Identifier4930503
Created AtThu Dec 16 2004 01:15:10 GMT+0000 (Coordinated Universal Time)
Media TypeSHN (1)
Media Count2
Source Info AUD > Nak CR-1A > Cass/0 (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +12dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC (24-bit) > Mastering (see notes) > SHNv3; T
Microphonesunknown mics
Tech NoteAUD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +12dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes) > SHNv3 (transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 09/28/2003) Mastering info: both FLAC files were converted to .WAV with FLAC v1.1.0 and loaded into Wavelab. X-Noise was used to remove the noise floor. This cassette sounded great, there was'nt much to deal with in terms of noise. The 2-band EQ was used first in the chain to roll-off below 55Hz (this helped reduce some of the impact of those boomy bursts of wind), the BBE Sonic Maximizer was used to "brighten" the top end, I had Process set to just below 3, Lo Contour at halfway to 1. The Blue Tubes LM2S topped it all off with final limiting and gain. The stereo 192KHz resampler was used for the sample rate conversion and UV22 HR was used for the dither when the files were rendered from 24-bit to 16-bits. All edits and mastering performed in WaveLab on Doomtooth by shakedown 10/31/03 - shakedown@furthurnet.org Anomolies: The recording is a little "boomy" in spots, and there are bursts of wind noise. There is also a weird phasi-ness which I attribute to poor stereo mic'ing and some wind at certain points, or maybe it's just people walking in front of the mics. I removed some "crackle" from points in YEM with the Waves X-Crackle. I used a crossfade to smooth over the tape flip. There is a dropout in Divided Sky, I smoothed it out with a fade. During Walk Away you can hear someone (the taper?) ask "where you gonna put it?" and something was placed in front of the mics, the phase of the recording is thrown off until after Walk Away. There was a cut/dropout in the crowd noise before Love You. It sounds like the taper may have moved the mics, as the bass is more present and there is a greater dynamic to the AUD. Notes Only one set played this night. The segue between Dinner & a Movie and Bouncin' is a nice tight drop Fluffhead is dedicated to Sarah, on her birthday. NO tracking/editing/alterations performed before archiving to 24-bit FLAC(except to trim silence from the ends).
Trades Allowed
Taper NameJohn Redmond
Source
SHNIDDateVenueCityStateArchive Identifier
206111990-04-29Woodbury Ski & Racquet ClubWoodburyCT
AUD > Nak CR-1A > Cass/0 (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +12dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC (24-bit) > Mastering (see notes) > SHNv3; Taped by John Redmond
Performance
Phish 1990-04-29 Woodbury Ski & Racquet Club, Woodbury, CT
Set 1Carolina, Possum, Ya Mar, You Enjoy Myself, Dinner And A Movie > Bouncing Around The Room, Uncle Pen, The Divided Sky, Fluffhead, Walk Away, Love You, The Lizards

E: Fire
Set 2

Set 3

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