Identifier10138854
Created AtWed Apr 17 2024 20:36:03 GMT+0000 (Coordinated Universal Time)
Media TypeMKV
Media Count2
NoteBrokedown House Production audio upgrade of a Lazy Cow Production - Seeded on LL 04/17/24 LL Seeding Seeded at TTD 04/17/24 TTD Seeding
Source InfoMaster Single Camera Audience with multiple audio tracks
Was blocked on Youtube
J-Card Comment93ef11e85d70212e645ae05c9ad0fc2a *gd1991-09-10.set1.mkv 2ea8a3fddde199c4a030cd9f65936394 *gd1991-09-10.set2.mkv
Tech Note<b>Grateful Dead September 10, 1991</b> Madison Square Garden New York, NY <b>Lazy Cow Production (with audio upgrade by BHP)</b> <b>Set 1:</b> Shakedown Street C.C. Rider It Takes A Lot To Laugh, It Takes A Train To Cry Black Throated Wind Hight Time Cassidy Deal 01:00:24 <b>Set 2:</b> Help On The Way Slipknot! Franklin's Tower Estimated Prophet Dark Star Drums Space Dark Star I Need A Miracle Standing On The Moon Turn On Your Lovelight <b>Encore:</b> It's All Over Now, Baby Blue 01:41:27 <b>LC Notes:</b> 2012 Remaster Add Border <i>Jerry Garcia - Guitar Bob Weir - Guitar Vince Welnick - Keyboards Bruce Hornsby - Piano, Accordion Branford Marsalis - Saxophone Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums</i> <b>Video</b>: AUD (Tripod) > Master Master: JVC Single Tube Camera, Nak 300 Shotguns > ? Decks > JVC Deck > VHS Master Transfer: VHS Master > Panasonic AG-7150 > Canopus ADVC-100 > iMac G4 > Final Cut Pro 3 > DV > iMac Core 2 Duo > Final Cut Pro 6 > Compressor 3 > DVD Studio Pro 4 > DVD5 Original Lazy Cow DVD5 > TMPGEnc Smart Render 6 > MPEG2 > MKVToolNix GUI v83.0.0 > .mkv (BHP Note: the original video has not been altered in any way except to make set 2 complete vice spread between 2 dvd5) [NTSC, 4:3, 8.2 Mbs, 720x480, 29.97 fps] <b>Audio Source Information Audio Track 1</b>: SBD (shnid=149509) Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 All Transfers and Mastering By Charlie Miller April 11, 2020 Notes: -- With Brandford Marsalis -- Recorded by Don Pearson and Dan Healy [LPCM, 4.6 Mbs, 24 Bit, 96 kHz] <b>Audio Track 2</b>: Audience (shnid=117023) Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Recorded By JB,Transfer By Keo,Tapes From Heaton Tapes:Maxell Metal Capsule 100,Maxell MX 110 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz No Dithering With These Files AUD was patched with the following source: AUD (shnid = 96422) The James Young & Clay Brennecke FOB Vault Lineage: Master DAT Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008 Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. [LPCM, 4.6 Mbs, 24 Bit, 96 kHz] <b>Audio Track 3</b>: Matrix shnid = 167379 SBD + AUD Matrix 2 Source Mix [LPCM, 4.6 Mbs, 24 Bit, 96 kHz] <b>Audio Track 4</b>: 5.1 LPCM Surround Sound shnid = 167383 [LPCM, 4.6 Mbs, 16 Bit, 48 kHz] <b>Audio Track 5</b>: DTS 5.1 shnid = 167382 DTS-Audio-48khz 5.1 Mix You need a 5.1 dts complient system with digital connection to your blu-ray/dvd player. [LPCM, 1.5 Mbs, 16 Bit, 48 kHz] <b>NOTE</b>: Track 3/4/5 are a combination of the sounboard listed above and this audience: AUD (shnid=117023) Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Recorded By JB,Transfer By Keo,Tapes From Heaton Tapes:Maxell Metal Capsule 100,Maxell MX 110 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz No Dithering With These Files AUD was patched with the following source: AUD (shnid = 96422) The James Young & Clay Brennecke FOB Vault Lineage: Master DAT Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008 Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. [LPCM, 4.6 Mbs, 24 Bit, 96 kHz]
Trades Allowed
Source
SHNIDDateVenueCityStateArchive Identifier
1495091991-09-10Madison Square GardenNew YorkNY
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
Performance
Grateful Dead 1991-09-10 Madison Square Garden, New York, NY
Set 1Shakedown Street >
C.C. Rider >
It Takes A Lot To Laugh, It Takes A Train To Cry
Black Throated Wind
High Time
Cassidy
Deal
Set 2Help On The Way >
Slipknot! >
Franklin's Tower
Estimated Prophet >
Dark Star >
Drums >
Space >
Dark Star >
I Need A Miracle >
Standing On The Moon >
Turn On Your Lovelight

Encore:
It's All Over Now, Baby Blue
Set 3
CommentJerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Branford Marsalis - Saxophone