| Identifier | 4841672 |
| Created At | Thu Nov 11 2004 17:06:59 GMT+0000 (Coordinated Universal Time) |
| Media Type | SHN (1) |
| Media Count | 1 |
| Note | - Most of the cuts were faded as best as possible to lessen the shock to the ears....There are also some strange moments of mixing where Trey's guitar is no longer being played through the PA.
Thanks to John Redmond for the Cassette. John received his copy of this show from Ben Hunter in late 88 or early 89. We are assuming it is Cass/1 since Hunter most likely made this copy of the master, but it is possible it is Cass/2, This is the only part of this show John has in his collection. *Marmar's source comment* I will have to agree that this is most likely a Cass/1 copy. It is just too clean to be any higher. The bass is still very will defined, and the highs aren't lost in the hiss at all. NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). |
| Source Info | Set 2,3p only; SBD > Cass/1; Sony TC-WE805S > Art DI/O @48kHz (Input gain +~14dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > Wavelab (24>16bit,48>44.1kHz) > SHNv3 |
| Microphones | SBD |
| Tech Note | SOURCE SBD > Cass/1 SBD Cass/1 (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0)> Mastering (see notes)> SHNv3 Transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 1/17/2004 Mastering, and shorten done on REBA by Marmar- imthemarmar@stny.rr.com *Mastering* 24bit 48kHz FLAC > wav > Montage to reconstruct sets and add fades over flips/cuts > Internal 24bit rendering (no dither) > BBE @ 0/2/0 > Waves Rbass Module +1db @ 40Hz > C4 Compressor > Internal 24bit renerding (no dither) > Rendered 24/48 wav files > Waves L1+ (24bit, no dither, +7.0 gain make-up) > 48kHz>44.1/High and 24bit>16bit/Mode 2/Medium via tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3 |
| Trades Allowed | |
| Taper Name | Unknown |
Source
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 23219 | 1988-10-29 | Sculpture Room, Goddard College | Plainfield | VT | |
| Set 2,3p only; SBD > Cass/1; Sony TC-WE805S > Art DI/O @48kHz (Input gain +~14dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > Wavelab (24>16bit,48>44.1kHz) > SHNv3 | |||||
Performance
| Phish 1988-10-29 Sculpture Room, Goddard College, Plainfield, VT | |
|---|---|
| Set 1 | Suzie Greenberg, Lizards, Time Loves a Hero, Golgi Apparatus, Bold as Love, La Grange, Contact, Harry Hood |
| Set 2 | Halley's Comet > Whipping Post, Fee, Alumni Blues, Walk Away, Divided Sky, Curtis Lowe*, Mike's Song, Take the A-Train, Fire |
| Set 3 | Fluffhead, Good Times Bad Times, You Enjoy Myself > Possum, AC/DC Bag, Foam, Terrapin, Big Black Furry Creatures From Mars, Timber (Jerry), Slave to the Traffic Light, Donna Lee, Run Like an Antelope, I Didn't Know, Wilson > Peaches en Regalia, Funky Bitch |
| Comment | * With Bobby Brown; Partial Set 3 (AC/DC > end) also circulates as 10-29-87 Set 3 before show date merge, but this is the correct date as found in the Phish Companion. |