| Identifier | 4292951 |
| Created At | Mon May 03 2004 08:39:47 GMT+0000 (Coordinated Universal Time) |
| Media Type | SHN |
| Media Count | 2 |
| Source Info | AKG 481 > Beyer MV-100 > SBM-1 > DA-P1 |
| Microphone Location | DFC, Front row OTS |
| Trades Allowed | |
| Taper Name | Mark Ruenes (thrak@flex.net) |
| Attendence | No |
Source
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 16675 | 2000-10-01 | Desert Sky Pavilion | Phoenix | AZ | |
| AKG 481 > Beyer MV100 > SBM-1 > D100; DTC700 > ZA2 > PC > SHN; Note: this is a fixed (SBE) version of this source; Admin Note: the .afp file is the same as a flac fingerprint, so that if this fileset was converted to FLAC the ffp would match this afp ensuring that the conversion hadn't removed any data | |||||
Performance
| Phish 2000-10-01 Desert Sky Pavilion, Phoenix, AZ | |
|---|---|
| Set 1 | First Tube > Wolfman's Brother, Back On The Train, Beauty Of My Dreams, Vultures, The Inlaw Josie Wales, Billy Breathes, Llama*, Lawn Boy, Runaway Jim |
| Set 2 | Roses Are Free, Piper** > Guy Forget*** > When The Circus Comes To Town > Camel Walk, Driver, David Bowie**** E: Waste |
| Set 3 | |
| Comment | * - Before Llama Trey introduces the band, including Jon as "Bob Weaver", Mike as "Michael Jordan" and himself as the "skinny guinea" and pulls up his shirt to show how skinny he is; he then encouraged people to start clapping along while he clapped in an offbeat rhythm before slapping himself on the cheek and then the forehead and encouraging people to slap the face of the person next to them, but no one did. He then encouraged people to get naked and make passionate love, but again no one did. After the song he told that the passionate lovemaking portion of the show was over and that he apologized for not giving them more time ** - unfinished *** - first time played; pronounced "Gee-For-Jay"; Trey on keyboards; similar to recent versions of "Catapult"; **** - Trey sets up delay loop and swings his guitar around so Page plays the ascending riff |