Identifier | 4830079 |
Created At | Sat Nov 06 2004 15:14:09 GMT+0000 (Coordinated Universal Time) |
Media Type | SHN (2) |
Media Count | 2 |
Source Info | Set 1p,2p; SBD > Cass/2 (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~14dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > remastering (see info file) > CDWav > SHNv3 |
Microphones | SBD |
Tech Note | SOURCE 2nd gen SBD SBD Cass/2 (Maxell XLII-S 90 min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (archived) > Mastering > SHNv3 Mastering Notes: The FLAC24's were converted to .WAV with FLACv1.1.0 and opened in Wavelab. I used X-Noise on both files and rendered both files at 24/48. I re-opened both files in the Montage window, performed a fade at the start of Antelope and at the end of Esther and performed the following mastering processes: Waves REQ (rolloff @ 40Hz), Blue Tubes FA770, BBE Sonic Maximizer (lo contour at a notch about 3, process just below 2), Blue Tubes LM2S. The .WAV was downsampled with the 192KHz Stereo Resampler and rendered at 16-bits. Tracking was done in CD-WAV, and the files were converted to SHNv3 (seek tables appended). |
Trades Allowed | |
Taper Name | John Redmond |
Source
SHNID | Date | Venue | City | State | Archive Identifier |
---|---|---|---|---|---|
20378 | 1990-01-26 | Tree Cafe | Portland | ME | |
Set 1p,2p; SBD > Cass/2 (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~14dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > remastering (see info file) > CDWav > SHNv3; Taped by John Redmond |
Performance
Phish 1990-01-26 Tree Cafe, Portland, ME | |
---|---|
Set 1 | Partial
01. //Antelope 02. Tela 03. Divided Sky 04. Carolina 05. Communication Breakdown |
Set 2 | Partial
01. Tuning/mic checks 02. Squirming Coil > 03. Split Open & Melt 04. Esther// 05. Reba 06. Jesus Left Chicago 07. AC/DC Bag 08. Lawn Boy 09. My Sweet One 10. Foam 11. Caravan |
Set 3 | |
Comment |