| Identifier | 5021809 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Media Type | CDR |
| Media Count | 1 |
| Note | ?Shallow Grave? |
| Source Info | Silver CD “Insect Records”> Adobe Audition> WAV> Flac Frontend (level 6) > Flac |
| J-Card Comment | Notes: Notes from file: Here are some comments on this show taken from ?9inchnails.net? Comments: This is a very nice live bootleg; it's not as high-quality as, say, Children of the Night, but it's a lot of fun to listen to, especially given Trent's trademark colorful comments throughout the show. Given the fact that it is soundboard-quality, and that Trent had a pretty colorful show, you can't go wrong. This is an excellent live bootleg, so allow me to indulge with a description of the tracks: (1) Pinion / Terrible Lie. This is pretty much the standard live version of Terrible Lie, introduced by about forty-five seconds of Pinion (as the the title suggests!) Just as he does on Children of the Night, Trent replaces "I'm alone alone in a world you must despise" with "I'm all alone in this fucking world you must despise." (2) Sin The introduction to this song is different than what appears on Pretty Hate Machine; instead of the traditional intro, material from "Sin (Dub)" (on Halo Four) is used instead. There are some audio problems during this song; the mikes cut out, and you can hear Trent laugh in what I assume to be a mixture of amusement and disgust. (3) March of the Pigs Trent begins this song by yelling "Hey .. fuck you, fuck you, fuck you, pricks! Oink, oink!" The rest of this is pretty much the standard live March of the Pigs, which is actually a mixture of the original song and the extended "All the Pigs, All Lined Up" from the MOTP single. Of note: he replaces "Now they can all sleep soundly, and everything is all right" with "Now they can all sleep soundly, and all you fuckheads are all right." (4) Something I Can Never Have Pretty much standard fare. This sounds like most every live performance of this song, which in turn sounds like the version on PHM. Trent is a bit out of breath; MOTP wore him out. (5) Closer This song begins with a slightly different intro; beyond that, it's very similar to the version on TDS. (6) Reptile Again, very similar to the original song on TDS. (7) Wish Trent opens this by saying to the audience "You ready? .. Yeeaahhhhhh." Beyond that, there's nothing really of note in this performance that differs from the original version on Broken. (8) Suck This sounds a lot like the live version on Demos and Remixes (you would it expect it to, right?) Here, they cut the vocals out during the chorus to allow the audience to yell "Suck!! Suck!! Suck!!" Because this is a true soundboard recording, it's tough to tell how enthusiastic the audience response was. In a display of blasphemy, Trent replaces the phrase "I'm Jesus Christ on ecstasy" with "I'm Jesus Fuck on ecstasy." This is followed by an odd segue into the Fixed remix of Last (Throw This Away), with Trent singing "I am so dirty .. on the fucking inside .." Apart from this, this version of the song sounds very, very similar to the D & R version. (9) The Only Time Pretty much standard fare; there's nothing majorly different between this live performance and the PHM version. (10) Get Down Make Love Trent apparently expected the audience to participate more in this song than they actually did. While singing the chorus of the song, he stops singing for "Get down make love ..", apparently wanting the audience to take it from there. After the second verse, the audience response is less than enthusiastic, which prompts Trent to chastise them. "You know you know the fucking words!!!" he yells at them. This is followed by a disappointed "Awwwwwww .." (11) Down In It Trent begins this song by announcing "Ooooooooooooooh .. does anybody out there have an N-M-E [New Music Express] on them? Anybody have an N-M-E they can pass up to the front? No? You guys understand English? I just took a shit, and I need something to wipe my ass with! Anybody got an N-M-E they can pass up to the fucking front? .. Here's a song about fucking!" Again, in this song, at several spots Trent expects the audience to take the lyrics, but apparently they don't; he bangs on the mike with his hand as if he's expecting something more. (12) Big Man With A Gun Trent starts this song out with a rallying cry: "Come ON!!!" He then offers some advice to the audience: "If anybody feels like hurting themselves .. you should do it NOW!!!" Beyond that, this is pretty much standard TDS fare. (13) Head Like A Hole Pretty standard. Trent makes it a point to refer to "God of money" as opposed to "God Money," as he does on PHM. This ends the concert, and marks the beginning of the encore. (14) Dead Souls This is a very nice live recording of this song, and it sounds very similar to what appears on The Crow soundtrack. In a rare show of gratitude (for this particular show, anyway) Trent begins the song with a humble "Thank you .." This was a very nice selection to play for the beginning encore; it's a somewhat unexpected song. (15) Help Me I Am In Hell Much like on Broken, the sole purpose of this song is to serve as an intro to "Happiness In Slavery"; the version that was performed in this concert is a slighly expanded version of the original song. (16) Happiness In Slavery Standard fare for a live version of HIS; this particular rendition is cut short, but not by much. It fades out at the end. Trent's comments including replacing "I have found you can find happiness in slavery" with "I have found you can find, fuck you." From CHRISE |
| Traded From | Clinton May |
| Traded From Email | maycc@rose-hulman.edu |
| Trades Allowed |
Performance
| Nine Inch Nails 1994-05-25 Brixton Academy, London, England | |
|---|---|
| Set 1 | Pinion / Terrible Lie
Sin March of the Pigs Something I Can Never Have Closer Reptile Wish Suck The Only Time Get Down Make Love Down In It Big Man With A Gun Head Like A Hole Dead Souls Help Me I Am In Hell Happiness In Slavery |
| Set 2 | |
| Set 3 | |
| Comment | |