Sources for Spin Doctors

SHNIDDateVenueCityStateArchive Identifier
1168892011-05-12O2 Academy2LiverpoolEngland
Zoom H1> SD Card SD Card>Samplitude SE (trimming)>CDWav>Trader's Little Helper>Flac
1300812011-05-12O2 Academy2LiverpoolEngland
Spin Doctors, Liverpool England. 'Pocket Full Of Kryptonite' 20th anniversary tour. Recording Info: Zoom H1 > SD Card Transfer Info: SD Card > Samplitude SE (trimming) > CDWav > Trader's Little Helper > Flac
1168902011-05-15Jazz CafeLondonEngland
DPA 4011 (ORTF)->Tascam DR-680 (96 kHz/24bit) SD-Card -> Audition (Boost Levels, add fades, resample to 44.1/16) -> CD-Wave -> Flac
1168862011-10-13Bowery BallroomNew YorkNY
Neumann TLM170s (hypercard, split 30' in the balcony, flanking the sound mix area) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 10.0c (L/R channel time alignment - removing 4 samples [1/2400th of a second] from beginning of the right channel to make it match the left); Tracked in CDWav.
1168872011-10-13Bowery BallroomNew YorkNY
Neumann TLM170s (hypercard, split 30' in the balcony, flanking the sound mix area) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 10.0c (L/R channel time alignment - removing 4 samples [1/2400th of a second] from beginning of the right channel to make it match the left; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav.
1168852011-10-20Town BallroomBuffaloNY
M-Audio Pulsar II's -> ART USB DualPre -> Sony PCM-M10 (LPCM 44.10kHz/24bit) Location: 13' high, Center Stage, Behind SBD Transfer: Sony PCM-M10 > Soundforge > Trader's Little Helper (wav > flac)
1168842011-10-20Town BallroomBuffaloNY
M-Audio Pulsar II's -> ART USB DualPre -> Sony PCM-M10 (LPCM 44.10kHz/24bit) Location: 13' high, Center Stage, Behind SBD Transfer: Sony PCM-M10 > Soundforge > Trader's Little Helper (wav > flac)
1168882011-10-21Westcott TheaterSyracuseNY
Location: just behind mixer booth, 1.5' loc, 40' from stage lip Mic config: DINA Kwonbar, Schoeps A20S shock, manfrotto stand @ 8.5 ft, small screens Source: Neumann SKM 140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@96/24>AES/EBU>Sound Devices 722 @96kHz/24bit Transfer,editing & conversion: Sound Devices 722 master file @96kHz/24bit>firewire>Sound Forge 9.0e>44.1/16-CD Wave v1.96.1(tracking)>FLAC16 via FLAC frontend 1.7.1(level 8), tag w/Tag Scanner5.0, ffp 1.7.1 Notes: ~ S.F. 9.0e (volume gain +1.9db to 0.1db peak, fades, resample(high setting 4) w/anti alias filter & dither-high pass triangular/noise shaping-high pass contour to 44.1/16) ~
1168822011-10-23Brooklyn BowlBrooklynNY
Neumann TLM-170 (hypercardoids, FOB almost parallel to right PA, about 15' from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (L/R channel time sync by removing 6 samples at the beginning of the recording from the right channel; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav.
1168832011-10-23Brooklyn BowlBrooklynNY
Neumann TLM-170 (hypercardoids, FOB almost parallel to right PA, about 15' from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (L/R channel time sync by removing 86 samples at the beginning of the recording from the right channel); Tracked in CDWav.