Identifier4271873
Created AtFri Apr 30 2004 03:08:05 GMT+0000 (Coordinated Universal Time)
Reference Number4848295
Status2
Media TypeCD, SHN
Media Count2
NotePhish
03-11-88
Johnson State College - Johnson, VT

Source: AUD > Cass/x > DAT
Transfer: Sony R300 > HHb CD > EAC > SHN > WAV > SF4.5 > SHN v3
Transfer by Jerome Meyer (jerry@anhisr.com)
Fixes by Ben Mohr (bmohr@udel.edu)

--------------------------------------------
Disc 1: (75:32)
--------------------------------------------
-Set 1-
1. The Chicken^ (05:37)
2. Funky Bitch (05:07)
3. Sneakin Sally Through the Alley* (05:28)
4. Take the A-Train (04:26)
5. You Enjoy Myself -> (11:46)
6. Wilson (05:50)
7. /Golgi Apparatus > (04:15)
8. Slave to the Traffic Light (06:12)
9. Flat Fee (02:21)
10. Corrine Corrina (04:59)
11. Lizards** (11:19)
12. David Bowie/ (08:07)

------------------------------------------------
Disc 2: (73:00)
------------------------------------------------
-Set 2-
1. Fluffhead (15:23)
2. Dinner and a Movie (04:15)
3. Harry Hood (12:32)
4. The Ballad of Curtis Loew* (05:12)
5. Harpua (10:12)
6. AC/DC Bag -> (05:56)
7. Alumni Blues -> (04:46)
8. Harpua -> Run Like an Antelope (14:44)

^ James Brown cover
* with Tim Rogers on harmonica
** Fish loses his drumsticks during the intro so the band has to stop
playing until he finds them :-)

Notes:
-This is definitely an audience recording judging by the R/L levels and
the "large" amount of crowd noise. You are able to hear conversations at
certain points. This, however, does not detract from the show since this
is an excellent recording. The hiss level is relatively low, probably no
more than two analog generations.
-Splice between d1t06 and d1t07 (start of d1t07 cut), d1t10 4:58,
between d2t01 and d2t02, d2t03 and d2t04, d2t04 and d2t05, d2t05 and d2t06
-Tape flip
d1t08 0:10 (42:39)
d2t05 8:55 (46:17)
-Diginoise in d1t10 0:08.150-0:08.974 (0.824 sec)
-d1t12 (Bowie) fades out

Fixes:
-Pitch shift of -35 cents applied in Soundforge 4.5 to compensate for
high pitch due to analog generations.
-Removed skip in d1t07 1:05.998-1:07.228 (1.230 sec)
-Removed skip in d2t01 0:37.422-0:38.888 (1.446 sec)
2:40.282-2:41.728 (1.446 sec)
3:18.409-3.19.855 (1.446 sec)
3:44.640-3:46.087 (1.446 sec)
4:10.840-4:12.286 (1.446 sec)
4:38.167-4:39.613 (1.446 sec)
5:07.490-5:08.937 (1.446 sec)
5:38.237-5:39.683 (1.446 sec)
6:15.185-6:16.632 (1.446 sec)
-Applied filter centered at 15,425 Hz of -20 dB notched from 15,355-15,510 Hz
-Normalized each set to 98%.
Source InfoAUD > Cass/x > DAT; Sony R300 > HHb CD > EAC > SHN > WAV > SF4.5 > SHN v3
Trades Allowed
Attendence0
Source
SHNIDDateVenueCityStateArchive Identifier
20731988-03-11Johnson State CollegeJohnsonVT
AUD > Cass/x > DAT; Sony R300 > HHb CD > EAC > SHN > WAV > SF4.5 > SHN v3; Transfer by Jerome Meyer; Fixes by Ben Mohr
Performance
Phish 1988-03-11 Johnson State College, Johnson, VT
Set 1The Chicken[1], Funky Bitch, Sneakin' Sally Through the Alley[2], Take the 'A' Train, You Enjoy Myself[3] -> Wilson, Golgi Apparatus > Slave to the Traffic Light, Flat Fee, Corinna, The Lizards, David Bowie
Set 2Fluffhead, Dinner and a Movie, Harry Hood, The Ballad of Curtis Loew[2], Harpua, AC/DC Bag > Alumni Blues > Run Like an Antelope[4]
Set 3
Comment[1] First known Phish performance.
[2] Bobby Brown on harmonica.
[3] No vocal jam.
[4] Trey spoke the names "Marco Esquandolas... Poster Nutbag... Moses Heaps... Moses DeWitt."

This show featured the only known Phish performance of The Chicken. Sneakin’ Sally and Curtis Loew featured Bobby Brown on harmonica. Bowie began with a tease medley that included Timber, Alumni Blues, Smoke on the Water, Sunshine of Your Love, Money, Whipping Post, and several others. YEM did not contain a vocal jam. Trey teased Entrance of the Gladiators and spat out the names “Marco Esquandolas... Poster Nutbag... Moses Heaps... Moses DeWitt” during Antelope. Dinner and a Movie was dedicated to “our good friend Susannah.” Lizards was delayed, as Trey cut on Fish for losing his drumsticks during the gig; Lizards subsequently included a theme from I Dream of Jeanie tease. Some recordings that circulate are mislabeled “The Base Lounge.”