Identifier3094349
Created AtTue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time)
Media Typecdr
Media Count3
Trades Allowed
Performance
Bob Dylan 1961-??-?? The Genuine Bootleg Series, Vol. 1 (studio/live), Various, Various
Set 11. Black Cross

recorded by Tony Gover in Bonnie Beecher's apartment, Minneapolis, 22 December 1961.
2. I Was Young When I Left Home

recorded by Tony Gover in Bonnie Beecher's apartment, Minneapolis, 22 December 1961.
3. Ballad for a Friend

recorded for Leeds Music as a publisher's demo, New York, January 1962.
4. Hero Blues

recorded for "The Freewheelin' Bob Dylan" in Columbia Studios, New York, 6 December 1962.
5. Whatcha Gonna Do?

recorded for "The Freewheelin' Bob Dylan" in Columbia Studios, New York, 6 December 1962.
6. Tomorrow Is a Long Time

recorded for Witmark Music as a publisher's demo, New York, probably in December 1962.
7. Milk Cow Blues

recorded for "The Freewheelin' Bob Dylan" in Columbia Studios, New York, 24 April 1962.
8. Rocks and Gravel

this stereo cut was scheduled to appear on the original version of "The Freewheelin' Bob Dylan". It was recorded in Columbia Studios, New York, 13 November, 1962.
9. You've Been Hiding To Long

recorded at the New York Town Hall, 12 April 1963.
10. Farewell

recorded for Witmark Music as a publisher's demo, New York, probably in December 1963.
11. Baby Let Me Follow You Down

recorded for Witmark Music as a publisher's demo, New York, probably in January 1964.
12. That's All Right Mama/Sally Free and Easy

recorded for "Another Side of Bob Dylan" in Columbia Studios, New York, 9 June 1964.
13. New Orleans Rag

recorded for "Another Side of Bob Dylan" in Columbia Studios, New York, 9 June 1964.
14. You Don't Have To Do That

recorded for "Bringing It All Back Home" in Columbia Studios, New York, 9 June 1964.
15. Can You Please Crawl Out Your Window?

this take was issued accidentally, in place of "Positively Fourth Street", on early copies of that 45. It was recorded for "Highway 61 Revisited" in Columbia Studios, New York, 16 June 1965.
16. Desolation Row

recorded for "Highway 61 Revisited" in Columbia Studios, New York, 30 July 1965. This "electric" version was superceced by the original take.
17. (Seems Like a) Freeze Out

recorded at Sunset Sound Studios, Los Angeles, 30 November/1 December, 1965.
18. She's Your Lover Now

recorded at Columbia Studios, New York, 21 January 1966.
Set 21. Spuriously Seventeen Windows (The Painting By Van Gogh)

recorded by Robert Shelton in a Denver hotel room, 12 March 1966.
2. What Kind of Friend Is This?

recorded in a Glasgow hotel rom, 18-19 May 1966.
3. One Too Many Mornings

recorded at the Gaumont Theatre, Sheffield, 16 May 1966.
4. Sign on the Cross

recorded in the basement of "Big Pink", West Saugerties, New York in the summer of 1967.
5. All American Boy

recorded in the basement of "Big Pink", West Saugerties, New York in the summer of 1967.
6. Nothing Was Delivered (take 2 w/ monologue)

recorded in the basement of "Big Pink", West Saugerties, New York in the summer of 1967.
7. I Threw It All away

recorded for "Self Portrait" in Columbia Studios, Nashville, June 1969.
8. Honey, Just Allow Me One More Chance

recorded for "Self Portrait" in Columbia Studios, Nashville, June 1969.
9. Working on a Guru

recorded with George Harrison for "New Morning" in Columbia Studios, New York, 1 May 1970.
10. Down in the Flood

recorded at the New York Academy of Music, for The Band's "Rock of Ages" album, on 1 January 1972.
11. Goodbye Holly

recorded for the soundtrack to "Pat Garrett and Billy the Kid" at Columbia Disco Studios, Mexico City, 20 January 1973.
12. Rock Me Mama

recorded for the soundtrack to "Pat Garrett and Billy the Kid" at Burbank Studios, Burbank, February 1973.
13. Nobody 'Cept You

recorded for "Planet Waves" at Village Recorder Studios, Santa Monica, on 2 November 1973.
14. Idiot Wind

this take was included on the original "Blood on the Tracks" test pressing. It was recorded at Columbia A&R Studios, New York, 17 December 1974.
15. Hurricane

recorded for "Desire", this take was subsequently replaced with an October '75 version on legal advice. It was recorded at Columbia Sudios, New York, 30 July 1975.
16. Stop Now

recorded at the "Street Legal" sessions at Rundown Studios, Santa Monica, 2 May 1978.
17. (You Treat Me Like a) Stepchild

recorded at the Civic Center, Augusta, Maine, 15 September 1978.
Set 31. Trouble In Mind

recorded for "Slow Train Coming" and issued in edited form as a b-side. It was recorded at Muscle Shoals Studios, Sheffield, Alabama, 1-11 May 1979.
2. Yonder Comes Sin

recorded at Rundown Studios, Santa Monica, October 1980.
3. Caribbean Wind

recorded at Rundown Studios, Santa Monica, October 1980.
4. Don't Ever Take Yourself Away

recorded for "Shot of Love" at Clovers Recorder Studio, Los Angeles, April-May 1981.
5. Thief on the Cross

recorded at the Saenger Performing Arts Center, New Orleans, 10 November 1981.
6. Sweetheart like You

recorded for "Infidels" at Power Station Studios, New York, mid April 1983.
7. Someone's Got a Hold of My Heart

recorded for "Infidels" at Power Station Studios, New York, April/May 1983.
8. Tell Me

recorded for "Infidels" at Power Station Studios, New York, April/May 1983.
9. Jokerman

scheduled for inclusion on the original version of "Infidels". It was recorded at Power Station Studios, New York, April/May 1983.
10. Blind Willie McTell

scheduled for inclusion on the original version of "Infidels". It was recorded at Power Station Studios, New York, April/May 1983.
11. New Danville Girl

recorded for "Empire Burlesque" at Cherokee Studios, Los Angeles, December 1984.
12. Important Words

scheduled for inclusion on the original version of "Down in the Groove". It was recorded at Sunset Sound Studios, Los Angeles, April/May 1987.
13. Dignity

recorded for "Oh Mercy" in Studio on the Move, New Orleans, March/April 1989.
14. Like a Ship

recorded for "Traveling Wilburys Volume Three" in Wilbury Mountain Studio (sic), Los Angeles, April 1990.
15. Series of Dreams

recorded for "Oh Mercy" in Studio on the Move, New Orleans, March/April 1989.
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