Identifier1449427
Created AtTue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time)
Reference Number0001846212
Status1
Media TypeSHN
Media Count1
NoteOysterhead 11-10-2001 Tsongas Arena, Lowell, MA

Source: (fob/dfc @40' on 6'2" pole) Schoeps mk4(ortf)->kc-5->cmc6->
Lunatec 316(+34dB)->AD2K+(16ns3, 20, @44.1kHz)->DA-P1
Recorded by Eric McRoberts & Andy Jones. Audio Magic
X-Stream XLRs from 316->2K. Audio Magic Presto II
from 2K->P1. Master from DA-P1 used in below transfer.

Transfer: R500->Audio Magic Presto II->Zefiro ZA2->Soundforge 4.5->
CDWav->.shn No normalizing, resampling, or DAE at all.


Disk 1 <57:29>
1. Pseudo Suicide 09:14
2. Owner of The World 07:17
3. Army's On Ecstasy 10:34
4. Grand Pecking Order 03:58
5. Rubberneck Lions 13:34
6. Radon Balloon 08:34
7. Oz Is Ever Floating 04:14

Disk 2 <47:48>
1. Wield The Spade 22:49
2. Birthday Boys 07:39
3. Mr. Oysterhead 10:20
Encore:
4. Little Faces 07:00



----------------------------------------------------------------------
I would like to give props to all that helped make this happen.
Cliff & Andy M. for the tix, Dave for the actives, Steve for the AD2K,
Andy J, Scott, Joe, Will, all the others who helped on the front lines.
Source Info(fob/dfc @40' on 6'2" pole) Schoeps mk4(ortf)->kc-5->cmc6->Lunatec 316(+34dB)->AD2K+(16ns3, 20, @44.1kHz)->DA-P1
Tech NoteAll
Trades Allowed
Attendence1
Performance
Oysterhead 2001-11-10 Tsongas Arena, Lowell, MA
Set 1Pseudo Suicide, Owner of the World, Shadow Of A Man (fake start?) > Army's On Ecstasy, Grand Pecking Order, Rubberneck Lions,Radon Balloon, Oz is ever Floating, ?* > Wield The Spade, Birthday Boys**, Mr. Oysterhead***

Encore: Little Faces^


Set 2
Set 3
Comment* same spacey jam as "**" on Friday, with the Whamola and
Matterhorn
** band got the whole crowd clapping; performed acoustic >
electric, but then also back to acoustic
*** began with Les looking for the guy in the audience with
a Mr. Oysterhead hat, then saying "He's a crafty
individual. This one's for you, sir"
^ ended, with the band walking offstage, with the Trey loop
that begins the track on the studio release

Thanks to Ellis and Phish.net who thank Hal.