Identifier4985757
Created AtTue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time)
Media TypeSHN HDD
Media Count1
NoteJohn Mayer
28 December 2004
Webster Hall
New York, New York

Taper: Chris Jones <jones.chris@gmail.com>
Source: DPA 4011 > Luminous Audio Technology Synchestra 4/9's Silver XLR Interconnect > Apogee Trak2 Integrated Pre | 24/96 A/D (@ 96kHz) > Luminous Audio Technology Allegro Signature 4/9's Silver AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz via AES/EBU) > Apple Titanium Powerbook G4 1gHz/768MB > Metric Halo Mobile I/O Beta Recording Console dspBeta26 (@ 24-bit/96khz)
Location: Slightly stageleft of DFC, just FOB, ~ 50' from stage; stand at 14', mics ORTF.
HD > .shn: Apple Powerbook G4/1ghz/768MB > Apple Power Mac G4 MP800/512 > MOTU Digital Performer 4.12 > T.C. Works Spark XL 2.8 > xACT v1.12

Dithered to 16-bit and resampled via MegaBitMax and its Ultra-Noiseshaping function.

d1t01 Introduction 01:06.36
d1t02 Empty Arms 04:18.34
d1t03 So Excited 04:56.20
d1t04 Bleeding Hearts Blues 11:50.07
d1t05 Feels Like Rain 08:31.28
d1t06 I'm Tore Down 06:29.73

37:12.48

d2t01 Little Wing 08:31.10
d2t02 Wait Until Tomorrow (Steal My Kisses) 05:41.24
d2t03 Machine Gun / Voodoo Chile (Slight Return) 18:07.40
---
d2t04 Wind Cries Mary 05:08.24
d2t05 Come Back To Bed 07:20.42

44:48.65

Notes:

24/96 .flac24 files available.

Compiled by Chris Jones <jones.chris@gmail.com> 1 January 2005.


Source InfoDPA 4011 > Luminous Audio Technology Synchestra 4/9's Silver XLR Interconnect > Apogee Trak2 Integrated Pre | 24/96 A/D (@ 96kHz) > Luminous Audio Technology Allegro Signature 4/9's Silver AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +D
Trades Allowed
Taper Name Chris Jones
Performance
John Mayer 2004-12-28 Webster Hall, New York, NY
Set 1Empty Arms
So Excited
Bleeding Hearts Blues
Fells Like Rain
I'm Tore Down
Little Wing
Wait Until Tomrrow (Steal My Kisses)
Machine Gun>Voodoo Chile (Slight Return)
E: Wind Cries Mary
Come Back to Bed
Set 2
Set 3
Comment