| Identifier | 4421690 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Media Type | cdr |
| Media Count | 1 |
| Note | The sound rating varies greatly, NOT because of the actual quality of the tape, but because the MIX completely changes! For the first 2 songs, you can barely hear Bloomfield... he is wayyyy in the back, with the horns blaring. Halfway through track 3, his volume is raised way up to the normal level, and from then on the mix is very good. There are various parts throughout where randomly instruments get boosted for a short bit, but it's not annoying.
Bloomfield's playing throughout the whole show is great. TRACK 5 is Blues for the Westside. |
| Traded From | SharingtheGroove.org |
| Trades Allowed |
Performance
| Electric Flag 1968-05-18 The Carousel Ballroom, San Francisco, CA | |
|---|---|
| Set 1 | Soul Searchin'
Milk Cow Blues I'd Rather Drink Muddy Water Groovin' is Easy |
| Set 2 | Intro/Introductory Theme
Blues for the Westside Texas Hey Joe It Takes Time I've Been Lovin' You Too Long Another Country Ain't No Doctor Don't You Lie to Me Soul Searchin' |
| Set 3 | |
| Comment | Mike Bloomfield: guitars Nick Gravenites: vocals Buddy Miles: drums, vocals Barry Goldberg: keyboards Harvey Brooks: bass guitar Kerbie Rich: baritone sax Marcus Doubleday: trumpet, flugelhorn Peter Strazza: tenor sax This three day run at The Carousel Ballroom was a feast for horn section fans, featuring Pacific Gas & Electric, Electric Flag and Don Ellis and His Orchestra. Due to popular demand, a matinee show was added. Although Electric Flag was the headliner for these shows, they opted to go on second to allow Don Ellis and His Orchestra to close the shows. These sets feature the original lineup, toward the end of founder, Michael Bloomfield's, involvement. He would depart shortly thereafter, leaving the band to struggle onward for several months before disbanding. However, at this point the band was full of fire and highly influential. Their unique blend of soul, rock and blues, punctuated by horns, didn't go unnoticed. Later that year, Al Kooper would create a similar band, Blood Sweat and Tears, and Chicago Transit Authority would also use this formula, both achieving far greater commercial success. However, it was Electric Flag that created the template and who were the most diverse musically. The incendiary guitar playing by Bloomfield during this time period set a level that few (if any) other white guitar players could match. The afternoon show was a relatively short affair with Electric Flag relegated to a half hour set. Apparently, Mike Bloomfield and Nick Gravenites were late to arrive and surprisingly, the rest of the group begins. The group uses this number to warm up their chops, while waiting for their frontmen to arrive. Due to Bloomfield's absence, this is a unique version that features extended sax solos and extra improvisation. This is a mix in progress until close to the third minute, and there are also some pitch problems evident as the tape speed varies throughout the song. Bloomfield arrives onstage during the last two minutes, but sits out until the next number. After several minutes of getting Bloomfield tuned up and situated, they tear into the old traditional, "Milk Cow Blues." Nick Gravenites takes lead vocals and with no warm-up necessary, Bloomfield immediately tears it up on this funky blues tune. Giving Bloomfield another chance to display his extraordinary technique, they next ease into a slow smoldering rendition of B.B. King's "I'd Rather Drink Muddy Water," a song they never released themselves. Following a two minute guitar solo intro section, Buddy Miles takes over on vocals. Following the verses, the group eases the dynamics way down low, letting Bloomfield solo in an unusually delicate and tasteful manner, before building it back up. They close the set with their first single, "Groovin' Is Easy," Gravenites again taking over on lead vocals. The big horn section sound, swirling organ and Miles' fatback drumming kick this into high gear. In this mix the separation is very audible and one can clearly hear the nuances that Bloomfield is adding as a support player. As a bonus, Bloomfield lets it rip by adding a demented psychedelic guitar solo near the end. |