| Tech Note | Source: Separate from Soundboard 16 track Mix (see notes below) > DAT@44.1
Conversion: Tascam DA-20 MkII-> Monster Coax-> M-Audio Audiophile 24/96->
Soundforge 5.0e (48KHz->44.1KHz at highest setting [4 of 4],
with anti-alias filter)-> CD Wave 1.62-> mkwACT v0.97
**No DAE at all**
Minor Edits: Fades in/out at cassette flip, as well as the start/end of set.
"Sbd/Aud mixes: The following shows were recorded to DAT from a separate
recording board at the shows. They are some of the highest quality
Phish tapes in existence: 4/22/90, 10/30/90, 10/31/90, 11/2/90,
11/3/90, 11/4/90, 3/13/91, 3/15/91, 3/16/91, 3/17/91, 3/22/91,
3/23/91, 4/5/92.
Except for the 4/5/92 tape, they have all been fairly widely circulated.
They were done on a large recording console (not EQ) and mixed completely
separately from the board mix, rumoredly done in a truck outside the venue. The engineer used 2 audience mics to mix in crowd/hall ambience (on most of them). See also, PA info."
Quoted from: http://www.phish.net/PhishFAQ/tquality.html
Info From Kevin Shapiro: "11/3/90 and the other tapes of the era (10/30-11/4) were all done by Mike Grace through a separate 16 track mixer and run direct to 2 track DAT. He basically used the same setup in Spring 1991 too."
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Transferred by Dan Marquardt , please contact me with questions/comments.
There are also 48KHz shn's of this seed for archival. |
