Sources for Furthur

SHNIDDateVenueCityStateArchive Identifier
1099732010-09-24Red Rocks AmphitheatreMorrisonCO
AKG 483 > V3 > MT2496 (16/44.1)
Tracking in CD Wave
Recorded and seeded by Jeff Frank
1099742010-09-24Red Rocks AmphitheatreMorrisonCO
DPA4022 (WS) -> Littlebox Gain (~+16) -> Edirol09HR (24/96)(Line in) (Recd Level = 40)
Location: FOB, DFC, 1st row Seat 43
Transfer: Edirol R09HR (24/96) wav -> USB cable -> PC
Editing: Wavelab plugins -> Flac(16)
Recorded by Patrick H.
1099752010-09-24Red Rocks AmphitheatreMorrisonCO
Milab VM-44 Link -> Lunatec V2 -> Tascam DR-680 (24/48)
Location: OTS, 1st row, 5’ Right of Center, 7’ stand
Transfer: Tascam DR-680 -> AudioGate (16/44) -> CD Wave -> FLAC
Recorded By: nakguy
1099862010-09-24Red Rocks AmphitheatreMorrisonCO
AKG C 460 B comb/ CK63-ULS (DINa, TS, center, 8' up) > Tascam DR-680
Master format: 44.1 kHz, 16 bit, stereo (.WAV)
Digital transfer: SDHC card (reader) > PC
Digital editing: CuBase SX (pre and post set fades)
Tracking & processing for CD: CD Wave Editor 1.98 > Trader's Little Helper 2.5.0
Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC)
Recorded, processed and distributed by Chuck Miller
1100262010-09-24Red Rocks AmphitheatreMorrisonCO
Source: ADK A51 TLs (Cardiod)> wMod UA5 > iRiver H120
Transfer: iRiver H120 > CD Wave (Splits)> Flac Frontend (flac)
Taped & Transferred by Pete Coffan
1100712010-09-24Red Rocks AmphitheatreMorrisonCO
**24 Bit** Schoeps MK-41 > Kcy > Schoeps VMS 2 1B > b1windscreens, 9 cm @ 90* > Kind Kables Chameleon > Korg MR-1000 line in, 1 bit 2.8MHz.
Location: 4th row center Front of Board Hat
Transfer Info: Korg MR-1000 usb > Windows XP > AudioGate, sample rate & bit depth reduction, > CD Wave > Flac 24
1130742010-09-24Red Rocks AmphitheatreMorrisonCO
Downloaded SBD
1238502010-09-24Red Rocks AmphitheatreMorrisonCO
AKGC460B/CK68's (DFC/OTS Row 3/PAS/7 Feet High)> Naiant Littlebox>Sony PCM-M10 @ 24/48> HDD>Amadeus Pro (Fades/Tracking/FLAC8) Taped By Darby; Tracks Renamed,Dithered/Flacked With Korg Aqua To 16/44 SBE"s Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename By Keo
1238612010-09-24Red Rocks AmphitheatreMorrisonCO
flac24;Master Audience Recorded By Mr. Darby! AKGC460B/CK68's (DFC/OTS Row 3/PAS/7 Feet High)> Naiant Littlebox>Sony PCM-M10 @ 24/48> HDD>Amadeus Pro (Fades/Tracking/FLAC8) Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
1099842010-09-25Red Rocks AmpitheatreMorrisonCO
AKG 483 > V3 > MT2496 (16/44.1)
Tracking in CD Wave
Recorded by Jeff Frank
1099912010-09-25Red Rocks AmpitheatreMorrisonCO
DPA4022 (WS) -> Littlebox Gain (~+16) -> Edirol09HR (24/96) (Line in) (Recd Level = 40)
Location: FOB, DFC, 1st row Seat 36
Transfer: Edirol R09HR (24/96) wav -> USB cable -> PC
Editing: Wavelab plugins -> Flac(16)
Recorded by Patrick H.
1100232010-09-25Red Rocks AmpitheatreMorrisonCO
Milab VM-44 Link -> Lunatec V2 -> Tascam DR-680 (24/48)
Location: OTS, 1st row, 5’ Right of Center, 7’ stand
Transfer: Tascam DR-680 -> AudioGate (16/44) -> CD Wave -> FLAC
Recorded By: nakguy
1100252010-09-25Red Rocks AmpitheatreMorrisonCO
MBHO 603a>actives>KA300NB(Row 16/DFC) > V3(24/48) > S/PDIF > DR-680
Transfer: SD Card > USB > SFP10 > CDWave > FLAC16(8) > Foobar(Live Show Tagger)
Taped & Transferred by: Eric Foelske
1100272010-09-25Red Rocks AmpitheatreMorrisonCO
Source: ADK A51 TLs (Cardiod)> wMod UA5 > iRiver H120
Transfer: iRiver H120 > CD Wave (Splits)> Flac Frontend (flac)
Taped & Transferred by Pete Coffan
1100292010-09-25Red Rocks AmpitheatreMorrisonCO
AKG C 460 B comb/ CK63-ULS (DINa, TS, center, 8' up) > Tascam DR-680 44.1 kHz, 16 bit, stereo (.WAV)
Digital transfer: SDHC card (reader) > PC > CuBase SX (pre and post set fades)
Tracking & processing for CD: CD Wave Editor 1.98 > Trader's Little Helper 2.5.0
Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC)
Recorded, processed and distributed by Chuck Miller
1100742010-09-25Red Rocks AmpitheatreMorrisonCO
**24 Bit** Schoeps MK-41 > Kcy > Schoeps VMS 2 1B > b1windscreens, 9 cm @ 90* > Kind Kables Chameleon > Korg MR-1000 line in, 1 bit 2.8MHz.
Location: 4th row center Front of Board Hat
Transfer Info: Korg MR-1000 usb > Windows XP > AudioGate, sample rate & bit depth reduction, > CD Wave > Flac 24
1130912010-09-25Red Rocks AmpitheatreMorrisonCO
Downloaded SBD
1160552010-09-25Red Rocks AmpitheatreMorrisonCO
*** 24bit ***
Source: MBHO 603a>actives>KA300NB > V3 > DR-680
Lineage: SD Card > USB > SFP10 > CDWave > FLAC24 > Foobar
Taped by: Eric Foelske
1238632010-09-25Red Rocks AmpitheatreMorrisonCO
Master Audience Recorded By Mr. Darby! AKGC460B/CK68's (DFC/OTS Row 3/PAS/7 Feet High)> Naiant Littlebox>Sony PCM-M10 @ 24/48> HDD>Amadeus Pro (Fades/Tracking/FLAC8) Tracks Renamed,Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper Metadata Tagging With Tag&Rename By Keo
1238652010-09-25Red Rocks AmpitheatreMorrisonCO
flac24;Master Audience Recorded By Mr. Darby! AKGC460B/CK68's (DFC/OTS Row 3/PAS/7 Feet High)> Naiant Littlebox>Sony PCM-M10 @ 24/48> HDD>Amadeus Pro (Fades/Tracking/FLAC8) Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
1099972010-09-26Red Rocks AmphitheatreMorrisonCO
Schoeps MK4>kwon-dina>KC5>CMC6>V2>KindKables XLR-mini XLR>744T (HPF 0) 24/48
Location: OTS (row 16) dead center, Stand at 7'
dsp: 744t > wavelab5 > cdwave> flac(7)
tagging: Flacs tagged with Foobar2000 Live Show Tagger
Recorded by Bennett Schwartz
1099982010-09-26Red Rocks AmphitheatreMorrisonCO
Schoeps MK22>kwon-NOS>KC5>CMC6>V2>KindKables XLR-mini XLR>744T (HPF 0) 24/48
Location: OTS (row 16) dead center, Stand at 7'
dsp: 744t > wavelab5 > cdwave > flac(7)
tagging: Flacs tagged with Foobar2000 Live Show Tagger
Recorded by Bennett Schwartz
1100242010-09-26Red Rocks AmphitheatreMorrisonCO
Milab VM-44 Link -> Lunatec V2 -> Tascam DR-680 (24/48)
Location: OTS, 1st row, DFC, 8’ stand
Transfer: Tascam DR-680 -> AudioGate (16/44) -> CD Wave -> FLAC
Recorded By: nakguy
1100282010-09-26Red Rocks AmphitheatreMorrisonCO
ADK A51 TLs (Cardiod)> wMod UA5 > iRiver H120
Transfer: iRiver H120 > CD Wave (Splits)> Flac Frontend (flac)
Taped & Transferred By: Pete Coffan
1100302010-09-26Red Rocks AmphitheatreMorrisonCO
DPA4022 (WS) -> Littlebox Gain (~+16) -> Edirol09HR (24/96) (Line in) (Recd Level = 40)
Location: FOB, DFC, 1st row Seat 52
Transfer: Edirol R09HR (24/96) wav -> USB cable -> PC
Editing: Wavelab plugins -> Flac(16)
Recorded by Patrick H.
1100722010-09-26Red Rocks AmphitheatreMorrisonCO
**24 Bit** Schoeps MK-41 > Kcy > Schoeps VMS 2 1B > b1windscreens, 9 cm @ 90* > Kind Kables Chameleon > Korg MR-1000 line in, 1 bit 2.8MHz.
Location: 4th row center Front of Board Hat
Transfer Info: Korg MR-1000 usb > Windows XP > AudioGate, sample rate & bit depth reduction, > CD Wave > Flac 24
1130752010-09-26Red Rocks AmphitheatreMorrisonCO
Downloaded SBD
1106712010-11-08Northrop Memorial Auditorium, Univ. of MinnesotaMinneapolisMN
Sennheiser e 614’s > Marantz PMD660 (Oade Mod)
Recorded by Mike Mahoney
1116942010-11-08Northrop Memorial Auditorium, Univ. of MinnesotaMinneapolisMN
Source: Schoeps MK4's > actives > Nbox > Edirol R-09HR @ 24/48. Recorded from MF2, row 6, seat 1.
Transfer: Kingston 8gb SDHC card > Dell PC > 24bit WAV > Sony Sound Forge 9.0e > 16bit WAV > CDWave Editor > FLAC16.
Recorded and transferred by perks.
1116952010-11-08Northrop Memorial Auditorium, Univ. of MinnesotaMinneapolisMN
***24bit*** Source: Schoeps MK4's > actives > Nbox > Edirol R-09HR @ 24/48. Recorded from MF2, row 6, seat 1. Transfer: Kingston 8gb SDHC card > Dell PC > 24bit WAV > Sony Sound Forge 9.0e > CDWave Editor > FLAC24. Recorded and transferred by perks.
1130782010-11-08Northrop Memorial Auditorium, Univ. of MinnesotaMinneapolisMN
Downloaded SBD
1186742010-11-08Northrop Memorial Auditorium, Univ. of MinnesotaMinneapolisMN
Source: Nak CM1000/CP-101 > Musilux> Oade T+mod UA5 (analog @16/48)>PCM-M10 @ 24/48 > MicroSDHC
Lineage: M10 > USB Pc (CPC v3.02.5) > Flac burn
Taped and Transferred by: DPK/o-canis
1399832010-11-08Northrop Memorial Auditorium, Univ. of MinnesotaMinneapolisMN
Source: AKG C1000s cardiod nos -> Nady dmp2-> Marantz PMD 660(16/48k Line in) by: taperchef Location:OTS center 10ft high pointed at stacks Transfer: Marantz PMD 660(16/48) -> CD Wave
1109072010-11-09Stephens Auditorium, Iowa State UniversityAmesIA
Source: JW MOD AKG c460's/ck63 > Mogami Gold XLR > Oade ACM Marantz PMD660 > CF Transfer: CF > PC > WAV > Sony Sound Forge 10 (fades & volume) > CDWAV (tracks & flac) > FLAC Location: FOB: LOC - ~30 From Stage - DIN 90° - Stand @ ~7' (Row 1 - Seat 9) Taped & Transfered By: Brad Shears (gratefulbrad95 at gmail dot com)
1116962010-11-09Stephens Auditorium, Iowa State UniversityAmesIA
Recorded by Mike Mahoney (mpmgumby AT msn.com) Sennheiser e 614’s > Marantz PMD660 (Oade Mod) Wavelab 6.0
1130792010-11-09Stephens Auditorium, Iowa State UniversityAmesIA
Downloaded SBD
1145982010-11-09Stephens Auditorium, Iowa State UniversityAmesIA
FOB AKG463's/DSBD Matrix created by Brad Shears
1399842010-11-09Stephens Auditorium, Iowa State UniversityAmesIA
Source: AT853 cardiod XY -> SPpreamp-> tascamdr07(16/48k Line in) location: Loge#10 first row pointed at left stack clamped to rail. by: taperchef
1130802010-11-11Chaifetz ArenaSt. LouisMO
Downloaded SBD
1106682010-11-12UIC PavilionChicagoIL
AKG 483>V3>MT2496 (16/44.1)
Taped & Transferred by: Jeff Frank
1107312010-11-12UIC PavilionChicagoIL
flac24:Source: OTS/DFC > Neumann skm 184 > Lunatec V2 > Zoom H4n > SDHC 24bit/96k Transfer: SDHC > PC > Audacity (Track Labels) > Flac
1116972010-11-12UIC PavilionChicagoIL
Source:Neumann ak40(NOS)>LC3>km100>OadeM248+ak50(DINA)>LC3>km100>V2>AD2k>Tascam680 Transfer:SD card>Samplitude No.9>CD wave editor>TLH Location:Taper section/DFC 8.5' High Taped and seeded by Craig Hanger
1130812010-11-12UIC PavilionChicagoIL
Downloaded SBD
1132852010-11-12UIC PavilionChicagoIL
Neumann skm 184 > Lunatec V2 > Zoom H4n > SDHC 24bit/96k
SDHC > Audacity (Track Labels, Resample, Dither 16bit/44.1k) > Flac
Taped and Transferred by Kelly Casey
1106812010-11-13UIC PavilionChicagoIL
AKG 483>V3>MT2496 (16/44.1)
Tracked in CDWAV
Taped and seeded by Jeff Frank jsfrank@sbcglobal.net
1106822010-11-13UIC PavilionChicagoIL
Neumann km184's > Lunatec V3 > Canare Impedance Trans. > Apogee Wyde-EYE BNC Coaxial > Sound Devices 722t (24/88.2)
transfer: CF Card -> MacBook Pro OS X 10.6.4 - (Wave Editor - tracking, iZotope Resampler, dither (mbit+) -> FLAC
location: OTS, DFC, stand @ 12.5 feet
recorded & uploaded by teamdrink
1132862010-11-13UIC PavilionChicagoIL
*** 24 bit ***Neumann skm 184 > Lunatec V2 > Zoom H4n > SDHC 24bit/96k
SDHC > PC > Audacity (Track Labels) > Flac
taped and transferred by Kelly Casey (cosmickc)
1107402010-11-13UIC PavilionChicagoIL
Source: OTS/DFC > Neumann skm 184 > Lunatec V2 > Zoom H4n > SDHC 24bit/96k Transfer: SDHC > PC > Audacity (Track Labels, Dither, Resample) > Flac 16/44.1k
1116982010-11-13UIC PavilionChicagoIL
Source:Neumann ak40>LC3>km100>OadeM248+ak50>LC3>km100>V2>AD2k>TascamDR-680 Transfer:SD Card>Samplitude No.9>CD Wave Editor>TLH Location:Taper Section/sroc 9' High Taped and Seeded by Craig Hanger
1130822010-11-13UIC PavilionChicagoIL
Downloaded SBD
1107002010-11-14U.S. Bank ArenaCincinnatiOH
Source: OTS/back of floor > AKG 398 and AKG 391 > Realistic 4-channel to stereo mixer > M-Audio Microtrack II @ 44.1kHz > .wav > Compact Flash Lineage: Compact Flash > USB > Maxtor 6L200P0 > Sound Forge XP 4.5 > Fades & Tracks > .wav > Trader's Little Helper > Flac
1107692010-11-14U.S. Bank ArenaCincinnatiOH
source: CA-11 cards on glasses > CA 9100 > MR-1@1 bit 2.8MHz right next to right side stacks transfer:MR-1 > audiogate 16/44.1 > wavlab 6 > cdwav > TLH 8
1130832010-11-14U.S. Bank ArenaCincinnatiOH
Downloaded SBD
1107762010-11-16Sovereign CenterReadingPA
Source: Church Audio CA-14 (cards @ 6', 17th row, center)> Church Audio ST-9100v4.3> Tascam DR-07 (16/44.1); Wave Lab 5 (fades, patches*)> CDWave (tracks)> FLAC16 Recorded by Craig Taraszki (craig.taraszki@gmail.com)
1110822010-11-16Sovereign CenterReadingPA
Field: Sennheiser MD441U > Edirol R4Pro ( Oade preamp mod ) @ 24/88.2 config: pointed at PA array, centered, 12.5 feet high. Path: R4Pro > WaveBurner ( track on sector boundaries, fades, SRC, BDC ) > xACT ( to flac, and for tagging and checksums ) Recorded, processed and let loose by Mike Kutik ( padelimike at mac d0t c0m ) At bt.etree.org 2010-11-18
1110832010-11-16Sovereign CenterReadingPA
source: Nak 100 mic's w/cp4 Shotguns > XLR/Rca 1/4" cables> Oade Concert Mod Edirol R44> audacity (amplify db)> CD wave (tracked and converted to cd quality) Recorded at 96 kHz 24 bit
1130842010-11-16Sovereign CenterReadingPA
Downloaded SBD
1132492010-11-16Sovereign CenterReadingPA
Shure VP88 M-S > Marantz PMD 661
SDHC > iMac > Audiofile Wave Editor > FLAC
Taped and Transferred by DigiGal
1110842010-11-17First Mariner ArenaBaltimoreMD
OTS DFC Sony C-38B>PMD-660 CDwave Flacfrontend
1130852010-11-17First Mariner ArenaBaltimoreMD
Downloaded SBD
1130862010-11-19DCU CenterWorcesterMA
Downloaded SBD
1107902010-11-20Madison Square GardenNew YorkNY
Source: Microtech Gefell m210's (hypercards) > AETA PSP3 > Marantz PMD620 @44.1KHz OTS Transfer: Memory Card > PC (normalize and fades with Audacity) > Wav (via CD Wave) > FLAC Frontend (Level 8) Taped by Freddie G Transferred by Ari Jaffess
1110852010-11-20Madison Square GardenNew YorkNY
source: Nak 100 mic's w/cp4 Shotguns > XLR/Rca 1/4" cables> Oade Concert Mod Edirol R44> audacity (amplify db)> CD wave (tracked and converted to cd quality) Recorded at 96 kHz 24 bit Recorded by Joseph Banaszewski Edited by Jeremy Banaszewski
1117002010-11-20Madison Square GardenNew YorkNY
Source: Microtech Gefell m210's (hypercards) > AETA PSP3 > Marantz PMD620 @44.1KHz OTS Transfer: Memory Card > PC (normalize and fades with Audacity) > Wav (via CD Wave) > FLAC Frontend (Level 8) Taped by Freddie G Transferred by Ari Jaffess Remaster by: Derek McCabe
1130872010-11-20Madison Square GardenNew YorkNY
Downloaded SBD
1132352010-11-20Madison Square GardenNew YorkNY
Source: JWMod AKG 469>Sound Devices 722@24/48
Location: Section 10 Row A, Stand at 12 Feet
Transfer: SD722>Adobe Aud. 3.0>CDwav>Flac16
Taped by Tony Suraci
1155812010-11-20Madison Square GardenNew YorkNY
Source and Lineage: AKG568ebs>LunatecV3>DAT>MarantzPMD671>WAVE>FLAC
Taped and Transferred by: Bill Goldberg
1588692010-11-20Madison Square GardenNew YorkNY
flac1644 OTS Microtech Gefell M210/Oade M248/SBM1/Sony D8/16/48 Transfer D8/Tascam CDW2000/SD 744/16/48 Taped by Jon Pasternak
1108172010-11-21Madison Square GardenNew YorkNY
Source: Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48) BOB/DFC/KFC/ZFC/AARP Section 10 , Row A, Seat 9, 7' High DSP: Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16) Recorded By: Z-Man Seeded By: Z-Man
1130882010-11-21Madison Square GardenNew YorkNY
Downloaded SBD
1155352010-11-21Madison Square GardenNew YorkNY
AKG568ebs>LunatecV3>DAT>MarantzPMD671>WAVE>FLAC
Taped and Transferred by Bill Goldberg
1210742010-11-21Madison Square GardenNew YorkNY
flac16;AKG CK69 > AKG 480 bases> 744T at 192/24
1210752010-11-21Madison Square GardenNew YorkNY
flac16; Neumann KM140s > sound devices 722> Sound devices 744T
1210012010-11-21Madison Square GardenNew YorkNY
flac16;Neumann KM140>722>744T>Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 44.1Khz processed in 64 bit then converted to 16 bit in Soundforge 9 then converted to 16-44.1 Flac in Media Jukebox 14.
1211822010-11-21Madison Square GardenNew YorkNY
flac124/48kHz;AKG CK69 capsules w/short tube only and AKG 480 bases. The mics were XY crossed at about 30 deg. These mics were recorded on a Sound devices 744T at 192/24 with 744T's mic pres and AD converters.Edited, tracked and all fades and sample rate conversion to 48Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-48 Flac in Media Jukebox 14.
1211902010-11-21Madison Square GardenNew YorkNY
flac24/48;Neumann KM140>Sound devices 722>analoged output to my Sound devices 744T and recorded at 192/24 with 744T's AD converters. Edited, tracked and all fades and sample rate conversion to 48Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-48 Flac in Media Jukebox 14
1210632010-11-21Madison Square GardenNew YorkNY
flac24-192ARM;Nuemann KM140s used in a XY pattern.These mics were input into a friends Sound devices 722 and analoged output to my Sound devices 744T and recored at 192/24 with 744T's AD converters. This is an analog remaster (in the name ARM = analog remaster).Remastering effects chane;Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz.Edited, tracked and all fades and sample rate conversion to 192Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-192 Flac in Media Jukebox 14.
1211032010-11-21Madison Square GardenNew YorkNY
flac24/192kHz;Neumann KM140s used in a XY pattern. These mics were input into a friends Sound devices 722 and analoged output to my Sound devices 744T and recorded at 192/24 with 744T's AD converters. This is a copy of the master. Edited, tracked and all fades and sample rate conversion to 192Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-192 Flac in Media Jukebox 14.
1210082010-11-21Madison Square GardenNew YorkNY
flac24-48ARMNuemann KM140s used in a XY pattern into a friends Sound devices 722 and analoged output to my Sound devices 744T and recored at 192/24 with 744T's AD converters. This is an analog remaster (in the name ARM = analog remaster).Remastering effects chane;Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 48Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-48 Flac in Media Jukebox 14.
1211832010-11-21Madison Square GardenNew YorkNY
flac2496Neumann KM140s used in a XY pattern. These mics were input into a friends Sound devices 722 and analoged output to my Sound devices 744T and recorded at 192/24 with 744T's AD converters.
1210972010-11-21Madison Square GardenNew YorkNY
Furthur 11/21/2010 Sun, MSG, NY, NY This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 10-12 feet high. The mics used were AKG CK69 capsules with the short tube only and AKG 480 bases. The mics were XY crossed at about 30 deg. These mics were recorded on a Sound devices 744T at 192/24 with 744T's mic pres and AD converters. This is a copy of the master. Edited, tracked and all fades and sample rate conversion to 192Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-192 Flac in Media Jukebox 14. Furthur 11/21/2010 Sun, MSG, NY, NY Set I: Truckin > Cumberland Blues, Any Road, Viola Lee Blues, Cassidy > Eyes of the World, So Many Roads, GDTRFB Set II: Born Cross-Eyed > The Wheel > Weather Report Suite Prelude/Part 1 > Time > Breathe Reprise > Let It Grow > Unbroken Chain, Morning Dew > Playin in the Band E: Brokedown Palace
1210002010-11-21Madison Square GardenNew YorkNY
Furthur 11/21/2010 Sun, MSG, NY, NY This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 10-12 feet high. The mics used were AKG CK69 capsules with the short tube only and AKG 480 bases. The mics were XY crossed at about 30 deg. These mics were recorded on a Sound devices 744T at 192/24 with 744T's mic pres and AD converters. This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 44.1Khz processed in 64 bit then converted to 16 bit in Soundforge 9 then converted to 16-44.1 Flac in Media Jukebox 14. Furthur 11/21/2010 Sun, MSG, NY, NY Set I: Truckin > Cumberland Blues, Any Road, Viola Lee Blues, Cassidy > Eyes of the World, So Many Roads, GDTRFB Set II: Born Cross-Eyed > The Wheel > Weather Report Suite Prelude/Part 1 > Time > Breathe Reprise > Let It Grow > Unbroken Chain, Morning Dew > Playin in the Band E: Brokedown Palace
1210092010-11-21Madison Square GardenNew YorkNY
Furthur 11/21/2010 Sun, MSG, NY, NY This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 10-12 feet high. The mics used were AKG CK69 capsules with the short tube only and AKG 480 bases. The mics were XY crossed at about 30 deg. These mics were recorded on a Sound devices 744T at 192/24 with 744T's mic pres and AD converters. This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 96Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-96 Flac in Media Jukebox 14. Furthur 11/21/2010 Sun, MSG, NY, NY Set I: Truckin > Cumberland Blues, Any Road, Viola Lee Blues, Cassidy > Eyes of the World, So Many Roads, GDTRFB Set II: Born Cross-Eyed > The Wheel > Weather Report Suite Prelude/Part 1 > Time > Breathe Reprise > Let It Grow > Unbroken Chain, Morning Dew > Playin in the Band E: Brokedown Palace
1211702010-11-21Madison Square GardenNew YorkNY
Furthur 11/21/2010 Sun, MSG, NY, NY This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 10-12 feet high. The mics used were AKG CK69 capsules with the short tube only and AKG 480 bases. The mics were XY crossed at about 30 deg. These mics were recorded on a Sound devices 744T at 192/24 with 744T's mic pres and AD converters. This is a copy of the master. Edited, tracked and all fades and sample rate conversion to 96Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-96 Flac in Media Jukebox 14. Furthur 11/21/2010 Sun, MSG, NY, NY Set I: Truckin > Cumberland Blues, Any Road, Viola Lee Blues, Cassidy > Eyes of the World, So Many Roads, GDTRFB Set II: Born Cross-Eyed > The Wheel > Weather Report Suite Prelude/Part 1 > Time > Breathe Reprise > Let It Grow > Unbroken Chain, Morning Dew > Playin in the Band E: Brokedown Palace
1210352010-11-21Madison Square GardenNew YorkNY
Furthur 11/21/2010 Sun, MSG, NY, NY This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 10-12 feet high. The mics used were AKG CK69 capsules with the short tube only and AKG 480 bases. The mics were XY crossed at about 30 deg. These mics were recorded on a Sound devices 744T at 192/24 with 744T's mic pres and AD converters. This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 192Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-192 Flac in Media Jukebox 14. Furthur 11/21/2010 Sun, MSG, NY, NY Set I: Truckin > Cumberland Blues, Any Road, Viola Lee Blues, Cassidy > Eyes of the World, So Many Roads, GDTRFB Set II: Born Cross-Eyed > The Wheel > Weather Report Suite Prelude/Part 1 > Time > Breathe Reprise > Let It Grow > Unbroken Chain, Morning Dew > Playin in the Band E: Brokedown Palace
1210072010-11-21Madison Square GardenNew YorkNY
Furthur 11/21/2010 Sun, MSG, NY, NY This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 10-12 feet high. The mics used were AKG CK69 capsules with the short tube only and AKG 480 bases. The mics were XY crossed at about 30 deg. These mics were recorded on a Sound devices 744T at 192/24 with 744T's mic pres and AD converters. This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 48Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-48 Flac in Media Jukebox 14. Furthur 11/21/2010 Sun, MSG, NY, NY Set I: Truckin > Cumberland Blues, Any Road, Viola Lee Blues, Cassidy > Eyes of the World, So Many Roads, GDTRFB Set II: Born Cross-Eyed > The Wheel > Weather Report Suite Prelude/Part 1 > Time > Breathe Reprise > Let It Grow > Unbroken Chain, Morning Dew > Playin in the Band E: Brokedown Palace
1210282010-11-21Madison Square GardenNew YorkNY
Furthur 11/21/2010 Sun, MSG, NY, NY This was recorded from the taping section. Which was at the end of the floor up in the right hand corner. The mic stand was taped to the wall at the back of the section. The mics were about 7-8 feet high. The mics used were Nuemann KM140s used in a XY pattern. These mics are the KM184 with active cables and 184s are the modern 84s. These mics were input into a friends Sound devices 722 and analoged output to my Sound devices 744T and recored at 192/24 with 744T's AD converters. This is an analog remaster (in the name ARM = analog remaster). Remastering effects chane; Soundforge 9 played thru a Lynx Studio AES16 into UA2192 for 24-192 digital to analog conversion then into SPL stereo vitalizer just for the stereo exspanded effect nothing else then into Klark Teknik DN 410 for EQ then back into the UA2192 for analog to 24-192 digital conversion and recorded on to a Sound Devices 744T. The Lynx Studio AES16 and UA2192 are clocked to an antilope Isochrome master clock set at 192Khz. Edited, tracked and all fades and sample rate conversion to 96Khz processed in 64 bit then converted to 24 bit in Soundforge 9 then converted to 24-96 Flac in Media Jukebox 14. Furthur 11/21/2010 Sun, MSG, NY, NY Set I: Truckin > Cumberland Blues, Any Road, Viola Lee Blues, Cassidy > Eyes of the World, So Many Roads, GDTRFB Set II: Born Cross-Eyed > The Wheel > Weather Report Suite Prelude/Part 1 > Time > Breathe Reprise > Let It Grow > Unbroken Chain, Morning Dew > Playin in the Band E: Brokedown Palace
1113982010-12-30Bill Graham Civic AuditoriumSan FranciscoCA
Hat Mounted Realistic PZM's with Sony PCM M10 @ 24 96 (40 feet away,left of center 5 feet, seated in a walker)
Wav>CDWave>Samplitude11>WavJoiner>TLH
Recorded and Transferred by Russ Cansle
1114332010-12-30Bill Graham Civic AuditoriumSan FranciscoCA
Milab VM-44 Link -> Lunatec V2 -> Tascam DR-680 (24/48)
Location: OTS, right side of soundboard, 10’ stand
Transfer: Tascam DR-680 -> AudioGate (16/44) -> CD Wave -> FLAC
1116872010-12-30Bill Graham Civic AuditoriumSan FranciscoCA
Source: Audience Lineage: B&K4021 > PSP3 > Marantz PMD620 > 24/44.1 Wav Recorded by: Todd Hinden Mastering by: D. McCabe
1116882010-12-30Bill Graham Civic AuditoriumSan FranciscoCA
MOTB Release: 0164/24-bit 44.1 Source: Audience Lineage: B&K4021 > PSP3 > Marantz PMD620 > 24/44.1 Wav Recorded by: Todd Hinden Mastering by: D. McCabe
1130582010-12-30Bill Graham Civic AuditoriumSan FranciscoCA
Downloaded SBD
1114352010-12-31Bill Graham Civic AuditoriumSan FranciscoCA
Milab VM-44 Link -> Lunatec V2 -> Tascam DR-680 (24/48)
Location: OTS, right side of soundboard, 10’ stand
Transfer: Tascam DR-680 -> AudioGate (16/44) -> CD Wave -> FLAC
1117012010-12-31Bill Graham Civic AuditoriumSan FranciscoCA
nak300 > marantz pmd670 > sd card > ftp(secure) > cdwav 197*(44.1/16) > tlh > flac level 7 recorded & transfered to by lou gearing(ratdog1@surewest.net) tracked, processed & flac'd by terrapin joe esq(owner@terrapinstation.org)
1130592010-12-31Bill Graham Civic AuditoriumSan FranciscoCA
Downloaded SBD