Identifier | 4877305 |
Created At | Wed Nov 24 2004 11:51:24 GMT+0000 (Coordinated Universal Time) |
Media Type | SHN |
Media Count | 2 |
Note | Phish
Campus Club Providence, RI 3/13/92 Lineage: S:MCass>(DAT ?)>PCM>CD>EAC>SHN **update** S:MCass>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHN Disc 1 / Set 1: 1. The Curtain > 2. Split Open and Melt * 3. Poor Heart > 4. Guelah Papyrus 5. Maze 6. Dinner and a Movie > 7. Divided Sky Disc 2: 1. Mound > 2. Fluffhead > 3. Run Like an Antelope > 4. BBFCFM^ > 5. Run Like an Anteope Set 2 6. Wilson^^ > 7. Brother > 8. The Horse > 9. Silent in the Morning Disc 3: 1. The Landlady > 2. Lizards 3. My Mind's Got a Mind of its Own 4. The Sloth > 5. Rift 6. Cold As Ice 7. Love You > 8. Cold As Ice 9. Possum^^^ Encore 10. Contact 11. Fire Notes: The "?" in the lineage is not an extra analog generation. I'm just not sure if the PCM came from a DAT or not, thus I put the question mark in. I transferred the PCM, removed the DC offset, converted from 44.056Khz to 44.1Khz at the highest quality setting, tracked, and burned this show on July 30, 2003. I wonder if perhaps the master was recorded with Dolby on and played back with it off. It seems a bit too bright to me. However, I did not mess with the recording in any way. Enjoy! * - There is a very small dropout at 2:10. I tried several times to get a clean read off the PCM tape at that spot, but could not. It's hardly noticable, though. ^ - Has a vocal jam based on "Hawaii" and a "Lullabye" tease in it. ^^ - "Somewhere Over the Rainbow" tease to start ^^^ - Trey explains secret language David Hollister ***RE-MASTERING NOTES 8/2003*** This show almost certainly has the pre-emphisis enabled if this a *true* PCM recording. That is the most likely cause for the overly harsh sound of the show. Upon getting these SHN's, they were loaded into REBA and passed through a 20band Parametric EQ with the J17 de-emphisis setting. Next in store for this show was a pass through the BBE Sonic Maximizer. This was used to really bring the mix together....it really brought out the low end very well. You can actually hear Mike's bass now ;-) The reason this was done is because if you listen real closely, you may notice you hear a lot of room dynamics....the recording had a slight time smear problem because of the 2 sources used to record this. The BBE unit was used to correct for this. Yes, you heard me right...I think this is a matrix, SBD+AUD. The SOAM has some nasty feedback. I crossfaded the feedback to "lessen" the damage to our ears. The pops in Fluffhead were toned down somewhat, but I had to leave BBFCFM alone....most of the distortion you hear is not dropouts but rather mic overload. The show was re-mastered, re-tracked, then shn'd in August 2003. Remastering by Mr. Marmar |
Source Info | SBD > Cass/0 > DAT > PCM > CDR > EAC > SHN > Reba (fixes) > SHN |
Trades Allowed |
Source
SHNID | Date | Venue | City | State | Archive Identifier |
---|---|---|---|---|---|
18911 | 1992-03-13 | Campus Club | Providence | RI | |
SBD > Cass/0 > DAT > PCM > CDR > EAC > SHN > Reba (fixes) > SHN |
Performance
Phish 1992-03-13 Campus Club, Providence, RI | |
---|---|
Set 1 | The Curtain, Split Open and Melt, Poor Heart, Guelah Papyrus, Maze, Dinner and a Movie, Divided Sky, Mound, Fluffhead, Run Like an Antelope > B.B.F.C.F.M. > Run Like an Antelope |
Set 2 | Wilson > Brother, The Horse > Silent in the Morning, The Landlady, Lizards, My Mind's Got a Mind of its Own, The Sloth, Rift, Cold as Ice > Love You > Cold as Ice, Possum*, E: Contact, Fire |
Set 3 | |
Comment | * Trey explains the "Secret Language." |