logo
Live Concert Database
Sources for Dave Matthews Band
SHNIDDateVenueCityStateArchive Identifier
1357002016-02-04Pier 70San FranciscoCA
Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744 > MBIT+ dithering to 16 bit
Location: 5' from stage right stack, mics DINa @ ~14'
1357012016-02-04Pier 70San FranciscoCA
FLAC24 Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744 > MBIT+ dithering to 16 bit
Location: 5' from stage right stack, mics DINa @ ~14'
1357022016-02-04Pier 70San FranciscoCA
Taper: Mike Vernal
Source: DPA 4011s > Lunatec V2 > Sound Devices 744t (24/96)
Location: FOH, 10' stage-left of center
1357032016-02-04Pier 70San FranciscoCA
FLAC24 Taper: Mike Vernal
Source: DPA 4011s > Lunatec V2 > Sound Devices 744t (24/96)
Location: FOH, 10' stage-left of center
1366102016-02-04Pier 70San FranciscoCA
Taper: Jon Koch
Source: Schoeps MK4 > active cables > Nbox+ > Edirol R-09HR (24/48)
Location: Left of FOH, Mics DIN ~11'
1357042016-05-07John Paul Jones ArenaCharlottesvilleVA
Taper: Mike Sarnovsky
Source: Neumann km-140s -> Lunatec V3 -> Sound Devices 722
Location: Stage Left, about 1/3 back
1357052016-05-07John Paul Jones ArenaCharlottesvilleVA
Taper: Jason Johnson
Source: akg ck63s > nbob actives > GAKables interconnects > Marantz ACM-671 (Compact Flash @ 24/48)
Location: Front of SBD, DIN @ 12'
1357062016-05-07John Paul Jones ArenaCharlottesvilleVA
FLAC24 Taper: Jason Johnson
Source: akg ck63s > nbob actives > GAKables interconnects > Marantz ACM-671 (Compact Flash @ 24/48)
Location: Front of SBD, DIN @ 12'
1357072016-05-07John Paul Jones ArenaCharlottesvilleVA
Taper: Chris Drews
Source: Neumann AK40 > LC3 > km100(DINa, ~12') > UA-5 (w-mod) > IRiver iHP-120 (Rockbox)
Location: Section 114, Row C, Seats 9+10 (front row, stage right)
1357082016-05-07John Paul Jones ArenaCharlottesvilleVA
Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: GA Floor, 30 Feet From Stage Left Stack, Mics DIN @ 13 feet
1357092016-05-07John Paul Jones ArenaCharlottesvilleVA
FLAC24 Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: GA Floor, 30 Feet From Stage Left Stack, Mics DIN @ 13 feet
1357102016-05-07John Paul Jones ArenaCharlottesvilleVA
Taper: Keith Antaya
Source: AKG CK63(Hypers)>nBob Actives>Sound Devices MP2>Edirol R44(24/48)
Location: Front of Soundboard(Right Stack)
1357112016-05-07John Paul Jones ArenaCharlottesvilleVA
Taper: Keith Antaya
Source: MG21(Hypers)>nBob Actives>nBox Platinum>Edirol R44(24/48)
Location: Front of Soundboard(Right Stack)
1358352016-05-07John Paul Jones ArenaCharlottesvilleVA
Taper: Christopher Jones
Source: DPA 4015-TL Handmatched Wide Cardioid > Mogami Gold Neglex Studio Quad Microphone Cable > Rupert Neve Designs Portico 5012-H Microphone Preamplifier ("Silk" circuit engaged) > Mogami XLR Interconnect > Sound Devices 744T Hard Disk Recorder (@ 24-bit / 96 kHz)
Location: GA floor, approximately 9 meters from the stage. Microphones elevated 4.5 meters, ORTF, directly in front of stageleft line array.
1357782016-05-11INTRUST Bank ArenaWichitaKS
Taper: Ryan Hoyt
Source: DPA4028 > v2> 744 > MBIT+
Location: FOH @ ~12', mics NOS
1357792016-05-11INTRUST Bank ArenaWichitaKS
FLAC24 Taper: Ryan Hoyt
Source: DPA4028 > v2> 744
Location: FOH @ ~12', mics NOS
1357802016-05-11INTRUST Bank ArenaWichitaKS
Taper: Ryan Hoyt
Source: DPA4023 > 744 > MBIT+
Location: FOH @ ~12', mics NOS
1357812016-05-11INTRUST Bank ArenaWichitaKS
FLAC24 Taper: Ryan Hoyt
Source: DPA4023 > 744
Location: FOH @ ~12', mics NOS
1357822016-05-13Cynthia Woods Mitchell PavilionThe WoodlandsTX
Taper: Justin Kacz
Source: DPA4028 > Oade ACM Grace Design V3> Oade CM Edirol R-44 (@ 24 bit / 48 kHz)
Location: Front row rail GA pit, Split Stack (1 mic on left stack, 1 mic on right stack), stands @ 15 feet
1357832016-05-13Cynthia Woods Mitchell PavilionThe WoodlandsTX
FLAC24 Taper: Justin Kacz
Source: DPA4028 > Oade ACM Grace Design V3> Oade CM Edirol R-44 (@ 24 bit / 48 kHz)
Location: Front row rail GA pit, Split Stack (1 mic on left stack, 1 mic on right stack), stands @ 15 feet
1358292016-05-13Cynthia Woods Mitchell PavilionThe WoodlandsTX
Taper: Matt Hiles
Source: Milab VM-44 Links (Super-cards) -> Sonosax SX-R4 (24/48)
Location: right front pit, directly in front of right stack, DIN, 13' high
1358932016-05-13Cynthia Woods Mitchell PavilionThe WoodlandsTX
DTS 4.1 Taper: Justin Kacz
Front source: DPA4028 > Oade ACM Grace Design V3> Oade CM Edirol R-44 (@ 24 bit / 48 kHz)
Rear source: VM-44 Link (Cardioid) > Oade CM Edirol R-44
Location: Front row rail GA pit, split stack (1 mic on left stack, 1 mic on right stack), stands @ 15 feet. Rear channel mics pointed toward FOH.
1363372016-05-13Cynthia Woods Mitchell PavilionThe WoodlandsTX
Remaster Taper: Justin Kacz
Source: 80 foot split DPA 4028's -> Oade ACM Lunatec V3 -> Oade CM Edirol R-44 (24/48)
Location: FOP (front of pit), directly in front of left and right PA stacks, 15' high
1357842016-05-14Gexa Energy PavilionDallasTX
Taper: Matt Hiles
Source: Milab VM-44 Links (super-cards) -> Sonosax SX-R4 (24/48)
Location: Back of Pit, 60' split
1357852016-05-14Gexa Energy PavilionDallasTX
Taper: Justin Kacz
Source: DPA4028 > Oade ACM Grace Design V3> Oade CM Edirol R-44 (@ 24 bit / 48 kHz)
Location: Back rail of GA PIT, Left stack, Mics DIN config, stand @ 15 feet
1357862016-05-14Gexa Energy PavilionDallasTX
FLAC24 Taper: Justin Kacz
Source: DPA4028 > Oade ACM Grace Design V3> Oade CM Edirol R-44 (@ 24 bit / 48 kHz)
Location: Back rail of GA PIT, Left stack, Mics DIN config, stand @ 15 feet
1358132016-05-17Chesapeake Energy ArenaOklahoma CityOK
Taper: Justin Kacz
Source: DPA4023 > Oade ACM Grace Design V3> Oade CM Edirol R-44 (@ 24 bit / 48 kHz)
Location: GA Floor, 50 feet from Left stack, Mics A-B config, stand @ 15 feet
1358142016-05-17Chesapeake Energy ArenaOklahoma CityOK
FLAC24 Taper: Justin Kacz
Source: DPA4023 > Oade ACM Grace Design V3> Oade CM Edirol R-44 (@ 24 bit / 48 kHz)
Location: GA Floor, 50 feet from Left stack, Mics A-B config, stand @ 15 feet
1358302016-05-17Chesapeake Energy ArenaOklahoma CityOK
Taper: Justin Kacz
Source: DPA4028 > Oade ACM Grace Design V3 (Analog out)> Sony M-10 (@ 24 bit / 48 kHz)
Location: GA Floor, Right corner FOH, Mics DIN config, stand @ 15 feet
1358312016-05-17Chesapeake Energy ArenaOklahoma CityOK
FLAC24 Taper: Justin Kacz
Source: DPA4028 > Oade ACM Grace Design V3 (Analog out)> Sony M-10 (@ 24 bit / 48 kHz)
Location: GA Floor, Right corner FOH, Mics DIN config, stand @ 15 feet
1358402016-05-17Chesapeake Energy ArenaOklahoma CityOK
Taper: bersey
Source: CA-11 cardioids > CA-9100 > Sony PCM-M10 @ 24 bit/48kHz
Location: GA floor, front right corner of light/video booth, 120' from stage, a little right of center, mics about 11' high
1358412016-05-17Chesapeake Energy ArenaOklahoma CityOK
FLAC24 Taper: bersey
Source: CA-11 cardioids > CA-9100 > Sony PCM-M10 @ 24 bit/48kHz
Location: GA floor, front right corner of light/video booth, 120' from stage, a little right of center, mics about 11' high
1358322016-05-18Verizon ArenaNorth Little RockAR
Taper: bersey
Source: CA-11 cardioids > CA-9100 > Sony PCM-M10 @ 24 bit/48kHz
Location: GA floor, front right corner of light/video booth, 100' from stage, slightly right of center, mics about 11' high
1358332016-05-18Verizon ArenaNorth Little RockAR
FLAC24 Taper: bersey
Source: CA-11 cardioids > CA-9100 > Sony PCM-M10 @ 24 bit/48kHz
Location: GA floor, front right corner of light/video booth, 100' from stage, slightly right of center, mics about 11' high
1358942016-05-20Riverbend Music CenterCincinnatiOH
Taper: Chris Drews
Source: Neumann AK40 > LC3 > km100(DINa, ~7') > UA-5 (w-mod) > IRiver iHP-120 (Rockbox)
Location: Back Rail of GA Pit, Stage Right Stack
1360702016-05-20Riverbend Music CenterCincinnatiOH
Taper: Mike Peters
Source: AKG CK61-ULS Caps (Active Cables) > Edirol UA-5 (BMp2+ mod) > Sony PCM-10 (24/96 LPCM)
Location: PIT (Back rail in front of Section 100)
1358342016-05-21Blossom Music CenterCuyahoga FallsOH
Taper: Sam Lincoln
Source: Schoeps mk4 > kc-5 > cmc-6xt > 722 @ 24/96
Location: Sec 12, Row O, seats 17-18. Mics ORTF, head high
1358362016-05-21Blossom Music CenterCuyahoga FallsOH
Taper: Mike Peters
Source: AKG CK61-ULS Caps (Active Cables) > Edirol UA-5 (BMp2+ mod) > Sony PCM-10 (24/96 LPCM)
Location: Adjacent to FOH, behind Section 24
1358372016-05-21Blossom Music CenterCuyahoga FallsOH
FLAC24 Taper: Mike Peters
Source: AKG CK61-ULS Caps (Active Cables) > Edirol UA-5 (BMp2+ mod) > Sony PCM-10 (24/96 LPCM)
Location: Adjacent to FOH, behind Section 24
1360712016-05-21Blossom Music CenterCuyahoga FallsOH
Taper: Chris Drews
Source: Neumann AK40 > LC3 > km100(DINa, 6-14') > UA-5 (w-mod) > IRiver iHP-120 (Rockbox)
Location: Section 12, Row J, Seats 1+2
1358952016-05-24Oak Mountain AmphitheatrePelhamAL
Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: Pit, 6 Feet From Stage Right Stack, Mics DIN @ 17 feet
1358962016-05-24Oak Mountain AmphitheatrePelhamAL
FLAC24 Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: Pit, 6 Feet From Stage Right Stack, Mics DIN @ 17 feet
1358992016-05-27PNC Music PavilionCharlotteNC
Taper: Jason Johnson
Source: akg ck61s > nbob actives > GAKables interconnects > Marantz ACM-671 (Compact Flash @ 24/48)
Location: Right Pit/Horn Side, DIN @ 6'
1359002016-05-27PNC Music PavilionCharlotteNC
FLAC24 Taper: Jason Johnson
Source: akg ck61s > nbob actives > GAKables interconnects > Marantz ACM-671 (Compact Flash @ 24/48)
Location: Right Pit/Horn Side, DIN @ 6'
1359012016-05-27PNC Music PavilionCharlotteNC
Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: Pit (Rear Rail), Stage Left Stack, Mics DIN @ 6 feet
1359022016-05-27PNC Music PavilionCharlotteNC
FLAC24 Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: Pit (Rear Rail), Stage Left Stack, Mics DIN @ 6 feet
1359032016-05-28Aaron's Amphitheatre At LakewoodAtlantaGA
Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: Pit (Rear Rail), Stage Left Stack, Mics DIN @ 16 feet
1359042016-05-28Aaron's Amphitheatre At LakewoodAtlantaGA
FLAC24 Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: Pit (Rear Rail), Stage Left Stack, Mics DIN @ 16 feet
1359052016-05-29Hollywood Casino AmphitheatreMaryland HeightsMO
Taper: Crumbo
Source: AKG ck63 (DINa-ish, ~15') > NBob Actives/PFA > Naiant Tinybox (tfos out) > Sony PCM-M10 (24/96)
Location: Deep inside Ashley Fires
1360682016-05-29Hollywood Casino AmphitheatreMaryland HeightsMO
Taper: Rockinman
Source: akg/ck61 (cardioid caps)>Nbob active cables>UA5 preamp(Wmod)>Marantz PMD661(SPDIF In) @ 24/48 kHz
Location: Section Right, Row E, Seat 18 (Right stack), mics A-B config, stand @ 14 feet
1360692016-05-29Hollywood Casino AmphitheatreMaryland HeightsMO
FLAC24 Taper: Rockinman
Source: akg/ck61 (cardioid caps)>Nbob active cables>UA5 preamp(Wmod)>Marantz PMD661(SPDIF In) @ 24/48 kHz
Location: Section Right, Row E, Seat 18 (Right stack), mics A-B config, stand @ 14 feet
1363382016-05-29Hollywood Casino AmphitheatreMaryland HeightsMO
FLAC24 Taper: Crumbo
Source: AKG ck63 (DINa-ish, ~15') > NBob Actives/PFA > Naiant Tinybox (tfos out) > Sony PCM-M10 (24/96)
Location: Deep inside Ashley Fires
1360722016-06-07PNC Bank Arts CenterHolmdelNJ
Taper: unocrew
Source: Sound Professional AT853 Cardiods -> SP P/S -> Edirol R09HR
Location: Section 302 row A
1370432016-06-08Darling's Waterfront PavilionBangorME
Taper: Steven Walkuski
Source: CA-14 cardioid (DINa, ~10.5’) > CA-9100 > Sony PCM-M10 (24bit/96kHz)
Location: GA, right of Soundboard
1360732016-06-10Xfinity CenterMansfieldMA
Taper: Keith Antaya
Source: MG21(Hypers, DIN, 10') > nBob Actives > nBox Platinum > Tascam 70D
Location: FOH
1360742016-06-10Xfinity CenterMansfieldMA
FLAC24 Taper: Keith Antaya
Source: MG21(Hypers, DIN, 10') > nBob Actives > nBox Platinum > Tascam 70D
Location: FOH
1360752016-06-11Xfinity TheatreHartfordCT
Taper: Keith Antaya
Source: AKG ck63(Hypers, DIN, 10') > nBob Actives > Sound Devices MP2 > Edirol R44 (24/48)
Location: Back of pit, right stack
1360762016-06-11Xfinity TheatreHartfordCT
FLAC24 Taper: Keith Antaya
Source: AKG ck63(Hypers, DIN, 10') > nBob Actives > Sound Devices MP2 > Edirol R44 (24/48)
Location: Back of pit, right stack
1360772016-06-11Xfinity TheatreHartfordCT
Taper: Keith Antaya
Source: MG21(Hypers, DIN, 10') > nBob Actives > nBox Platinum > Edirol R44 (24/48)
Location: Back of pit, right stack
1360782016-06-11Xfinity TheatreHartfordCT
FLAC24 Taper: Keith Antaya
Source: MG21(Hypers, DIN, 10') > nBob Actives > nBox Platinum > Edirol R44 (24/48)
Location: Back of pit, right stack
1360792016-06-11Xfinity TheatreHartfordCT
Taper: W Clark
Source: AKG ck61 (Naiant actives) > TB > M10
Location: back of pit 100/200 aisle
1360802016-06-11Xfinity TheatreHartfordCT
Taper: W Clark
Source: AKG ck63 (Naiant actives) > DR-60D
Location: back of pit 100/200 aisle
1361242016-06-17Veterans United Home Loans AmphitheaterVirginia BeachVA
Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: Pit, Stage Right Stack, Mics DIN @ 17 feet
1361252016-06-17Veterans United Home Loans AmphitheaterVirginia BeachVA
FLAC24 Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: Pit, Stage Right Stack, Mics DIN @ 17 feet
1361262016-06-18Jiffy Lube LiveBristowVA
Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: Pit, Stage Right Stack, Mics DIN @ 16 feet
1361272016-06-18Jiffy Lube LiveBristowVA
FLAC24 Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: Pit, Stage Right Stack, Mics DIN @ 16 feet
1361282016-06-18Jiffy Lube LiveBristowVA
Taper: Timothy Brown
Source: AKG C460Bs/CK 63-ULS (Back of Stage Left Pit, ~13' on stand)->Kind Kables->Naiant LittleBox->Segue Dogstar Silver-Clad Interconnect->Edirol R-09HR (24 bit/48 kHz)
1361292016-06-18Jiffy Lube LiveBristowVA
FLAC24 Taper: Timothy Brown
Source: AKG C460Bs/CK 63-ULS (Back of Stage Left Pit, ~13' on stand)->Kind Kables->Naiant LittleBox->Segue Dogstar Silver-Clad Interconnect->Edirol R-09HR (24 bit/48 kHz)
1361302016-06-18Jiffy Lube LiveBristowVA
Taper: Mike Sarnovsky
Source: Neumann km-140s -> Lunatec V3 -> Sound Devices 722
Location: Pit
1365382016-06-21Nikon At Jones Beach TheaterWantaghNY
Taper: Scott Brown
Source: DPA 4028 > Grace Design Lunatec V3 > Mytek Stereo 192 @ 24 bit, 96khz > Sound Devices 744T
Location: Section C, row K
1365392016-06-21Nikon At Jones Beach TheaterWantaghNY
FLAC24 Taper: Scott Brown
Source: DPA 4028 > Grace Design Lunatec V3 > Mytek Stereo 192 @ 24 bit, 96khz > Sound Devices 744T
Location: Section C, row K
1361312016-06-22Lakeview AmphitheatreSyracuseNY
Taper: W Clark
Source: AKG ck61 (Naiant) > TB > M10
Location: 101, M, 12
1361322016-06-22Lakeview AmphitheatreSyracuseNY
Taper: W Clark
Source: AKG ck63 (Naiant) > DR-60D
Location: 101, M, 12
1362542016-06-24BB&T PavilionCamdenNJ
Taper: Jeff Travitz
Source: Neumann KM 185-> Grace Audio V3-> Sound Device 744T
Location: Pit
1362552016-06-24BB&T PavilionCamdenNJ
Taper: Rockinman
Source: akg/ck63 (hypercaps)>Nbob active cables>UA5 preamp(Wmod)>Marantz PMD661(SPDIF In) @ 24/48 kHz
Location: Rear of GA Pit, Right stack, mics A-B config, stand @ 6 feet (venue rule)
1362562016-06-24BB&T PavilionCamdenNJ
FLAC24 Taper: Rockinman
Source: akg/ck63 (hypercaps)>Nbob active cables>UA5 preamp(Wmod)>Marantz PMD661(SPDIF In) @ 24/48 kHz
Location: Rear of GA Pit, Right stack, mics A-B config, stand @ 6 feet (venue rule)
1362592016-06-24BB&T PavilionCamdenNJ
Taper: Ryan Hoyt
Source: dpa 4023 > 744 > MBIT+ dithering to 16 bit
Location: dfc, back of pit, mics DINa @ ~6'
1362602016-06-24BB&T PavilionCamdenNJ
FLAC24 Taper: Ryan Hoyt
Source: dpa 4023 > 744
Location: dfc, back of pit, mics DINa @ ~6'
1362612016-06-24BB&T PavilionCamdenNJ
Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744 > MBIT+ dithering to 16 bit
Location: dfc, back of pit, mics NOS @ ~6'
1362622016-06-24BB&T PavilionCamdenNJ
FLAC24 Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744
Location: dfc, back of pit, mics NOS @ ~6'
1363322016-06-25BB&T PavilionCamdenNJ
Taper: Jeff Travitz
Source: Neumann KM 185-> Grace Audio V3-> Sound Device 744T
Location: Pit
1363332016-06-25BB&T PavilionCamdenNJ
Taper: Ryan Hoyt
Source: dpa 4023 > v2 > 744 > MBIT+ dithering to 16 bit
Location: 104 G, mics DINa @ ~7'
1363342016-06-25BB&T PavilionCamdenNJ
FLAC24 Taper: Ryan Hoyt
Source: dpa 4023 > v2 > 744
Location: 104 G, mics DINa @ ~7'
1363352016-06-25BB&T PavilionCamdenNJ
Taper: Ryan Hoyt
Source: dpa 4028 > 744 > MBIT+ dithering to 16 bit
Location: 104 G, mics DINa @ ~7'
1363362016-06-25BB&T PavilionCamdenNJ
FLAC24 Taper: Ryan Hoyt
Source: dpa 4028 > 744
Location: 104 G, mics DINa @ ~7'
1363402016-06-28iWireless CenterMolineIL
Taper: bersey
Source: CA-11 cardioids > CA-9100 > Sony PCM-M10 @ 24 bit/48kHz
Location: GA floor, right side of sound/light/video booth, 90' from stage, a little right of center, mics about 11' high
1363412016-06-28iWireless CenterMolineIL
FLAC24 Taper: bersey
Source: CA-11 cardioids > CA-9100 > Sony PCM-M10 @ 24 bit/48kHz
Location: GA floor, right side of sound/light/video booth, 90' from stage, a little right of center, mics about 11' high
1365212016-06-28iWireless CenterMolineIL
Taper: Rockinman
Source: akg/ck63 (hypercaps)>Nbob active cables>UA5 preamp(Wmod)>Marantz PMD661(SPDIF In) @ 24/48 kHz
Location: GA Floor, Front of Soundboard, Slightly right of center, mics DIN config, stand @ 14 feet
1365222016-06-28iWireless CenterMolineIL
FLAC24 Taper: Rockinman
Source: akg/ck63 (hypercaps)>Nbob active cables>UA5 preamp(Wmod)>Marantz PMD661(SPDIF In) @ 24/48 kHz
Location: GA Floor, Front of Soundboard, Slightly right of center, mics DIN config, stand @ 14 feet
1365232016-06-29Providence Medical Center AmphitheaterBonner SpringsKS
Taper: Ryan Hoyt
Source: dpa 4023 > 744 > MBIT+ dithering to 16 bit
Location: back right of pit, mics DINa @ ~12'
1365242016-06-29Providence Medical Center AmphitheaterBonner SpringsKS
FLAC24 Taper: Ryan Hoyt
Source: dpa 4023 > 744
Location: back right of pit, mics DINa @ ~12'
1365252016-06-29Providence Medical Center AmphitheaterBonner SpringsKS
Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744 > MBIT+ dithering to 16 bit
Location: back right of pit, mics NOS @ ~12'
1365262016-06-29Providence Medical Center AmphitheaterBonner SpringsKS
FLAC24 Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744
Location: back right of pit, mics NOS @ ~12'
1365012016-07-01Alpine Valley Music TheatreEast TroyWI
Taper: Crumbo
Source: AKG ck63 (DINa-ish, ~15') > NBob Actives > Sound Devices 722 (24/96)
Location: Behind Xev Bellringer
1365032016-07-01Alpine Valley Music TheatreEast TroyWI
FLAC24 Taper: Crumbo
Source: AKG ck63 (DINa-ish, ~15') > NBob Actives > Sound Devices 722 (24/96)
Location: Behind Xev Bellringer
1365072016-07-01Alpine Valley Music TheatreEast TroyWI
Taper: Jason Johnson
Source: akg ck63s > nbob actives > GAKables interconnects > Marantz ACM-671 (Compact Flash @ 24/48)
Location: 203 JJ, DIN @ 15'
1365082016-07-01Alpine Valley Music TheatreEast TroyWI
FLAC24 Taper: Jason Johnson
Source: akg ck63s > nbob actives > GAKables interconnects > Marantz ACM-671 (Compact Flash @ 24/48)
Location: 203 JJ, DIN @ 15'
1365272016-07-01Alpine Valley Music TheatreEast TroyWI
Taper: bersey
Source: CA-11 cardioids > CA-9100 > Sony PCM-M10 @ 24 bit/48kHz
Location: Section 202, Row LL, Seat 100, mics about 12' high, right stack
1365292016-07-01Alpine Valley Music TheatreEast TroyWI
FLAC24 Taper: bersey
Source: CA-11 cardioids > CA-9100 > Sony PCM-M10 @ 24 bit/48kHz
Location: Section 202, Row LL, Seat 100, mics about 12' high, right stack
1365332016-07-01Alpine Valley Music TheatreEast TroyWI
Taper: Mike Peters
Source: AKG CK61-ULS Caps (Active Cables) > Edirol UA-5 (BMp2+ mod) > Sony PCM-10 (24/96 LPCM)
Location: Section 202, right stack
1365022016-07-02Alpine Valley Music TheatreEast TroyWI
Taper: Crumbo
Source: AKG ck63 (DINa-ish, ~15') > NBob Actives > Sound Devices 722 (24/96)
Location: Under Cory Chase
1365042016-07-02Alpine Valley Music TheatreEast TroyWI
FLAC24 Taper: Crumbo
Source: AKG ck63 (DINa-ish, ~15') > NBob Actives > Sound Devices 722 (24/96)
Location: Under Cory Chase
1365092016-07-02Alpine Valley Music TheatreEast TroyWI
Taper: Jason Johnson
Source: akg ck63s > nbob actives > GAKables interconnects > Marantz ACM-671 (Compact Flash @ 24/48)
Location: 202 EE, DIN @ 15'
1365102016-07-02Alpine Valley Music TheatreEast TroyWI
FLAC24 Taper: Jason Johnson
Source: akg ck63s > nbob actives > GAKables interconnects > Marantz ACM-671 (Compact Flash @ 24/48)
Location: 202 EE, DIN @ 15'
1365342016-07-02Alpine Valley Music TheatreEast TroyWI
Taper: Mike Peters
Source: AKG CK61-ULS Caps (Active Cables) > Edirol UA-5 (BMp2+ mod) > Sony PCM-10 (24/96 LPCM)
Location: Section 202, left stack
1365352016-07-02Alpine Valley Music TheatreEast TroyWI
Taper: bersey
Source: CA-11 cardioids > CA-9100 > Sony PCM-M10 @ 24 bit/48kHz
Location: Section 202, Row RR, Seats 142 & 143, mics about 12' high, left stack
1365362016-07-02Alpine Valley Music TheatreEast TroyWI
FLAC24 Taper: bersey
Source: CA-11 cardioids > CA-9100 > Sony PCM-M10 @ 24 bit/48kHz
Location: Section 202, Row RR, Seats 142 & 143, mics about 12' high, left stack
1365052016-07-08Nationwide ArenaColumbusOH
Taper: Mike Sarnovsky
Source: Neumann km-140s -> Lunatec V3 -> Sound Devices 722
Location: Stage Left, about 1/3 back
1365402016-07-08Nationwide ArenaColumbusOH
Taper: Charles Dewey Cole, IV
Source: AT853 Cardioids (4.7k mod) > SP-SPSB-11 (@69Hz) > Sony PCM-M10 (24 bit @48kHz)
Location: GA Floor, right stack, stand set at 10 ft.
1365412016-07-08Nationwide ArenaColumbusOH
FLAC24 Taper: Charles Dewey Cole, IV
Source: AT853 Cardioids (4.7k mod) > SP-SPSB-11 (@69Hz) > Sony PCM-M10 (24 bit @48kHz)
Location: GA Floor, right stack, stand set at 10 ft.
1365422016-07-08Nationwide ArenaColumbusOH
Taper: Mike Peters
Source: AKG CK61-ULS Caps (Active Cables) > Edirol UA-5 (BMp2+ mod) > Sony PCM-10 (24/96 LPCM)
Location: GA Floor, Dead center at FOH
1365432016-07-09First Niagara PavilionBurgettstownPA
Taper: Mike Peters
Source: AKG CK61-ULS Caps (Active Cables) > Edirol UA-5 (BMp2+ mod) > Sony PCM-10 (24/96 LPCM)
Location: Back of FOH, dead center
1366212016-07-12Bank Of New Hampshire PavilionGilfordNH
Taper: Steven Walkuski
Source: Beyer mc930 (~10', pointed at stack) > Naiant BigBox (XLR out) > Edirol R-09HR (1/8th Mini In) @ 24bit/96kHz
Location: Back of pit
1366272016-07-12Bank Of New Hampshire PavilionGilfordNH
Taper: John Gortakowski
Source: CA-14 cardioid (DINa, ~12’) > CA-9100 > Sony PCM-M10 (24bit/96kHz)
Location: GA Pit, back rail in front of stage left stack
1366282016-07-13Bank Of New Hampshire PavilionGilfordNH
Taper: John Gortakowski
Source: CA-14 cardioid (DINa, ~12’) > CA-9100 > Sony PCM-M10 (24bit/96kHz)
Location: GA Pit, back rail in front of stage left stack
1368032016-07-13Bank Of New Hampshire PavilionGilfordNH
Taper: Steven Walkuski
Source: Beyerdynamic MC930 (Cardioids) > Naiant BigBox > Edirol R-09HR (24/96 LPCM)
Location: GA PIT, Right Stack at ~10ft
1365062016-07-15Saratoga Performing Arts CenterSaratoga SpringsNY
Taper: Mike Sarnovsky
Source: Neumann km-140s -> Lunatec V3 -> Sound Devices 722
Location: Sec 7, Row U, Seats 5,6
1365452016-07-15Saratoga Performing Arts CenterSaratoga SpringsNY
Taper: Chris Drews
Source: Neumann AK40 > LC3 > km100(DINa, ~15') > UA-5 (w-mod) > IRiver iHP-120 (Rockbox)
Location: Back Rail of GA PIT, Stage Left Stack
1365112016-07-16Saratoga Performing Arts CenterSaratoga SpringsNY
Taper: Mike Sarnovsky
Source: Neumann km-140s -> Lunatec V3 -> Sound Devices 722
Location: Sec 4, Row E, Seats 11, 12
1365122016-07-16Saratoga Performing Arts CenterSaratoga SpringsNY
Taper: W Clark
Source: AKG ck61 (Naiant) > TB > M10
Location: 15, A, 5/6
1365132016-07-16Saratoga Performing Arts CenterSaratoga SpringsNY
Taper: W Clark
Source: AKG ck63 (Naiant) > DR-60D
Location: 15, A, 5/6
1365462016-07-16Saratoga Performing Arts CenterSaratoga SpringsNY
Taper: Chris Drews
Source: Neumann AK40 > LC3 > km100(DINa, ~16') > UA-5 (w-mod) > IRiver iHP-120 (Rockbox)
Location: Back Rail of GA PIT, Stage Left Stack
1365692016-07-20DTE Energy Music TheatreClarkstonMI
Taper: Matt Hucul
Source: Oktava MK219 (X/Y @ 17') > Battery Box > iRiver h120 (Rockbox) @ 44.1khz
Location: Section LT2, Row E, Seats 3 and 4
1366092016-07-20DTE Energy Music TheatreClarkstonMI
Taper: Sam Lincoln
Source: Schoeps mk4 > KC-5 > cmc-6xt > 722 @ 24/96
Location: Sec RTC4, Row R seats 33 & 24. Mics ~8 ft AB
1366222016-07-20DTE Energy Music TheatreClarkstonMI
FLAC24 Taper: Sam Lincoln
Source: Schoeps mk4 > KC-5 > cmc-6xt > 722 @ 24/96
Location: Sec RTC4, Row R seats 33 & 24. Mics ~8 ft AB
1366112016-07-22Klipsch Music CenterNoblesvilleIN
Taper: Jason Johnson
Source: akg ck63s > nbob actives > GAKables interconnects > Marantz ACM-671 (Compact Flash @ 24/48)
Location: Section A Row S, DIN @ 17'
1366122016-07-22Klipsch Music CenterNoblesvilleIN
FLAC24 Taper: Jason Johnson
Source: akg ck63s > nbob actives > GAKables interconnects > Marantz ACM-671 (Compact Flash @ 24/48)
Location: Section A Row S, DIN @ 17'
1366152016-07-22Klipsch Music CenterNoblesvilleIN
Taper: Crumbo
Source: AKG ck63 (DINa-ish, ~15') > NBob Actives > Sound Devices 722 (24/96)
Location: Under Bree Olson
1366162016-07-22Klipsch Music CenterNoblesvilleIN
FLAC24 Taper: Crumbo
Source: AKG ck63 (DINa-ish, ~15') > NBob Actives > Sound Devices 722 (24/96)
Location: Under Bree Olson
1366192016-07-22Klipsch Music CenterNoblesvilleIN
Taper: Sam Lincoln
Source: Schoeps mk4 > KC-5 > cmc-6xt > 722 @ 24/96
Location: Sec C, Row EE, seats 27 & 28, ~ 10ft, AB
1366132016-07-23Klipsch Music CenterNoblesvilleIN
Taper: Jason Johnson
Source: akg ck63s > nbob actives > GAKables interconnects > Marantz ACM-671 (Compact Flash @ 24/48)
Location: Section C Row U, DIN @ 17'
1366142016-07-23Klipsch Music CenterNoblesvilleIN
FLAC24 Taper: Jason Johnson
Source: akg ck63s > nbob actives > GAKables interconnects > Marantz ACM-671 (Compact Flash @ 24/48)
Location: Section C Row U, DIN @ 17'
1366172016-07-23Klipsch Music CenterNoblesvilleIN
Taper: Crumbo
Source: AKG ck63 (DINa-ish, ~15') > NBob Actives > Sound Devices 722 (24/96)
Location: Deep inside Leah Gotti
1366182016-07-23Klipsch Music CenterNoblesvilleIN
FLAC24 Taper: Crumbo
Source: AKG ck63 (DINa-ish, ~15') > NBob Actives > Sound Devices 722 (24/96)
Location: Deep inside Leah Gotti
1366202016-07-23Klipsch Music CenterNoblesvilleIN
Taper: Sam Lincoln
Source: Schoeps mk4 > KC-5 > cmc-6xt > 722 @ 24/96
Location: Sec F, Row E, seats 8, ~ 12ft, DIN
1366232016-07-26North Charleston ColiseumNorth CharlestonSC
Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: GA Floor, FOH, Mics DIN @ 16 feet
1366242016-07-26North Charleston ColiseumNorth CharlestonSC
FLAC24 Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: GA Floor, FOH, Mics DIN @ 16 feet
1366252016-07-26North Charleston ColiseumNorth CharlestonSC
Taper: Todd Trego
Source: DPA 4022(ortf)>V2>M-10 @ 16/44
Location: ROC @ corner of SBD,15ft.
1366262016-07-27MIDFLORIDA Credit Union AmphitheatreTampaFL
Taper: Rockinman
Source: akg/ck63 (hypercaps)>Nbob active cables>UA5 preamp(Wmod)>Marantz PMD661(SPDIF In) @ 24/48 kHz
Location: Rear of GA PIT, Right stack, mics A-B config, stand @ 15 feet
1378992016-07-27MIDFLORIDA Credit Union AmphitheatreTampaFL
REMASTER Taper: Rockinman
Source: akg/ck63 (hypercaps)>Nbob active cables>UA5 preamp(Wmod)>Marantz PMD661(SPDIF In) @ 24/48 kHz
Location: Rear of GA PIT, Right stack, mics A-B config, stand @ 15 feet
1366292016-07-29Perfect Vodka AmphitheatreWest Palm BeachFL
Taper: Noam Yemini
Source: MXL 604 (hypercardiod capsules) > Zoom H4n (48 kHz, 24 bit)
Location: Seat 3 F 1, Left Stack
1368042016-07-30Perfect Vodka AmphitheatreWest Palm BeachFL
Taper: Eric Wallace
Source: Avantone CK-1 (cards, A-B) > XLR > Tascam DR-100mkii (24/48 recording)
Location: Section 4, Row K, Seats 11-12 @ 12'
1368052016-07-30Perfect Vodka AmphitheatreWest Palm BeachFL
FLAC24 Taper: Eric Wallace
Source: Avantone CK-1 (cards, A-B) > XLR > Tascam DR-100mkii (24/48 recording)
Location: Section 4, Row K, Seats 11-12 @ 12'
1368762016-08-26Sleep Train AmphitheatreChula VistaCA
Taper: Rockinman
Source: akg/ck63 (hypercaps)>Nbob active cables>UA5 preamp(Wmod)>Marantz PMD661(SPDIF In) @ 24/48 kHz
Location: Inside Soundboard, DFC, mics DIN config, clamped to stand @ 12 feet
1368772016-08-26Sleep Train AmphitheatreChula VistaCA
FLAC24 Taper: Rockinman
Source: akg/ck63 (hypercaps)>Nbob active cables>UA5 preamp(Wmod)>Marantz PMD661(SPDIF In) @ 24/48 kHz
Location: Inside Soundboard, DFC, mics DIN config, clamped to stand @ 12 feet
1368782016-08-26Sleep Train AmphitheatreChula VistaCA
Taper: Jon Koch
Source: Schoeps MK4 > active cables > Nbox+ > Edirol R-09HR (24/48)
Location: FOH/DFC Mics DIN ~12'
1370392016-08-26Sleep Train AmphitheatreChula VistaCA
Taper: Ryan Hoyt
Source: dpa 4023 > v2 > 744 > MBIT+ dithering to 16 bit
Location: FOH, mics DINa @ ~13’
1370422016-08-26Sleep Train AmphitheatreChula VistaCA
FLAC24 Taper: Ryan Hoyt
Source: dpa 4028 > 744
Location: FOH, mics DINa @ ~13’
1370402016-08-26Sleep Train AmphitheatreChula VistaCA
FLAC24 Taper: Ryan Hoyt
Source: dpa 4023 > v2 > 744
Location: FOH, mics DINa @ ~13’
1370412016-08-26Sleep Train AmphitheatreChula VistaCA
Taper: Ryan Hoyt
Source: dpa 4028 > 744 > MBIT+ dithering to 16 bit
Location: FOH, mics DINa @ ~13’
1368792016-08-27Irvine Meadows AmphitheatreIrvineCA
Taper: Rockinman
Source: akg/ck63 (hypercaps)>Nbob active cables>UA5 preamp(Wmod)>Marantz PMD661(SPDIF In) @ 24/48 kHz
Location: Section 1, Row F, Outside rail, mics A-B config, stand @ 15 feet
1368802016-08-27Irvine Meadows AmphitheatreIrvineCA
FLAC24 Taper: Rockinman
Source: akg/ck63 (hypercaps)>Nbob active cables>UA5 preamp(Wmod)>Marantz PMD661(SPDIF In) @ 24/48 kHz
Location: Section 1, Row F, Outside rail, mics A-B config, stand @ 15 feet
1368812016-08-27Irvine Meadows AmphitheatreIrvineCA
Taper: Jon Koch
Source: Schoeps MK4 > active cables > Nbox+ > Edirol R-09HR (24/48)
Location: Outside railing of Sec 1 (Row F) in line with right side coverage stack, Mics DIN ~ 15'
1368822016-08-27Irvine Meadows AmphitheatreIrvineCA
Taper: Ryan Hoyt
Source: dpa 4023 > 744 > MBIT+ dithering to 16 bit
Location: Section 3, left rail, mics DINa @ ~13’
1368832016-08-27Irvine Meadows AmphitheatreIrvineCA
FLAC24 Taper: Ryan Hoyt
Source: dpa 4023 > 744
Location: Section 3, left rail, mics DINa @ ~13’
1368842016-08-27Irvine Meadows AmphitheatreIrvineCA
Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744 > MBIT+ dithering to 16 bit
Location: Section 3, left rail, mics NOS @ ~13’
1368852016-08-27Irvine Meadows AmphitheatreIrvineCA
FLAC24 Taper: Ryan Hoyt
Source: dpa 4028 > 744
Location: Section 3, left rail, mics NOS @ ~13’
1369362016-08-29Greek TheatreBerkeleyCA
Taper: Jon Koch
Source: Schoeps MK4 > active cables > Nbox+ > Edirol R-09HR (24/48)
Location: Outside railing in line with right side coverage stack, Mics DIN ~ 13'
1369372016-08-29Greek TheatreBerkeleyCA
Taper: Justin Kacz
Source: DPA4028 > Oade ACM Grace Design V3> Oade CM Edirol R-44 (@ 24 bit / 48 kHz)
Location: Outside rail in line with right coverage stack, Mics A-B config, clamped to stand @ 13 feet
1369382016-08-29Greek TheatreBerkeleyCA
FLAC24 Taper: Justin Kacz
Source: DPA4028 > Oade ACM Grace Design V3> Oade CM Edirol R-44 (@ 24 bit / 48 kHz)
Location: Outside rail in line with right coverage stack, Mics A-B config, clamped to stand @ 13 feet
1369702016-08-29Greek TheatreBerkeleyCA
Taper: Ryan Hoyt
Source: dpa 4023 > v2 > 744 > MBIT+ dithering to 16 bit
Location: FOH, mics DINa @ ~13’
1369712016-08-29Greek TheatreBerkeleyCA
FLAC24 Taper: Ryan Hoyt
Source: dpa 4023 > v2 > 744
Location: FOH, mics DINa @ ~13’
1369722016-08-29Greek TheatreBerkeleyCA
Taper: Ryan Hoyt
Source: dpa 4028 > 744 > MBIT+ dithering to 16 bit
Location: FOH, mics NOS @ ~13’
1369732016-08-29Greek TheatreBerkeleyCA
FLAC24 Taper: Ryan Hoyt
Source: dpa 4028 > 744
Location: FOH, mics NOS @ ~13’
1369742016-08-30Greek TheatreBerkeleyCA
Taper: Jon Koch
Source: Schoeps MK4 > active cables > Nbox+ > Edirol R-09HR (24/48)
Location: Tapers' Section behind soundbooth in Section 6, close to DFC, Mics DIN ~ 14'
1369752016-08-30Greek TheatreBerkeleyCA
Taper: Justin Kacz
Source: DPA4028 > Oade ACM Grace Design V3> Oade CM Edirol R-44 (@ 24 bit / 48 kHz)
Location: Tapers section (Behind SBD), mics DIN config, clamped to stand @ 13 feet
1369762016-08-30Greek TheatreBerkeleyCA
FLAC24 Taper: Justin Kacz
Source: DPA4028 > Oade ACM Grace Design V3> Oade CM Edirol R-44 (@ 24 bit / 48 kHz)
Location: Tapers section (Behind SBD), mics DIN config, clamped to stand @ 13 feet
1370062016-08-30Greek TheatreBerkeleyCA
Taper: Ryan Hoyt
Source: dpa 4023 > 744 > MBIT+ dithering to 16 bit
Location: FOH DFC, mics DINa @ ~13’
1370072016-08-30Greek TheatreBerkeleyCA
FLAC24 Taper: Ryan Hoyt
Source: dpa 4023 > 744
Location: FOH DFC, mics DINa @ ~13’
1370082016-08-30Greek TheatreBerkeleyCA
Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744 > MBIT+ dithering to 16 bit
Location: FOH, mics split ~12’ AB @ ~13’
1370092016-08-30Greek TheatreBerkeleyCA
FLAC24 Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744
Location: FOH, mics split ~12’ AB @ ~13’
1370102016-09-02The Gorge AmphitheatreGeorgeWA
Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: Rear of GA PIT, Stage Left Stack, Mics DIN @ 13 feet
1370112016-09-02The Gorge AmphitheatreGeorgeWA
Taper: Jon Koch
Source: Schoeps MK4 > active cables > Nbox+ > Edirol R-09HR (24/48)
Location: Back of pit in line with right stacks, Mics DIN ~ 13'
1370122016-09-02The Gorge AmphitheatreGeorgeWA
Taper: Ryan Hoyt
Source: dpa 4023 > 744 > MBIT+ dithering to 16 bit
Location: Back of pit, on right side PA, mics DINa @ ~13’
1370132016-09-02The Gorge AmphitheatreGeorgeWA
FLAC24 Taper: Ryan Hoyt
Source: dpa 4023 > 744
Location: Back of pit, on right side PA, mics DINa @ ~13’
1370142016-09-02The Gorge AmphitheatreGeorgeWA
Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744 > MBIT+ dithering to 16 bit
Location: Back of pit, on right side PA, mics NOS @ ~13’
1370152016-09-02The Gorge AmphitheatreGeorgeWA
FLAC24 Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744
Location: Back of pit, on right side PA, mics NOS @ ~13’
1370222016-09-03The Gorge AmphitheatreGeorgeWA
Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: Rear of GA PIT, Stage Left Stack, Mics DIN @ 13 feet
1370232016-09-03The Gorge AmphitheatreGeorgeWA
Taper: Jon Koch
Source: Schoeps MK4 > active cables > Nbox+ > Edirol R-09HR (24/48)
Location: Back of pit in line with right stacks, Mics DIN ~ 13'
1370242016-09-03The Gorge AmphitheatreGeorgeWA
Taper: Ryan Hoyt
Source: dpa 4023 > 744 > MBIT+ dithering to 16 bit
Location: Back of pit, on right side PA, mics DINa @ ~13’
1370252016-09-03The Gorge AmphitheatreGeorgeWA
FLAC24 Taper: Ryan Hoyt
Source: dpa 4023 > 744
Location: Back of pit, on right side PA, mics DINa @ ~13’
1370262016-09-03The Gorge AmphitheatreGeorgeWA
Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744 > MBIT+ dithering to 16 bit
Location: Back of pit, on right side PA, mics NOS @ ~13’
1370272016-09-03The Gorge AmphitheatreGeorgeWA
FLAC24 Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744
Location: Back of pit, on right side PA, mics NOS @ ~13’
1370312016-09-04The Gorge AmphitheatreGeorgeWA
Taper: Dean Wolfgang
Source: Naiant AKG Actives/PFAs>Lunatec V3>R44 @24/48 kHz
Location: Rear of GA PIT, Stage Left Stack, Mics DIN @ 13 feet
1370322016-09-04The Gorge AmphitheatreGeorgeWA
Taper: Jon Koch
Source: Schoeps MK4 > active cables > Nbox+ > Edirol R-09HR (24/48)
Location: Back of pit in line with right stacks, Mics DIN ~ 13'
1370332016-09-04The Gorge AmphitheatreGeorgeWA
Taper: Ryan Hoyt
Source: dpa 4023 > 744 > MBIT+ dithering to 16 bit
Location: Back of pit, on right side PA, mics DINa @ ~13’
1370342016-09-04The Gorge AmphitheatreGeorgeWA
FLAC24 Taper: Ryan Hoyt
Source: dpa 4023 > 744
Location: Back of pit, on right side PA, mics DINa @ ~13’
1370352016-09-04The Gorge AmphitheatreGeorgeWA
Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744 > MBIT+ dithering to 16 bit
Location: Back of pit, on right side PA, mics NOS @ ~13’
1370362016-09-04The Gorge AmphitheatreGeorgeWA
FLAC24 Taper: Ryan Hoyt
Source: dpa 4028 > v2 > 744
Location: Back of pit, on right side PA, mics NOS @ ~13’