| Identifier | 1457811 |
| Created At | Tue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time) |
| Media Type | CDR |
| Media Count | 3 |
| Source Info | AUD - Sharp MT831H>MD master>Sony JE530 playback>Dio |
| Microphones | CSB |
| Tech Note | Editing: I ran an FFT filter in Cool Edit Pro principally to improve the bass. The FFT filter settings were: +14.76db @ 21Hz, +14.76db @ 86Hz, +3.84db @ 482Hz, +3.84db @ 4046Hz, -0.72db @ 8007Hz, +2.02db @ 11047Hz, +13.46db @ 15928Hz, +0.02db @ 22050Hz, with the "spline curves" box ticked. The 2nd set values were all 3db less (as I adjusted the recording level up, between sets). After the FFT changes I found 3 overloaded peaks were restored / limited in CEP. |
| Trades Allowed | |
| Taper Name | Alasdair MacDonald |
Performance
| Ratdog 2002-07-03 Astoria, London, England | |
|---|---|
| Set 1 | Jam > Shakedown Street > She Belongs to Me > Loose Lucy > Matilda Mother > Tomorrow Never Knows > Matilda Mother > Big Boss Man > Easy Answers > Eyes of the World |
| Set 2 | Blackbird, El Paso, Victim Or the Crime > Brown-Eyed Women > Good Morning Little Schoolgirl > Help on the Way > Slipknot! > Bass/Drums > Wharf Rat > Two Djinn > Corrina Jam > Franklin's Tower |
| Set 3 | |
| Comment | |