Identifier1317593
Created AtTue May 23 2023 23:54:00 GMT+0000 (Coordinated Universal Time)
Reference Number0000594328
Status1
Media TypeSHN
Media Count2
NoteDisk 1

Set 1
1. Fussy Dutchman
2. 2nd Self >
3. Space Funk Booty
4. 2 x 2 >
5. Nothing Too Fancy >
6. Born Under A Bad Sign* >
7. Nothing Too Fancy >
8. Piano/Marimba Solos

Disk 2

Set 1 (cont)
1. Slacker >
2. The Emperor**
3. Last Man Swerving***
4. Cissy Strut****
Set 2
5. Rastaman Chant$ >
6. The Fuzz
7. Phil's Farm

Disk 3

Set 2 (cont)
1. Uncle Walley@
2. Water
3. Prowler
4. Andy's Last Beer >
5. Professor Wormbog
6. Front Porch
7. Kabump >
8. 40's Theme

* 1st time played, with Sugar Blue on vocals and harmonica
** 1st time played, with Topaz on sax and Squantch on trombone, a Donald Byrd cover
*** with Topaz on sax and Squantch on trombone
**** with Sugar Blue, Topaz and Squantch
$ 1st time played, Bob Marley tune, with "Bob" tease
@ with Jake Cinninger and Brendan Bayliss on acoustics


There's some static/noise during the first track (Fussy) that was
on the masters. The noise comes directly from the SBD :(

This was a smokin' show...

Enjoy :)

Jeff Kempka
jeffk@etree.org
Source InfoSBD (w/ATM33A's) > AD1000 > D8 Transfer: DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN
Tech NoteAll
Trades Allowed
Attendence0
Performance
Umphrey's McGee 2001-04-19 The House of Blues, Chicago, IL
Set 1Fussy Dutchman, 2nd Self > Space Funk Booty, 2 x 2 > Nothing Too Fancy
> Born Under A Bad Sign* > Nothing Too Fancy > Piano/Marimba Solos, Slacker > The Emperor**, Last Man Swerving***, Cissy Strut****


Set 2Rastaman Chant$ > Soul Food I >The Fuzz, Phil's Farm, Uncle Walley@, Water, Prowler > Andy's Last Beer > Professor Wormbog, Front Porch, Kabump > 40's Theme


Set 3
Comment* 1st time played, with Sugar Blue on vocals and harmonica
** 1st time played, with Topaz on sax and Squantch on trombone, a Donald Byrd cover
*** with Topaz on sax and Squantch on trombone
*** with Sugar Blue, Topaz and Squantch
$ 1st time played, Bob Marley tune, with "Bob" tease
@ with Jake Cinninger and Brendan Bayliss on acoustics