| Identifier | 10100465 |
| Created At | Mon Jun 12 2023 02:04:49 GMT+0000 (Coordinated Universal Time) |
| Media Type | FLAC |
| Source Info | flac16/44; OMT6 AUD MTX (24/44.1) |
| Trades Allowed |
Source
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 159745 | 2022-11-19 | Santander Arena | Reading | PA | |
| flac1644 Source: OMT6 AUD MTX (24/44.1) Channels 1|2: Studio Projects C4 (hyper), split 2' @ 45 degrees -> Naiant MidBox -> Tascam DR-680MKII Channel 3|4: Tascam PE-125 w/ JVC M510 Superdirectional caps, split 6â€, PAS -> Marantz PMD 661 (Oade Concert Mod) -> Tascam DR-680MKII Channel 5|6: Samson CO2 (supercard), X-Y PAS -> Edirol UA-5 (Oade Presence Mod) -> Tascam DR-680MKII Location: OTS, LOC (120' back); 9' up Transfer: SDHC> WAV> Audacity (TDR Nova (eq); Slate Digital Virtual Tape Machines; Slate Digital FG-X Mastering Processor)-> CDWave (tracking)-> Weiss Saracon (24/44.1->16/44.1)-> Flac16> mp3tag (tagging) Recorded by David Perez | |||||
Performance
| Trey Anastasio 2022-11-19 Santander Arena, Reading, PA | |
|---|---|
| Set 1 | Push On 'Til the Day, Love Is What We Are, Mozambique, Cayman Review, Camel Walk, Twist, No Men In No Man's Land, A Life Beyond The Dream, ...And Flew Away, Dark and Down, Ghost [1], Hey Stranger[1], Everything's Right[1], First Tube [2] E: Llama [3], Show of Life [4], Party Time [5] |
| Set 2 | |
| Set 3 | |
| Comment | [1] Rick Mitarotonda on guitar and Peter Anspach on keys.
[2] Rick Mitarotonda on guitar, Peter Anspach on keys, Trevor Weeks on bass, and Jeff Arevalo and Ben Atkind on percussion. [3] Rick Mitarotonda on guitar, Peter Anspach on keys, and Jeff Arevalo, Ben Atkind, and Trevor Weeks on percussion; performed in an alternate arrangement. Final lyric changed to "Taboose." [4] Rick Mitarotonda on guitar, Peter Anspach on keys, and Jeff Arevalo, Ben Atkind, and Trevor Weeks on percussion. [5] Rick Mitarotonda on guitar, Peter Anspach on keys and vocals, and Jeff Arevalo, Ben Atkind, and Trevor Weeks on percussion. Ended with the horns and everyone else on percussion playing as everyone walked off stage. |