Identifier | 420192 |
Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
Reference Number | 0000695162 |
Status | 1 |
Media Type | CDR |
Media Count | 3 |
Note | BAND Grateful Dead
VENUE Fillmore West CITY San Francisco DATE 06/07/70 SET1 [45:09 +] Intro [0:11] ; Don't Ease Me In [3:03] ; [0:20] ; Silver Threads And Golden Needles [3:32] ; [0:06] % [0:51] ; Friend Of The Devil [3:38] ; [0:33] ; Candyman [5:44] ; [0:44] ; Cold Jordan [2:11] ; [0:59] ; Swing Low Sweet Chariot [3:00] ; [2:24] ; Cumberland Blues [4:#12] ; [1:02] ; Me And My Uncle [3:07] ; [0:30] ; New Speedway Boogie [8:57] ; [0:16] % SET2 [1:29:56 +] [0:17] ; Cryptical Envelopment [2:04] > drums [1:49] > The Other One [9:33] > Cryptical Envelopment [9:45] > space [0:20] > jam [1:15] > drums [1:12] > Main Ten jam [4:50] > transition [0:13] > Sugar Magnolia [4:46] ; [0:20] % [0:42] ; Louie Louie tease [0:31] ; [0:18] ; It's A Man's, Man's, Man's World [7:42] ; [0:33] ; Mama Tried [2:43] ; [0:10] % [0:29] ; Sittin On Top Of The World [3:14] ; [1:20] ; Teddy Bears Picnic tuning [0:13] ; [4:05] ; Cosmic Charlie [7:12] ; [0:53] ; Casey Jones [4:42] ; [0:36] ; drums [0:19] > Good Lovin' [1:51] > drums [3:53] > Good Lovin' [10:42] ; [0:37] % SET3 ENCORE The Frozen Logger COMMENTS Total time [2:15:05 +]. If the structure of this show was the same as on 6/5/70, then the acoustic set opened the evening, followed by sets from Southern Comfort and NRPS with Garcia on pedal steel, and then the Dead closed out the evening with their electric set (SET 2). Don't Ease Me In through Swing Low Sweet Chariot are acoustic; for the rest of the first set Garcia plays electric guitar & Weir acoustic. David Nelson plays mandolin on Cold Jordan and Swing Low, and he and Marmaduke contribute backup vocals. Before Cumberland Blues Garcia says "we're gonna do a few semi-electric numbers. We've got a million new labels." There is a short cut at 2:48 of Cumberland. Marmaduke adds backup vocals to Me And My Uncle. During the Cryptical Reprise jam Hunter is heard off mic raving away. During the pause after the Teddy Bear's Picnic tease Garcia says "We're waiting aound till a good idea comes up" and Weir remonstrates with someone in the audience requesting "Golden Road." Someone adds quasi-intelligible additional vocals to the opening of Cosmic Charlie. The encore is according to Rob Eaton; it does not appear on the circulating copies of the tapes. Eaton lists: 06/07/70 The Fillmore West, San Francisco Ca - complete 4.8, 134min, Sbd, A1D0, Reel M->Cass 1->Dat 0, 48k, 7inch Master Reels@7.5ips 1/2trk->Tascam 122mkIII Cass 1st Gen->3800 x 0 RECORDING 136 SB CONTRIBUTORS Jim Powell Ryan Shriver Rob Eaton Jim Wise Michael Parrish |
Source Info | SBD/CDR |
Tech Note | All |
Trades Allowed | |
Attendence | 0 |
Performance
Grateful Dead 1970-06-07 Fillmore West, San Francisco, CA | |
---|---|
Set 1 | Don't Ease Me In, Silver Threads, Friend Of The Devil, Candyman, Cold Jordan, Swing Low Sweet Chariot, Cumberland Blues, Me & My Uncle, New Speedway Boogie |
Set 2 | Cryptical Envelopment-> Drums-> The Other One-> Cryptical Envelopment-> Drums-> The Main Ten-> Sugar Magnolia, Louie Louie Jam, It's A Man's World, Mama Tried, Sitting On Top Of The World, Cosmic Charlie, Casey Jones, Good Lovin'-> Drums-> Good Lovin' |
Set 3 | |
Comment | Other artist(s): GD; NRPS; Southern Comfort first set acoustic
"From: David Hollister Subject: A show to be heard Interesting info that makes this show so cool: During the little drumming interlude prior to the Other One, there is some woman you can hear ranting and raving and generally going on about Viet Nam. It would seem the band kind of lets her state her piece in its entirety before going into the Other One. Very cool. The whole second CD is very cool. The jam after the Cryptical reprise is great. It goes into a kind of lulling drum beat which goes on for a few minutes (what I called Drums again, even though it isn't in the official setlist) before Phil takes it up and you hear the definite Main Ten bass line. A great Main Ten jam that goes on for about 4 1/2 minutes or so before Bobby takes it into Sugar Magnolia. First version of Sugar Magnolia. Very cool :) No, it doesn't rock, but up until now, the earliest version I'd ever heard was the one from the famed 6/24/70 Cap Theater show, which I thought was unusual enough to be of historical significance. This one is also interesting historically. Between Top of the World and Casey Jones the band sits around talking to the crowd and deciding what to play next. What kills me is Bobby's comment: "Hey, there's a guy over there, he's always over there and he always yells out 'Golden Road!'. I wanna know who he is, because man, you really take the cake. To tell you the truth we've forgotten how to play that song" or something like that. You can also hear several suggestions for songs, among them "White Rabbit", which cracks up the crowd. Great stuff. Let's get it out there. The acoustic set is pretty straight-forward, but it's the electric set I think that really shines. The boys just seems to be having a great time the whole show." |