| Identifier | 4941372 |
| Created At | Mon Dec 20 2004 23:57:08 GMT+0000 (Coordinated Universal Time) |
| Media Type | flac (2) |
| Media Count | 2 |
| Source Info | Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > Mastering (see info file) > CDWav > SHNv3 |
| Microphones | Nak 300 |
| Tech Note | TAPER: John Redmond SOURCE Nak 300s > D5 patch source: Sony ECM-MS5s AUD MCass (Maxell MX 100 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +10dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: the 24/48 FLACs were loaded into the Wavelab Audio Montage, and the NAK 300 source was lined up with the Sony ECM-MS5 source. Patches from the Sony mic source occur in the following places: Approx. 55 seconds into Landlady there was a dropout (patched for 5 seconds). After Funky Bitch there was a cut/dropout in the crowd noise (patched until first notes of Stash). Following Lawn Boy there was a tapeflip and the Tweezer intro was cut (patched from first notes of Tweezer for about 9 seconds). During Lizards, the Nak source was cut right after the "woah, woah" section, before the quiet building section (patched until the end of show). I smoothed out level changes in Stash, Tube, and McGrupp > HYHU with vector based volume curves. The following mastering processes were used: Waves REQ 2-band, rolloff at 42Hz, Blue Tubes FA770 compression, BBE Sonic Maximizer and the Waves L2. The audio was downsampled to 44.1 with the 192KHz Stereo Resampler, and rendered to 16-bits with UVHR22 dithering. The resulting .WAVs were tracked in CD-WAV and converted to SHNv3 (seektables appended). transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/7/2003 All edits and mastering were peformed on Doomtooth by shakedown@furthurnet.org on 11/01/03. The first Tweezer Reprise? The taper ran two D5s from two different mic sources for this night and 9/21/90. The mics both nights were Nak 300s and Sony ECM-MS5s. For 9/20/90, the sources were not labeled on the tapes or tape cover as to which mics were used for each source. Source information was determined by comparison with the 2 labelled sources for 9/21/90. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). |
| Trades Allowed | |
| Taper Name | John Redmond |
Source
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 20615 | 1990-09-20 | Somerville Theater | Somerville | MA | |
| Nak 300 > D5 > Cass/0 (Maxell MX 100 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +10dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > Mastering (see info file) > CDWav > SHNv3 | |||||
Performance
| Phish 1990-09-20 Somerville Theater, Somerville, MA | |
|---|---|
| Set 1 | [tuning/crowd] The Landlady AC/DC Bag Bouncing Around the Room The Asse Festival The Squirming Coil My Sweet One Divided Sky Magilla The Oh Kee Pa Ceremony > Suzy Greenberg Possum |
| Set 2 | Funky Bitch Stash Uncle Pen Tube Lawn Boy % Tweezer > Buried Alive > Tweezer Reprise > McGrupp and the Watchful Hosemasters HYHU > Love You > HYHU Run Like an Antelope E: The Lizards |
| Set 3 | |
| Comment | |