Identifier1534836
Created AtTue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time)
Reference Number0001677644
Status1
Media Type.shn
Media Count2
NotePhish

04/29/87

Nectar's - Burlington, VT



SBD > Cass/x > DAT > S/PDIF > HD > SHN



Seeded by Squirlin (squirlin@worldnet.att.net)

Fixes/Notes by Ben Mohr (bmohr@udel.edu)



----------------

DISC 1 (68:32)

----------------

-Set 1-

1 She Caught the Katy (4:03)

2 Alumni Blues > (5:40)

3 Letter to Jimmy Page > (1:02)

4 Alumni Blues (3:50)

5 Golgi Apparatus (5:22)

6 Swing Low Sweet Chariot (2:32)

7 Fire (4:25)

8 Skin It Back > (7:26)

9 Cities (5:28)

10 Lushington (6:07)

-Set 2-

11 Dog Log (4:31)

12 Melt the Guns -> (8:23)

13 Dave's Energy Guide (6:01)

14 Take the A-Train* (3:42)



----------------

DISC 2 (72:00)

----------------

1 Halley's Comet > (6:27)

2 Quinn the Eskimo (6:58)

3 AC/DC Bag (5:11)

-Set 3-

4 Peaches en Regalia > (3:05)

5 Fluffhead (8:54)

6 Good Times Bad Times (5:27)

7 Anarchy (0:51)

8 Makisupa Policeman > (7:30)

9 Run Like an Antelope (9:03)

10 Boogie on Reggae Woman (5:21)

11 Timber Ho! (7:15)

12 Slave to the Traffic Light (5:58)



----------------

DISC 3 (25:47)

----------------

1 Sparks (2:33)

2 McGrupp and the Watchful Hosemasters > (7:29)

3 The Ballad of Curtis Loew (5:03)

4 Come on (Let the Good Times Roll) (5:18)

5 I Am Hydrogen > (1:53)

6 Early Clod > (1:16)

7 Clod (2:15)



* With Jeff Friedberg on saxophone



Notes:

-HPB lists Fuck Your Face after Cities (d1t09) so the splice after Cities

probably cut out this song for some reason. :-(

-There are splices at the following positions, all of which occur between songs.

I'm not sure why there are so many of them. Either the person who did the DAT

master didn't want so much space between songs or there is something else missing.

d1t06 2:04, d1t07 4:04, d1t09 5:21

d2t01 0:01, d2t07 0:00.8, d2t09 8:17, d2t12 0:00.6

d3t03 4:49, d3t04 5:17

-In d1t10 there was a high pitched oscillating sound from 0:12-0:16,

d2t02 from 1:43-1:46, and d2t09 3:13-3:13 which I could not remove without

disrupting the quality of the recording. This may be feedback...?

-I noticed throughout the tracks that the L and R waves were exactly identical

with the exception of the R channel having lower levels than the left, which

may indicate that the original recording was single stereo.

-Tape flips:

between d2t02-d2t03 (fade in...fade out)

-There is some light warbling in d2t06 at 2:42.



Fixes:

-There were a few errors on the original DAT which I edited out.

They occured:

d1t01 1:48 2 DOs

d1t08 6:19 1 DO

d1t09 4:17 3 <0.001s bursts in R channel which were replaced with L channel

d1t09 4:46 2 <0.001s bursts in R channel which were replaced with L channel

d1t10 0:15 1 DO

d2t03 3:57 2 DOs - smoothed out static before DOs

d2t07 0:02 1 DO
Source InfoSBD > Cass/x > DAT > S/PDIF > HD > SHN
Tech NoteAll
Trades Allowed
Attendence0
Performance
Phish 1987-04-29 Nectar's, Burlington, VT
Set 1She Caught the Katy and Left Me a Mule to Ride, Alumni Blues > Letter to Jimmy Page > Alumni Blues, Golgi Apparatus, Swing Low, Sweet Chariot, Fire, Skin It Back -> Cities, Lushington
Set 2Dog Log, Melt the Guns -> Dave's Energy Guide, Take the 'A' Train[1], Halley's Comet > Quinn the Eskimo > AC/DC Bag
Set 3Peaches en Regalia > Fluffhead, Good Times Bad Times, Anarchy, Makisupa Policeman -> Run Like an Antelope, Boogie On Reggae Woman, Timber (Jerry)[2], Slave to the Traffic Light > Sparks > McGrupp and the Watchful Hosemasters > The Ballad of Curtis Loew[2], Come On (Part One)[2], I Am Hydrogen -> Who Do? We Do!

ENCORE: Fuck Your Face[3]
Comment[1] First known Phish performance; Jeff Friedberg on saxophone.
[2] First known Phish performance.
[3] Debut.

This show featured the debut of Fuck Your Face and the first known Phish performances of Take the ‘A’ Train, Timber (Jerry), The Ballad of Curtis Loew, and Come On (Part One). 'A' Train featured Jeff Friedberg on saxophone. The Fuck Your Face debut was in dispute for many years, though the Phish.com setlist file seems to confirm that the song was indeed performed on this date.