Identifier | 4860988 |
Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
Media Count | 2 |
Note | From: Shelly Culbertson
Subject: sing any note Date: Sat, 7 Mar 92 12:26:18 PST One thing I was really excited to read about was the audience participation aspect of the show. This particularly intrigued me because I had suggested to Trey on the phone that they might try this! That conversation came about as a result of something he said during the post-Somerville interview, that they'd like to tour with a choir, who could (for example) sing a dissonant chord during the jam in Tweezer. I suggested having the audience do it, in response to some sort of signal from the band, and sent him a copy of an interview with Brian Eno where he talks about trying something like this: "I noticed this when I worked on this Cornelius Cardew piece a long time ago called `The Great Learning'. The first instruction is `Sing any note'. You choose randomly. And you do it with a big group of people. And the first chord they hit is very dense and beautiful because people really are singing every note. But they very quickly slide into a few families of notes. And I always liked that first note when you have this beautiful, dense, breathy sound." |
Source Info | Purported SBD > Cass/1 > DAT |
Trades Allowed |
Performance
Phish 1992-03-06 Portsmouth Music Hall, Portsmouth, NH | |
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Set 1 | Rift*, Cavern, Sparkle, It's Ice, Oh Kee Pa Ceremony, Divided Sky, Guelah Papyrus, Maze*, Reba, All Things Reconsidered, David Bowie |
Set 2 | My Friend My Friend*, Poor Heart, "Secret Language" Explanation, Stash, Mound*, Llama, Bouncing Around the Room, NICU, Possum, E: Sleeping Monkey* |
Set 3 | |
Comment | *First time played. |