| Identifier | 4838023 |
| Created At | Tue Nov 09 2004 21:40:11 GMT+0000 (Coordinated Universal Time) |
| Media Type | flac (2) |
| Media Count | 2 |
| Note | From: Shelly Culbertson
Subject: sing any note Date: Sat, 7 Mar 92 12:26:18 PST One thing I was really excited to read about was the audience participation aspect of the show. This particularly intrigued me because I had suggested to Trey on the phone that they might try this! That conversation came about as a result of something he said during the post-Somerville interview, that they'd like to tour with a choir, who could (for example) sing a dissonant chord during the jam in Tweezer. I suggested having the audience do it, in response to some sort of signal from the band, and sent him a copy of an interview with Brian Eno where he talks about trying something like this: "I noticed this when I worked on this Cornelius Cardew piece a long time ago called `The Great Learning'. The first instruction is `Sing any note'. You choose randomly. And you do it with a big group of people. And the first chord they hit is very dense and beautiful because people really are singing every note. But they very quickly slide into a few families of notes. And I always liked that first note when you have this beautiful, dense, breathy sound." |
| Source Info | This is a pitch-corrected reseed of SBD > Cass/1 > DAT; Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz) > CD Wave > shntool > FLAC; Primary transfer by Robert Brown; Resampling, tracking and fixes by Ben Mohr; Pitch |
| Microphones | SBD |
| Tech Note | Source: Purported SBD > Cass/1 > DAT Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz*) > CD Wave > shntool > FLAC Primary transfer by Robert Brown Resampling, tracking and fixes by Ben Mohr (benjamin.mohr@ce.gatech.edu) Pitched-corrected on 7/16/2004 by Mike Wren (mw@mikewren.com) FLAC metadata and replaygain added on 7/16/2004 by mw@mikewren.com Notes: -Tape flips: d1t07 12:07 (39:40) d2t01 13:52 (40:58) d2t07 04:24 (49:49)/d2t08 03:11 (53:00) -Two areas of tape warble at beginning of d2t09 Fixes: - Removed DC offset from entire show - Smoothed skip d1t02 0:58.009 - Replaced L channel static d1t06 1:55.013-1:55.325 with R channel - Smoothed diginoise d2t01 11:00.905-11:00.946 - Remove whine d2t02-d2t11 in Samplitude v6 using FFT Filter/Spectrum Analyzer centered at 16020Hz by 33dB (range=15515-16520Hz) and modified slightly for each track - with anti-alias filtering and interpolation accuracy of 4 Pitch Correction: - Entire show was 75 cents sharp, so I adjusted accordingly in Sound Forge 6 (pitch shife quality level 3) --- This added about 3 minutes to the length of each set - Knocked down the annoying 130Hz rumble by 4dB - Added friendly fades at the start and end of sets - Retracked in CD Wave |
| Trades Allowed | |
| Taper Name | Unknown |
Source
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 25303 | 1992-03-06 | Portsmouth Music Hall | Portsmouth | NH | |
| Note: This is a pitch-corrected reseed of this source Purported SBD > Cass/1 > DAT; Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz) > CD Wave > shntool > FLAC; Primary transfer by Robert Brown; Resampling, tracking and fixes by Ben Mohr; Pitched-correction by Mike Wren | |||||
Performance
| Phish 1992-03-06 Portsmouth Music Hall, Portsmouth, NH | |
|---|---|
| Set 1 | Rift*, Cavern, Sparkle, It's Ice, Oh Kee Pa Ceremony, Divided Sky, Guelah Papyrus, Maze*, Reba, All Things Reconsidered, David Bowie |
| Set 2 | My Friend My Friend*, Poor Heart, "Secret Language" Explanation, Stash, Mound*, Llama, Bouncing Around the Room, NICU, Possum, E: Sleeping Monkey* |
| Set 3 | |
| Comment | *First time played. |