| Identifier | 4486773 |
| Created At | Sun Jul 04 2004 17:31:12 GMT+0000 (Coordinated Universal Time) |
| Media Type | SHN (2) |
| Media Count | 2 |
| Source Info | ource: DPA 4015 Wide Cardioid > Luminous Audio Technology Synchestra 4/9's Silver XLR Interconnects > Apogee Trak2 Integrated Pre | 24/96 A/D (@ 96kHz) > Luminous Audio Technology Allegro Signature 4/9's Silver AES/EBU Interconnect > Metric H |
| Microphones | DPA 4015 Wide Cardioid |
| Microphone Location | Section A, Row T, Seats 8 and 9. Stageleft stack, stand at 15' |
| Tech Note | Taper: Chris Jones Source: DPA 4015 Wide Cardioid > Luminous Audio Technology Synchestra 4/9's Silver XLR Interconnects > Apogee Trak2 Integrated Pre | 24/96 A/D (@ 96kHz) > Luminous Audio Technology Allegro Signature 4/9's Silver AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO b26 Recording Console (@ 24-bit / 96kHz) Location: Section A, Row T, Seats 8 and 9. Stageleft stack, stand at 15', 4015's spaced 1', A-B, as part of a modified Corey-Martin surround configuration (see below). HD > .shn: Apple PowerBook G4/1gHz/768MB > Apple Power Mac G4 MP800/512 > MOTU Digital Performer 4.12 (@ 24/96kHz) > Spark XL 2.8 > xACT 1.3 Dithered to 16-bit and resampled via T.C. Works' MegaBitMax and its Ultra-Noiseshaping function. Dave breaks strings on both "Too Much" and "Tripping Billies" 24-bit, 96kHz .flac24 files of this stereo recording are available immediately. Mics were arrayed in a Corey-Martin surround configuration, with 4015 subcardioids (the source of this recording) A-B, spaced about 1', and a pair of DPA 4011's oriented vertically, aimed at the roof of the amphitheatre, spaced about 1', and placed behind the forward-facing subcardioids. All channels were tracked to disk simultaneously, and in addition to a 24/96 .flac stereo version, a surround.flac24 version is available, from which a 4-channel DVD-Audio disc (Lf, Rf, Lr, Rr) can be authored. The source for the surround channels was the following: DPA 4011 > DPA AO0182 XLR > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO Beta Recording Console (@ 24-bit / 96kHz). |
| Trades Allowed | |
| Taper Name | Chris Jones |
Source
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 24799 | 2004-06-24 | Germain Amphitheatre | Columbus | OH | |
| Taper: Chris Jones | |||||
Performance
| Dave Matthews Band 2004-06-24 Germain Amphitheatre, Columbus, OH | |
|---|---|
| Set 1 | Ants Marching
Rhyme & Reason --> Good Good Time Don't Drink The Water Hello Again What Would You Say Dancing Nancies Sugar Will Where Are You Going Recently Jimi Thing Joy Ride If I Had It All Drive In Drive Out Crazy-Easy So Much To Say --> Anyone Seen the Bridge --> Too Much Encore: Tripping Billies |
| Set 2 | |
| Set 3 | |
| Comment | Entire show with Butch Taylor on keyboards. |