| Identifier | 4341227 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Reference Number | 0003038216 |
| Status | 1 |
| Media Type | SHN & CD-R |
| Media Count | 3 |
| Note | Grateful Dead
07/15/88 Greek Theatre - Berkeley, CA Source: 2nd Row Behind Healy. Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters. Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR Recording and Transfer: Sean Weber-small EAC (Plex 8x, see log in individual folders) > Shn via MKW .97 by Bill Gardner, bgard@speakeasy.net **DISC 1** T01: Crowd/Tuning T02: Shakedown Street T03: Walkin' Blues T04: Friend Of The Devil T05: Queen Jane T06: Dire Wolf T07: Good Time Blues T08: Cassidy T09: Bertha / crowd T10: Sounds of set break **DISC 2** T01: Crowd/Tuning T02: Scarlet Begonias > T03: Fire On The Mountain T04: Women Are Smarter T05: Ship of Fools T06: Estimated Prophet > T07: Drums > **DISC 3** T01: Space > T02: I Need A Miracle T03: The Wheel T04: Gimme Some Lovin' T05: Morning Dew T06: Crowd/Tuning T07: Turn On Your Love Light Comment: Rex Benefit, FM Broadcast KPFA Berkeley. Quick level change at beginning of Shakedown. Notes: This was a great show for me opening with a scorching Shakedown Street. From the first few minutes of the show I knew it was going to be a good Phil show, as the Greeks usually were. The Morning Dew has a dangerous Phil note. Please use with care! I remember having a tough time getting set up the first night as I did not have the real estate I wanted. After some bartering, nudgeing and kanoodling, I was able to set one mic stand on the isle (which runs exactly through the middle of the Greek) and clamped onto a friends stand about 13' to 14' down the row. Believe it or not (oh that was the third day...) I would use a white piece of rope (capsule to capsule) to try and judge if the mics were "close" to being on-axis to the speaker arrays. The mics were essentially directly behind Dan Healy's mixing console. From past experience I knew Dan would ride his right main fader to compensate for being on the left hand side of the isle. Standing behind him was clearly the center. I also intentionally chose the second row behind the soundboard due to the bands' guests who often were chatty at the most inapropriate times! There was nothing like a Greek Show. For anyone who saw the Dead at the Greek and for anyone who wishes they had, this ones for you. Turn back the clock to a simpler time by dropping disc one into your player and hearing a very good representation of what it sounded like at the Greek this particular Friday night. - SWS |
| Source Info | 2nd Row Behind Healy. Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filter Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR |
| Tech Note | 1 & 2 |
| Trades Allowed | |
| Attendence | 0 |
Performance
| Grateful Dead 1988-07-15 Greek Theatre, U. Of California, Berkeley, CA | |
|---|---|
| Set 1 | Shakedown Street Walkin' Blues Friend Of The Devil Queen Jane Approximately Dire Wolf Never Trust A Woman Cassidy > Bertha |
| Set 2 | Scarlet Begonias > Fire On The Mountain Man Smart (Woman Smarter) Ship Of Fools Estimated Prophet > Drums > Space > I Need A Miracle > The Wheel > Gimme Some Lovin' > Morning Dew Turn On Your Lovelight |
| Set 3 | |
| Comment | Rex Benefit FM Broadcast KPFA Jerry Garcia - Guitar Bob Weir - Guitar Brent Mydland - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums |