Cole who also let me borrow the Sony EV-S1 8mm Recorder that the tapes were originally recorded on. Video Conversion by Kevin Tobin Audio SBD imported and synced by Kevin Tobin Audio cds provided with thanks by Rick Martin DVD 1: Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 (525/60) Frame Rate : 29.97 Source picture letterboxed : Not letterboxed Bitrate : 6.00Mbps Audio Attribute : Audio Coding mode : Linear PCM audio Sampling Rate : 48kHz Audio application mode : Not specified Number of Audio channels : 2 Bitrate : 1536.00 Kbps Number of Audio streams : 1 DVD 2: Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 (525/60) Frame Rate : 29.97 Source picture letterboxed : Not letterboxed Bitrate : 4.50Mbps Audio Attribute : Audio Coding mode : Linear PCM audio Sampling Rate : 48kHz Audio application mode : Not specified Number of Audio channels : 2 Bitrate : 1536.00 Kbps Number of Audio streams : 1 |
Source Info | Video: MAC (8mm camera with dual Sony ECM 77-B mics > Sony EV-S1 8mm Recorder > Videum 1000 Capture card > Ulead Videostudio version 6 > SVCD or VCD > VCD-compliant MPEG-1 Audio: SBD>DAT>CDR>EAC>Cool Edit Pro>Video |
Trades Allowed |
Performance
Grateful Dead 1989-10-08 Hampton Coliseum, Hampton, VA | |
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Set 1 | Foolish Heart > Walkin' Blues Candyman Me & My Uncle > Big River Stagger Lee Queen Jane Approximately Bird Song > Promised Land |
Set 2 | Help On The Way > * Slipknot! > Franklin's Tower Victim Or The Crime > Eyes Of The World > Drums > Space > I Need A Miracle > The Wheel > Gimme Some Lovin' > Morning Dew We Bid You Good Night |
Set 3 | |
Comment | Billed as "Formerly The Warlocks" after the Grateful Dead were banned from playing at Hampton Coliseum after several fan incidents during the March 1988 shows. To maintain a low profile, Hampton was not included as part of the regular ticket sales for the East Coast fall tour. Tickets went onsale at local outlets only 10 days prior to the shows. The Marquee for the shows read The Warlocks. The Grateful Dead did not perform at Hampton again until March 5, 1992. First time played since September 12, 1985 * Jerry Garcia - Guitar Bob Weir - Guitar Brent Mydland - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums |