| Identifier | 1650678 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Media Type | shn |
| Media Count | 2 |
| Note | (no encore, probably due to curfew).
Notes: Bobby forgot a LOT of words, for instance in El Paso; at one stage Mark walked over to remind him, but plenty of other times during the show there is audience reaction at Bobby forgetting YET AGAIN! |
| Source Info | CSB>Sharp MT831H>MD master>Sony JE530 playback>Dio2448>.wav>CDWAV>MKW 0.97b>.shn with seek tables appended. |
| Tech Note | Patch in Bass/Drums (where there was an MD flip)from alternate source: Sonic Studios DS6 mics->Sony D7 DAT>CD>CD>CD>EAC>.wav> CEP processing>.wavEditing: I ran an FFT filter in Cool Edit Pro principally to improve the bass. The FFT filter settings were: +14.76db @ 21Hz, +14.76db @ 86Hz, +3.84db @ 482Hz, +3.84db @ 4046Hz, -0.72db @ 8007Hz, +2.02db @ 11047Hz, +13.46db @ 15928Hz, +0.02db @ 22050Hz, with the "spline curves" box ticked. The 2nd set values were all 3db less (as I adjusted the recording level up, between sets). After the FFT changes I found 3 overloaded peaks were restored / limited in CEP. used a different FFT filter to bring the sound from the patch source into line with the primary source, and also delayed the right channel in order to shift the sound into the centre. The resulting patch is I think pretty smooth. By comparison with the original .shn set of the unpatched primary source, only the tracks from Slipknot! onwards are changed. (Slipknot! because it was tracked differently, Bass/Drums on account of the patch, and the subsequent tracks due to sector boundary realignment. The Bob Weir interview was converted from an mp3 downloaded from ebong.org The volume level of the interview was much much louder than the rest of the disc; I had to reduce the sample values to 25% to make the volume comparable. I converted to 32-bit and used CEP to restore clipped audio before the volume reduction, as the conversion to mp3 and back to wav had a whole lot of clipping (still has plenty, but much easier on the ears than at the original high volume). To burn this recording to a longer media, you may wish to exclude the fade tracks (d2t08b and d3t00), which are redundant. (They just make the experience of listening to each CD individually somewhat smoother). 2nd September 2002 alimac@netcomuk.co.uk |
| Trades Allowed |
Performance
| Ratdog 2002-07-03 Astoria, London, England | |
|---|---|
| Set 1 | Jam > Shakedown Street > She Belongs to Me > Loose Lucy > Matilda Mother > Tomorrow Never Knows > Matilda Mother > Big Boss Man > Easy Answers > Eyes of the World |
| Set 2 | Blackbird, El Paso, Victim Or the Crime > Brown-Eyed Women > Good Morning Little Schoolgirl > Help on the Way > Slipknot! > Bass/Drums > Wharf Rat > Two Djinn > Corrina Jam > Franklin's Tower |
| Set 3 | |
| Comment | |