Sources for Garaj Mahal

SHNIDDateVenueCityStateArchive Identifier
342672006-01-06Blind Melon'sSan DiegoCA
(Onstage; stage left, 4ft high) Sony ECM-MS907 > Sony D8 > Sony PCM-R300 > coax > HHb830 > Flac; Recording/Transfer by Ken Shook
813902006-01-07Winston'sOcean BeachCA
SBD > Dat > coax > HHb830 > Flac
Recorded & Transferred by Kenny Shook
320672006-01-08Rhythm RoomPhoenixAZ
Schoeps mk4 (din/17/90) > actives > nbox > bm2p+ mod ua-5 (rca-in) > jb3; Taped by John Daly
323312006-01-12Harlow'sSacramentoCA
Stage mic: Crown SASS P Mk 2 stereo condenser PZM (pressure zone microphone). PA mics: Crown CM-700 cardioid condenser microphones, 1 per PA left & right. The PA mics were mounted to the speakers on booms clamped to each speaker.Mixer: Shure FP 42 (PA mic Lineage: Transfer: Firewire > laptop > audacity > Sam7.2(24/48>16/44.1+all edits); Tape/Transfer by Bob Cogswell
321842006-01-14The Mystic TheaterPetalumaCA
Set1: Crown 700 > Sure Field Mixer (Buss out) > Presonus Firebox (3&4) + Josephson C42MP (Split Stage15') > Presonus Firebox (1 & 2); Set2: Crown SASS > Sound Devices 744 > Presonus Firebox (digital in) + Crown 700=>Sure Field Mixer (Buss out) > Presonus Firebox (3&4) + Josephson C42MP (Split Stage15' )->Presonus Firebox (1 & 2); > Wavelab > Samplitude (dither and mix) > Monkey's Audio; Recorded/Mixed by Martin Lefkowitz, Crown mics feed courtesy R. Cogswell.
323322006-01-14The Mystic TheaterPetalumaCA
Stage mic: Crown SASS P Mk 2 stereo condenser PZM (pressure zone microphone).PA mics: Crown CM-700 cardioid condenser microphones, 1 per PA floor stack.The PA at The Mystic is stereo to the outer pair & mono to the inner pair.The PA mics were focussed on...Lineage: firewire > laptop > audacity > Sam7.2(24/48>16/44.1+all edits); Tape/Transfer by Bob Cogswell.
772362006-03-04Connecticut YankeeSan FranciscoCA
(Stage) Crown PZM + (FOB) Crown CM700 > Shure FP-42 > Sound Devices 744T > Audacity > Samplitude > Flac; Recording/Txr by Bob Cogswell
338322006-03-24Wilbert'sClevelandOH
Schoeps CMC641 > V2 > AD2K > D8 > Sony A7(m) > Turtle Beach Catalina > SoundForge 7 > CDWave > CD > Plextor PX-716A > EAC > FLAC Frontend; Taped by Franklin Malemud; Transfer by Steve Randolph
813932006-03-24Wilbert'sClevelandOH
Crown SASS P Mk 2 stereo, condenser PZM + Crown CM-700 cardioid condenser mics, one each per PA main
Lineage: Sound Devices 744T>Audacity>Samplitude 7.2>FFE
335382006-03-25The Mad FrogCincinnatiOH
[onstage] Neumann AK40(DIN)/LC3/KM100 > Apogee MiniMe > Microtrack @ 24/48; Transfer: PD70X > USB > Wavelab 5.0 (fades, UV22HR, 48 -> 44.1) > CDWave > FLAC; Recorded & transferred by K. C. Cadwallader
804922006-07-2010K Lakes Festival, Soo Pass Ranch, Field StageDetroit LakesMN
ADK51TLC > BBee hypers > Oade T+mod UA5 > JB3 44.1 wav > sb1394 > CPC v3.02.5 > Flac; Recorded by dpaulk@gmail.com
766882006-07-25GottrocksGreenvilleSC
*FLAC16* ADK TL's (On-stage, CARDS, ORTF) > Lunatec V3 > JB3 (48K); JB3 > Firewire > PC > Cool Edit Pro (Fades, 48k>44k) > CD Wave > FLAC Recording/Transfer by Brian Hadella
850062006-09-09Winston'sOcean BeachCA
SBD (matrix feed) > D8 > Sony PCM-R300 > HHb 830 > Flac 16; Taped and transfered by Kenny Shook.
792302006-10-138 x 10 ClubBaltimoreMD
*flac16* Sennheiser 441s pointed straight at speakers (10-20 degree spread) on "the ledge" high, dfc > Sony SBM-1 > Tascam DAP-1 (48k) DAT master by bob jacobson
794952006-10-18Lucas School HouseSaint LouisMO
*24bit* (on-stage) Danish Pro Audio 4061 mics > Danish Pro Audio MMA6000 > Edirol R-09 (line in, 24bit/48kHz wav) > Edirol R-09 > USB > wav @ 24bit/48kHz > Hard drive > Wavelab 5.0 (fades & normalizing) > CD Wave 1.95 (tracking) > Flac Frontend 1.7.1 (Level 8 Flac Compression) > Flac; Taper: Ryan A.
801882006-11-02Harlow'sSan FranciscoCA
AKGC61's xy @ the stage lip center > SD744 > mac > flac
800552006-11-0312 GalaxiesSan FranciscoCA
not tradeable
813392006-12-28The FezPortlandOR
(on-stage) Schoeps CMC6/MK4 > KC5 > Dat > WaveLab > CDWav > Flac; Recorded & Transferred by Leo Samouilidis