| Identifier | 4464020 |
| Created At | Sun Jul 11 2004 20:59:56 GMT+0000 (Coordinated Universal Time) |
| Media Type | .shn |
| Media Count | 1 |
| Note | Master: Neumann KM 140's (ORTF, suspended over main floor from ceiling beam,
- 15'from stage, 8' high, center)>SD MP-2>SBM-1>DAT @48hz (D8) Transfer: DAT @ 48hz (PCM R500)>VXPocket v2>Sound Forge (v. 4.5a) (48>44.1hz resample)> WAV>CDWAV (v.1.71)>mkwACT (v.0.97b1)>SHN |
| Trades Allowed |
Source
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 15531 | 2003-02-20 | The Conga Room | Los Angeles | CA | |
| Master: Neumann KM 140's (ORTF, suspended over main floor from ceiling beam, 15'from stage, 8' high, center) > SD MP-2 > SBM-1 > DAT @48kHz (D8) Transfer: DAT @ 48kHz (PCM R500) > VXPocket v2>Sound Forge (v. 4.5a) (48>44.1kHz resample) > WAV > CDWAV (v.1.71) > mkwACT (v.0.97b1) > SHN Mastered and Transfered by Dan Gale (dgale@loslobos.org) http://LosLobos.setlist.com | |||||
Performance
| Los Lobos 2003-02-20 The Conga Room, Los Angeles, CA | |
|---|---|
| Set 1 | Disc 1:
1. *El Canelo 5:09 2. *La Iguana 4:42 3. *La Pistola y El Coraz?n 4:15 4. *La Feria de Las Flores 3:34 5. *Imploraci?n 3:53 6. *Los Ojos de Pancha 3:58 7. *Sabor a M? 5:53 8. *Bon Bon de Elena 5:21 9. Luz De Mi Vida 5:10 10. Malaq?e> 5:19 11. Maria Christina 4:55 12. Carabina 30-30 4:04 13. Soy Mexico Americano 2:39 14. Volver, Volver 4:33 15. Big Boss Man Tease 0:52 Disc 2: 1. +Cumbia Raza 7:25 2. Good Morning Aztl?n 5:09 --------- Encores: 3. Crowd/Tuning 1:47 4. Maricela 5:32 5. Mas y Mas 10:16 *-Performed with acoustic instruments +-w/David Hidalgo on percussion |
| Set 2 | |
| Set 3 | |
| Comment | Note: This show was plagued with various sound problems, including an intermittent PA buzz (due to grounding problems caused by the last minute addition of a neon light over the stage by venue staff), and low vocal levels in the mix (especially Cesar's vocals durint the acoustic portion). In addition, the uptight nature of the venue management resulted in the need to suspend mics out of sight from a ceiling beam near the stage...this recording suffers somewhat from these problems but otherwise captures a unique and enjoyable show.
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