Sources for Grateful Dead 50th Farewell Tour

SHNIDDateVenueCityStateArchive Identifier
1336422015-06-27Levi’s StadiumSanta ClaraCA
Source: Schoeps MK4v(DIN)>kc5>m222>nt222>788t Location: OTS Transfer: 788t>Wavelab 6>CD Wave>Wavelab 6>Flac Taped and Transferred by: Derek Davis
1336462015-06-27Levi’s StadiumSanta ClaraCA
Source: Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol UA-5 (BM2p+)>Edirol R-09HR Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5) Location: OTS ~ 10'
1336722015-06-27Levi’s StadiumSanta ClaraCA
24 Bit Recording Recorded with Neumann KM184’s (left rear FOH, 10 ft. high, NOS) > Sound Devices 722 @ 48 kHZ/24 bit All post production with Macbook Pro, Logic Pro X, and xACT. Recorded by D. Fries
1336822015-06-27Levi’s StadiumSanta ClaraCA
Sonics Studios DSM6 Omni's > Sony PCM-M10 > WAV 2496. Hat-mounted mics, G.A. Pit center, aprx 35-feet from stage. Recording by Richie Stankiewicz. WAV 2496 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged
1337062015-06-27Levi’s StadiumSanta ClaraCA
24 Bit Recording Sonics Studios DSM6 Omni's > Sony PCM-M10 > WAV 2496. Hat-mounted mics, G.A. Pit center, aprx 35-feet from stage. Recording by Richie Stankiewicz. WAV 2496 > Wavelab > CD-Wave (24bit) > TLH > FLAC 2496 tagged
1338162015-06-27Levi’s StadiumSanta ClaraCA
Taper: George Wang Source: DPA 4023 > Sound Devices 722 @ 24/96 Location: GA Floor, 100 feet center WAV > FLAC: .wav @ 24/96 > Audacity 1.3.9 (Unicode) (dither to 16/44.1)
1338172015-06-27Levi’s StadiumSanta ClaraCA
Taper: George Wang Source: DPA 4023 > Sound Devices 722 @ 24/96 Location: GA Floor, 100 feet center WAV > FLAC: .wav @ 24/96 > Audacity 1.3.9 (Unicode)
1344952015-06-27Levi’s StadiumSanta ClaraCA
flac16: SBD + AUD Matrix Mix (65%-SBD/35%-FOB)- 3 Source Mix by Dan Haugh
1352622015-06-27Levi’s StadiumSanta ClaraCA
DTS-Audio-CD 5.1 Mix; SBD (no shnid) Webcast Audio -> SBD + AUD (shn id 133646) Source: Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol UA-5 (BM2p+)>Edirol R-09HR Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5) Location: OTS ~ 10' - dts mixing by Kevin Tobin
1352612015-06-27Levi’s StadiumSanta ClaraCA
flac16; Matrix 2 Source Mix - SBD (no shnid) Webcast Audio -> SBD + AUD (shn id 133646) Source: Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol UA-5 (BM2p+)>Edirol R-09HR Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5) Location: OTS ~ 10' - matrix mixing by Kevin Tobin
1352632015-06-27Levi’s StadiumSanta ClaraCA
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (no shnid) Webcast Audio -> SBD + AUD (shn id 133646) Source: Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol UA-5 (BM2p+)>Edirol R-09HR Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5) Location: OTS ~ 10' - mixing by Kevin Tobin
1336252015-06-28Levi’s StadiumSanta ClaraCA
Source: Milab VM-44 Link S-cards -> Sonosax SX-R4 (24/96) Location: OTS, 10' high, DINa Transfer: Sonosax SX-R4 -> AudioGate (16/44) -> CD Wave -> Flac(6)
1336452015-06-28Levi’s StadiumSanta ClaraCA
Source: Schoeps MK4v(DIN)>kc5>m222>nt222>788t Location: OTS Transfer: 788t>Wavelab 6>CD Wave>Wavelab 6>Flac Taped and Transferred by: Derek Davis
1336472015-06-28Levi’s StadiumSanta ClaraCA
Source: Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edirol UA-5 (BM2p+)>Edirol R-09HR Transfer: SDHC>Adobe Audition>Cakewalk pyro>.WAV>FLAC (5) Location: OTS ~ 10'
1336692015-06-28Levi’s StadiumSanta ClaraCA
Recorded with Neumann KM184’s > Sound Devices 722 @ 48 kHZ/24 bit Mic position: back left FOH, 10 ft. high, NOS All post production with Macbook Pro, Logic Pro X, and xACT. Recorded by D. Fries
1337602015-06-28Levi’s StadiumSanta ClaraCA
24 Bit Recording Sonics Studios DSM6 Omni's > Sony PCM-M10 > WAV 2496. Hat-mounted mics, G.A. Pit center, aprx 35-feet from stage. Recording by Richie Stankiewicz. WAV 2496 > Wavelab > CD-Wave (24bit) > TLH > FLAC 2496 tagged.
1337612015-06-28Levi’s StadiumSanta ClaraCA
Sonics Studios DSM6 Omni's > Sony PCM-M10 > WAV 2496. Hat-mounted mics, G.A. Pit center, aprx 35-feet from stage. Recording by Richie Stankiewicz. WAV 2496 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged.
1340102015-06-28Levi’s StadiumSanta ClaraCA
24 Bit Recording Taper: George Wang Source: DPA 4023 > Sound Devices 722 @ 24/96 Location: GA Floor, 10 feet center WAV > FLAC: .wav @ 24/96 > Audacity 1.3.9 (Unicode)
1340112015-06-28Levi’s StadiumSanta ClaraCA
Taper: George Wang Source: DPA 4023 > Sound Devices 722 @ 24/96 Location: GA Floor, 10 feet center WAV > FLAC: .wav @ 24/96 > Audacity 1.3.9 (Unicode) (dither to 16/44.1)
1344962015-06-28Levi’s StadiumSanta ClaraCA
flac16: SBD + AUD Matrix Mix (65%-SBD/35%-FOB)- 3 Source Mix by Dan Haugh
1337582015-07-03Soldier FieldChicagoIL
Schoeps CMC6/MK4 -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.1.1 -> FLAC/16 Recorded By Charlie Miller
1336812015-07-03Soldier FieldChicagoIL
Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) OTS/BOB/DFC/KFC/ZFC/AARP 8 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man
1336862015-07-03Soldier FieldChicagoIL
Digital Master Audience Recording Recorded from Taper’s Section Sennheiser MKH-8040s > Tascam DR-680 > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar) Recorded by Bill Walker
1337292015-07-03Soldier FieldChicagoIL
DPA 4021 ORTF 8' high center OTS both directions DPA windscreens Rec by Eric Wilkens
1337252015-07-03Soldier FieldChicagoIL
WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24 bit 48khz > Sound Forge for edits & resampling > flac16
1337362015-07-03Soldier FieldChicagoIL
Oshman's Schoeps CMC 5--U, MK4 Cardioids Supported by an authentic, Peter Oshman-provided Schoeps T-Bar > SONOSAX SX-M2 > Zoom H6 (WAV 96/24). Processed with Audacity, xACT -> 8/44
1337592015-07-03Soldier FieldChicagoIL
24 Bit Recording Schoeps CMC6/MK4 -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.1.1 -> FLAC/24 Recorded By Charlie Miller
1337702015-07-03Soldier FieldChicagoIL
Field: AKG C414xls Cardioid setting > Edirol R4Pro ( Oade preamp mod ) @ 24/88.2 config: pointed at PA array, directly in front of the SBD, dead center, 6.5 feet high Approximately 130 feet from stage. Path: R4Pro > WaveBurner ( track on sector boundaries, fades, SRC, BDC ) > xACT ( to flac, and for tagging and checksums ) Recorded, processed and let loose by Mike Kutik
1337852015-07-03Soldier FieldChicagoIL
FM + AUD Matrix Mix (60%-FM/40%-AUD)
1337982015-07-03Soldier FieldChicagoIL
flac16; Matrix 2 Source Mix - SBD (shnid=133725) WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24 bit 48khz > Sound Forge for edits & resampling > flac16 + AUD (shn id 133686) Digital Master Audience Recording Recorded from Taper’s Section Sennheiser MKH-8040s > Tascam DR-680 > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar) Recorded by Bill Walker - matrix mixing by Kevin Tobin
1337992015-07-03Soldier FieldChicagoIL
DTS-Audio-CD 5.1 Mix; SBD (shnid=133725) WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24 bit 48khz > Sound Forge for edits & resampling > flac16 + AUD (shn id 133686) Digital Master Audience Recording Recorded from Taper’s Section Sennheiser MKH-8040s > Tascam DR-680 > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar) Recorded by Bill Walker - dts mixing by Kevin Tobin
1338142015-07-03Soldier FieldChicagoIL
Microtech Gefell M-210 > Oade M-248 > Sound Devices 722 > WAV 2448. Transfer: WAV 2448 > Wavelab > CD-Wave (24bit) > R8Brain > TLH > FLAC 1644 tagged. Recording by Jon Pasternak, FOB center G.A. Pit, 75-feet from the stage.
1338152015-07-03Soldier FieldChicagoIL
Microtech Gefell M-210 > Oade M-248 > Sound Devices 722 > WAV 2448. Transfer: WAV 2448 > Wavelab > CD-Wave (24bit) > TLH > FLAC 2448 tagged. Recording by Jon Pasternak, FOB center G.A. Pit, 75-feet from the stage.
1338712015-07-03Soldier FieldChicagoIL
Source: Audio Technica U853R-C > Shure FP24 > Sony PCM-M10 (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.5 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC Taped, edited, and transferred by Spyder9 Studios Location: Behind stage, Section 251, Row 16, Seat 17, FOB, ROC.
1344972015-07-03Soldier FieldChicagoIL
flac16: SBD + AUD Matrix Mix (65%-SBD/35%-FOB)- 3 Source Mix by Dan Haugh
1354322015-07-03Soldier FieldChicagoIL
flac24; Oshman's Schoeps CMC 5--U, MK4 Cardioids supported by an authentic, Peter Oshman-provided Schoeps T-Bar > SONOSAX SX-M2 > Zoom H6 (WAV 96/24) -> Audacity -> xACT; Location: Tapers Section, Approximately 40 yards From Stage, 9' High, against the rail, behind the soundboard; Recorded by: blitz
1336852015-07-04Soldier FieldChicagoIL
Recorded with Neumann KM184’s > Tascam DR-100 mk2 @ 48 kHZ/24 bit Behind stage, 14th row center, 6’5” high, NOS All post production with Macbook Pro, Logic Pro X, and xACT. Recorded by D. Fries
1336912015-07-04Soldier FieldChicagoIL
Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) OTS/BOB/DFC/KFC/ZFC/AARP 8 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16)
1337052015-07-04Soldier FieldChicagoIL
Neumann 140's > V-3 > Sound Devices 744t - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16 Recorded by David Dyche
1337072015-07-04Soldier FieldChicagoIL
24 Bit Recording Info: Schoeps CMC6/MK4 -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.1.1 -> FLAC/24 Recorded By Charlie Miller
1337082015-07-04Soldier FieldChicagoIL
Recording Info: Schoeps CMC6/MK4 -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.1.1 -> FLAC/16 Recorded By Charlie Miller
1337262015-07-04Soldier FieldChicagoIL
WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24-bit 48khz > Sound Forge for edits & resampling > flac16
1337542015-07-04Soldier FieldChicagoIL
Oshman's Schoeps CMC 5--U, MK4 Cardioids (Supported by an authentic, Peter Oshman-provided Schoeps T-Bar!) -> SONOSAX SX-M2 -> Zoom H6 (WAV 96/24). Processed with Audacity, xACT -> 16/44.1
1337902015-07-04Soldier FieldChicagoIL
Busman BSC2 + AKG 480/CK61 + Sennheiser MKH-8040s > Tascam DR-680 > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)
1337972015-07-04Soldier FieldChicagoIL
Source: AKG ck61 > Naiant Couplings/PFA > Naiant Tinybox > Sony M-10 (24/48) Transfer: M-10 > iMac. Tracked and dithered with Sound Studio; FLAC via xACT Recorded from front of OTS by Alex Leary
1338502015-07-04Soldier FieldChicagoIL
Microtech Gefell M-210 > Oade M-248 > Sound Devices 722 > WAV 2448. Transfer: WAV 2448 > Wavelab > CD-Wave (24bit) > TLH > FLAC 2448 tagged. Recording by Jon Pasternak
1338512015-07-04Soldier FieldChicagoIL
Microtech Gefell M-210 > Oade M-248 > Sound Devices 722 > WAV 2448. Transfer: WAV 2448 > Wavelab > CD-Wave (24bit) > R8Brain > TLH > FLAC 1644 tagged. Recording by Jon Pasternak
1338662015-07-04Soldier FieldChicagoIL
flac16; Matrix 2 Source Mix - SBD (shnid=133726) WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24 bit 48khz > Sound Forge for edits & resampling > flac16 + AUD (shn id 133707) 24 Bit Recording Info: Schoeps CMC6/MK4 -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.1.1 -> FLAC/24 Recorded By Charlie Miller - matrix mixing by Kevin Tobin
1338672015-07-04Soldier FieldChicagoIL
DTS-Audio-CD 5.1 Mix; SBD (shnid=133726) WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24 bit 48khz > Sound Forge for edits & resampling > flac16 + AUD (shn id 133707) 24 Bit Recording Info: Schoeps CMC6/MK4 -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.1.1 -> FLAC/24 Recorded By Charlie Miller - dts mixing by Kevin Tobin
1338702015-07-04Soldier FieldChicagoIL
Source: Audio Technica U853R-C > Shure FP24 > Sony PCM-M10 (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.5 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC Taped, edited, and transferred by Spyder9 Studios Location: Behind stage, Section 251, Row 16, Seat 17, FOB, ROC.
1344942015-07-04Soldier FieldChicagoIL
flac16: SBD + AUD Matrix Mix (65%-SBD/35%-FOB)- 3 Source Mix by Dan Haugh
1336922015-07-05Soldier FieldChicagoIL
Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) FOB/DFC/KFC/ZFC/AARP Approximately 70' From Stage, 6 1/2' High DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man
1336932015-07-05Soldier FieldChicagoIL
Field: AKG C414xls Hypercardioid/Cardioid setting > Edirol R4Pro ( Oade preamp mod ) @ 24/88.2 config: pointed at PA array, directly in front of the SBD, dead center, 6.5 feet high Approximately 140 feet from stage. Path: R4Pro > WaveBurner ( track on sector boundaries, fades, SRC, BDC ) > xACT ( to flac, and for tagging and checksums ) Recorded, processed and let loose by Mike Kutik
1336942015-07-05Soldier FieldChicagoIL
Neumann 140's > V-3 > Sound Devices 744t - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16 Recorded by David Dyche
1337272015-07-05Soldier FieldChicagoIL
WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24-bit 48khz > Sound Forge for edits & resampling > flac16
1337342015-07-05Soldier FieldChicagoIL
Recorded by goother (John Goldthwaite) Sandisk Sansa Clip+ FM Receiver > Zoom H2 line in > (@ 16/44.1 wav) > SD card All editing done in Adobe Audition 1.5
1337912015-07-05Soldier FieldChicagoIL
Busman BSC2 + AKG 480/CK61 + Sennheiser MKH-8040s > Tascam DR-680 > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)
1338632015-07-05Soldier FieldChicagoIL
Source: Microtech Gefell M-210 > Oade M-248 > Sound Devices 722 > WAV 2448. Transfer: WAV 2448 > Wavelab > CD-Wave (24bit) > TLH > FLAC 2448 tagged. Recording by Jon Pasternak, FOB center G.A. Pit, 75-feet from the stage
1338642015-07-05Soldier FieldChicagoIL
Source: Microtech Gefell M-210 > Oade M-248 > Sound Devices 722 > WAV 2448. Transfer: WAV 2448 > Wavelab > CD-Wave (24bit) > R8Brain > TLH > FLAC 1644 tagged. Recording by Jon Pasternak, FOB center G.A. Pit, 75-feet from the stage
1338692015-07-05Soldier FieldChicagoIL
Source: Audio Technica U853R-C > Shure FP24 > Sony PCM-M10 (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.5 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC Taped, edited, and transferred by Spyder9 Studios Location: Behind stage, Section 251, Row 16, Seat 17, FOB, ROC.
1338722015-07-05Soldier FieldChicagoIL
DPA 4021 ORTF 8' high center OTS both directions DPA windscreens Rec by Eric Wilkens
1340612015-07-05Soldier FieldChicagoIL
flac16; Matrix 2 Source Mix - SBD (shnid=133727) WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24 bit 48khz > Sound Forge for edits & resampling > flac16 + AUD (shn id 133869) Audio Technica U853R-C > Shure FP24 > Sony PCM-M10 (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.5 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC Taped, edited, and transferred by Spyder9 Studios Location: Behind stage, Section 251, Row 16, Seat 17, FOB, ROC. - matrix mixing by Kevin Tobin
1340622015-07-05Soldier FieldChicagoIL
DTS-Audio-CD 5.1 Mix; SBD (shnid=133727) WXRT FM > Pioneer TX-9100 > Soundblaster Audigy 2 ZS @ 24 bit 48khz > Sound Forge for edits & resampling > flac16 + AUD (shn id 133869) Audio Technica U853R-C > Shure FP24 > Sony PCM-M10 (24/44.1) Mastering: (24/44.1) WAV > Adobe Audition 3.0.1 > (16/44.1) WAV > Totalrecorder 8.5 > (16/44.1) WAV > Trader's Little Helper 2.7 > FLAC Taped, edited, and transferred by Spyder9 Studios Location: Behind stage, Section 251, Row 16, Seat 17, FOB, ROC. - dts mixing by Kevin Tobin
1344932015-07-05Soldier FieldChicagoIL
flac16SBD + AUD Matrix Mix (65%-SBD/35%-FOB)- 3 Source Mix by Dan Hough