Sources for Grateful Dead
unknown 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
| SHNID | Date | Venue | City | State | Archive Identifier |
|---|---|---|---|---|---|
| 151745 | 1981-10-10 | Stadthalle | Bremen | Germany | |
| flac16/44 Source: Soundboard Cassette Master Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021 | |||||
| 151835 | 1981-10-10 | Stadthalle | Bremen | Germany | |
| flac24/96 FIXED set 2 version. Source: Soundboard Cassette Master Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 | |||||
| 32146 | 1981-10-12 | Olympia Halle | Munich | Germany | |
| Recording by Uwe Dehnel. AUD > MC > CD > EAC > SHN Sony TC D5, one point stereo mic, handhold Mastering: MC > CD by Uwe Dehnel via Bernd Weiskircher | |||||
| 3196 | 1981-10-12 | Olympia Halle | Munich | Germany | |
| sbd > mc > dat > cd > eac > wav > shn; missing encore; via anon benefactor to vine, now etreed. ; upgrade in circulation | |||||
| 7916 | 1981-10-12 | Olympia Halle | Munich | Germany | |
| SBD: MC > CASS > DAT > CDR; via Jens Tilsner; Alasdair Macdonald; Seeded to etree by Matt Vernon | |||||
| 128591 | 1981-10-12 | Olympia Halle | Munich | Germany | |
| flac16; Recording and transfer details: SBD > MC > C(Maxell XL II) C > Pioneer deck > wav > Sound Forge 10 > TLH > flac | |||||
| 139555 | 1981-10-12 | Olympia Halle | Munich | Germany | |
| flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> Dat -> CD (shnid=7916); Set 2: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Set 1: CD -> Samplitude Professional v11.1 -> FLAC; Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 143063 | 1981-10-12 | Olympia Halle | Munich | Germany | |
| flac16/48kHz; Master Soundboard Cassettes > Dick Latvala's 1st generation cassettes (Tascam 122mkIII)> Rob Eaton's 2nd generation cassettes (Nakamichi Dragon) > Rob Eaton's Dat (Panasonic SV-3800)(16-bit/48k) > Tim Dalton's Dat (16-bit/48k) Transfer Info: Dat (Sony PCM-R500)(16-bit/48k)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648 | |||||
| 13143 | 1981-10-13 | Walter Koebel Halle | Russelsheim | Germany | |
| SBD> ?> C> C> WAV> SHN; via Jim; caution- d1 does not fit on 80 min, see pub comments | |||||
| 7496 | 1981-10-13 | Walter Koebel Halle | Russelsheim | Germany | |
| AUD > MR > DAT > CD no mic info; via Bernd Weiskircher; Matt Vernon | |||||
| 128542 | 1981-10-13 | Walter Koebel Halle | Russelsheim | Germany | |
| flac16; Recording and transfer info: SBD > MC > C > C (Maxell XL II) C > Pioneer deck > wav > Sound Forge 10 > TLH > flac | |||||
| 139556 | 1981-10-13 | Walter Koebel Halle | Russelsheim | Germany | |
| flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Dat -> CD (shnid=13143); Set 2: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Set 1: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 79933 | 1981-10-15 | Club Melk Weg | Amsterdam | Netherlands | |
| flac16; Aud master tapes > CDwave > Flac - One Shure and one Senheiser attached together in "V" on a round battery and held by hand (heavy !). The recorder was a brand new Marrantz (superscope) lookalike Sony TC-D5. The cassette tapes were TDK-SA90. | |||||
| 1406 | 1981-10-15 | Club Melk Weg | Amsterdam | Netherlands | |
| AUD (FOB by unknown Belgian taper with unknown equipment)> CM> C> DAT> CDRx1> EAC> SHN; via Stephen Agan to abgd | |||||
| 25829 | 1981-10-15 | Club Melk Weg | Amsterdam | Netherlands | |
| Source:Senheiser-pro-direction.>New Marantz cass.rec.(looking like SonyTC-D5>TDK-SA-C90(master tape) Master cass.>SonyTC-D5M>CDwave>Mkw>Shn; upgrade in circulation | |||||
| 120382 | 1981-10-15 | Club Melk Weg | Amsterdam | Netherlands | |
| flac16; Beyer M-160 (x2) > Sony TCD5M / CM > C1 > C2 (Maxell XLII C90); Cassette 2 (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Soundforge 9.0 (patch, pitch) > Trader's Little Helper > Flac16; Recorded by Rich S., transfer/edit (Mar 2010), patch/pitch (May 2012) by Bob Morris. | |||||
| 126147 | 1981-10-15 | Club Melk Weg | Amsterdam | Netherlands | |
| flac24; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013. | |||||
| 126148 | 1981-10-15 | Club Melk Weg | Amsterdam | Netherlands | |
| flac16; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013. | |||||
| 95431 | 1981-10-16 | Club Melk Weg | Amsterdam | Netherlands | |
| flac16; Sick Bits Vol. 27 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=1217) + AUD (shnid=80060). Matrixed by Chris Chappell. | |||||
| 80060 | 1981-10-16 | Club Melk Weg | Amsterdam | Netherlands | |
| flac16; Aud master tapes > CDwave > Flac - One Shure and one Senheiser attached together in "V" on a round battery and held by hand (heavy !). The recorder was a brand new Marrantz (superscope) lookalike Sony TC-D5. The cassette tapes were TDK-SA90. | |||||
| 1217 | 1981-10-16 | Club Melk Weg | Amsterdam | Netherlands | |
| SBD:MCASS> CASS> DAT> CDR, with aud patches: FOB:MCASS> CASS> DAT> CDR; EAC> SHN by Dan Vinson; patched in Playin' and Sugar Mag- see info file for notes | |||||
| 25938 | 1981-10-16 | Club Melk Weg | Amsterdam | Netherlands | |
| Source:Senheiser-pro-direction.>New Marantz cass.rec.(looking like SonyTC-D5>TDK-SA-C90(master tape) Master cass.>SonyTC-D5M>CDwave>Mkw>Shn. ; upgrade in circulation | |||||
| 110351 | 1981-10-16 | Club Melk Weg | Amsterdam | Netherlands | |
| flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 110497 | 1981-10-16 | Club Melk Weg | Amsterdam | Netherlands | |
| flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) | |||||
| 120383 | 1981-10-16 | Club Melk Weg | Amsterdam | Netherlands | |
| flac16; Beyer M-160 (x2) > Sony TCD5M / CM > C1 > C2 (Maxell XLII C90); Cassette 2 (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Soundforge 9 (patch, pitch) > Trader's Little Helper > Flac16; Recorded by Rich S., transfer/edit (Mar 2010) & patch/pitch (May 2012) by Bob Morris. | |||||
| 125774 | 1981-10-16 | Club Melk Weg | Amsterdam | Netherlands | |
| flac16; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. | |||||
| 125773 | 1981-10-16 | Club Melk Weg | Amsterdam | Netherlands | |
| flac24; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013 | |||||
| 147841 | 1981-10-16 | Club Melk Weg | Amsterdam | Netherlands | |
| flac16; Matrix 2 Source Mix - SBD (shnid = 110351) Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125774) AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. - matrix mixing by Kevin Tobin | |||||
| 147842 | 1981-10-16 | Club Melk Weg | Amsterdam | Netherlands | |
| DTS-Audio-CD 5.1 Mix; - SBD (shnid = 110351) Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125774) AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. - dts mixing by Kevin Tobin | |||||
| 147843 | 1981-10-16 | Club Melk Weg | Amsterdam | Netherlands | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 110351) Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125774) AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. - surround mixing by Kevin Tobin | |||||
| 86854 | 1981-10-17 | The Hippodrome | Paris | France | |
| flac16; SBD: MC > DAT > CDR; seamless fix of shn id 7915 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details | |||||
| 32147 | 1981-10-17 | The Hippodrome | Paris | France | |
| AUD > MC > CD > EAC > SHN Sony TCD 5M, Sennheiser MK 2002, Dolby B Mastering: MC via Nakamichi DR-1 > HD > CD by Bernd Weiskircher | |||||
| 7915 | 1981-10-17 | The Hippodrome | Paris | France | |
| SBD: MC > DAT > CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon | |||||
| 116993 | 1981-10-17 | The Hippodrome | Paris | France | |
| flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 145260 | 1981-10-17 | The Hippodrome | Paris | France | |
| flac24; 2nd set, Source: BeyerDynamic M160's > Sony TC-D5M > MAC > 1st-Gen tape. Concert recording by Richie Stankiewicz, copy via Rip Tompkins. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019 | |||||
| 145360 | 1981-10-17 | The Hippodrome | Paris | France | |
| flac16; 2nd set, Source: BeyerDynamic M160's > Sony TC-D5M > MAC > 1st-Gen tape. Concert recording by Richie Stankiewicz, copy via Rip Tompkins. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019; This file set is 16 bit @ 44.1 | |||||
| 95781 | 1981-10-19 | Sports Palace | Barcelona | Spain | |
| flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info:SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 7914 | 1981-10-19 | Sports Palace | Barcelona | Spain | |
| SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon | |||||
| 119976 | 1981-10-19 | Sports Palace | Barcelona | Spain | |
| flac16: recording: aud master recording lineage: master analog tape SONY low noise 90 x 2 > aiwa wx 220 > audacity> cd wave ed.>TLH> flac equipment: unknown recorded : by Zappa edited by carbobueno | |||||
| 131465 | 1981-10-19 | Sports Palace | Barcelona | Spain | |
| flac24; Beyer M-160>Sony TC-D5m; Transfer 1st set MAC>Sony TC-K3es>USBPre2; Transfer 2nd set 1st Gen>Sony TC-K3es>USBPre2; Recorded center directly in back of soundboard; Recorded and transfered By Richie stankiewicz | |||||
| 131522 | 1981-10-19 | Sports Palace | Barcelona | Spain | |
| flac16; Source: Beyer M-160>Sony TC-D5M. Transfer 1st set: MAC > Sony TC-K3es > USBPre2. Transfer 2nd set: 1st Gen > Sony TC-K3es > USBPre2. Recorded center directly in back of soundboard. Recorded and transferred to 24bit/96kHz by Richie Stankiewicz. 16bit: ID-131465 > TLH > R8Brain > Wavelab > CD-Wave > TLH > FLAC 1644 tagged | |||||
| 131801 | 1981-10-19 | Sports Palace | Barcelona | Spain | |
| flac16; 2 source matrix by Dusborne; Soundboard (shnid:095781) Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; and Audience (shnid:131465) Beyer M-160>Sony TC-D5m; Transfer 1st set MAC>Sony TC-K3es>USBPre2; Transfer 2nd set 1st Gen>Sony TC-K3es>USBPre2; Recorded center directly in back of soundboard; Recorded and transferred By Richie stankiewicz | |||||
| 9610 | 1981-11-29 | Civic Arena | Pittsburgh | PA | |
| Senn 421's>MC>DAT>CDR; via Paul B; seeded to etree by Willy | |||||
| 108844 | 1981-11-29 | Civic Arena | Pittsburgh | PA | |
| flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC. All Transfers and Mastering By Charlie Miller | |||||
| 134752 | 1981-11-29 | Civic Arena | Pittsburgh | PA | |
| flac24; Cassette Audience Master recorded By Jim Vita; Sennheiser MD421 Dynamic Cardioid Microphone TC D-5 Cassette Recorder; Location: FOB; Analog to Digital: Dolby B Decoded High-Bias(CrO2) Cassette Masters played back on Tascam MK11-Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by John Steinthal | |||||
| 140034 | 1981-11-29 | Civic Arena | Pittsburgh | PA | |
| flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 | |||||
| 140035 | 1981-11-29 | Civic Arena | Pittsburgh | PA | |
| flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 | |||||
| 153700 | 1981-11-29 | Civic Arena | Pittsburgh | PA | |
| flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021 > TLH flac2496 | |||||
| 153701 | 1981-11-29 | Civic Arena | Pittsburgh | PA | |
| flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021> TLH flac2496 | |||||
| 143852 | 1981-11-30 | Hara Arena | Dayton | OH | |
| flac16/48kHz; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 9591 | 1981-11-30 | Hara Arena | Dayton | OH | |
| Nak 300?s>Sony D-5>MC>DAT>CD; via Paul B; Seeded to etree by Willy | |||||
| 108843 | 1981-11-30 | Hara Arena | Dayton | OH | |
| flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC. All Transfers and Mastering By Charlie Miller | |||||
| 124605 | 1981-11-30 | Hara Arena | Dayton | OH | |
| flac16; Source: AUD 2nd-Gen (MAC > C > C), unknown equipment. Transfer: XLII > Nakamichi CR5A > Edirol FA66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 & tagged. May 2013 | |||||
| 133562 | 1981-11-30 | Hara Arena | Dayton | OH | |
| flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 143853 | 1981-11-30 | Hara Arena | Dayton | OH | |
| flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 | |||||
| 153766 | 1981-11-30 | Hara Arena | Dayton | OH | |
| flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021> TLH flac2496 | |||||
| 153767 | 1981-11-30 | Hara Arena | Dayton | OH | |
| flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021> TLH flac2496 | |||||
| 158800 | 1981-11-30 | Hara Arena | Dayton | OH | |
| flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 133562 & 153766. | |||||
| 9595 | 1981-12-02 | Assembly Hall, University Of Illinois | Champaign | IL | |
| (FOB) Senn 421>Cm>Dat>CD; Missing Drums & Don't Ease encore; via Charlie Miller; Seeded to etree by Willy | |||||
| 108842 | 1981-12-02 | Assembly Hall, University Of Illinois | Champaign | IL | |
| flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC. All Transfers and Mastering By Charlie Miller | |||||
| 144276 | 1981-12-02 | Assembly Hall, University Of Illinois | Champaign | IL | |
| flac1648; Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 144277 | 1981-12-02 | Assembly Hall, University Of Illinois | Champaign | IL | |
| flac24; Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496 | |||||
| 145543 | 1981-12-02 | Assembly Hall, University Of Illinois | Champaign | IL | |
| flac24; Set 1 Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller | |||||
| 145662 | 1981-12-02 | Assembly Hall, University Of Illinois | Champaign | IL | |
| flac16; Set 1 Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This file set is 16 bit @ 44.1 | |||||
| 158823 | 1981-12-02 | Assembly Hall, University Of Illinois | Champaign | IL | |
| flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 145662, 108842 & 144276. | |||||
| 28901 | 1981-12-03 | Dane County Coliseum | Madison | WI | |
| flac16; Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. | |||||
| 6143 | 1981-12-03 | Dane County Coliseum | Madison | WI | |
| Nak 300's > Sony D5; via Peter Gallagher, Willy | |||||
| 108335 | 1981-12-03 | Dane County Coliseum | Madison | WI | |
| flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 118889 | 1981-12-03 | Dane County Coliseum | Madison | WI | |
| flac16; Set 2 Only, Recorded by the late George "Fingers" Bethke FOB in the sweet spot as always; Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M>1st gen backup copy from Justin Lee No Dolby on master cassettes. first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz) 24/96 with Korg Audiogate 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011 | |||||
| 141698 | 1981-12-03 | Dane County Coliseum | Madison | WI | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - surround mixing by Kevin Tobin; Fixed version in circulation | |||||
| 141697 | 1981-12-03 | Dane County Coliseum | Madison | WI | |
| DTS-Audio-CD 5.1 Mix; SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - dts mixing by Kevin Tobin | |||||
| 141696 | 1981-12-03 | Dane County Coliseum | Madison | WI | |
| flac16; Matrix 2 Source Mix - SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - matrix mixing by Kevin Tobin | |||||
| 142018 | 1981-12-03 | Dane County Coliseum | Madison | WI | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - surround mixing by Kevin Tobin | |||||
| 153800 | 1981-12-03 | Dane County Coliseum | Madison | WI | |
| flac16/48 Source Info: Jim Vita's Master Audience Cassettes ; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK SA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 | |||||
| 153801 | 1981-12-03 | Dane County Coliseum | Madison | WI | |
| flac24/96 Source Info: Jim Vita's Master Audience Cassettes ; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK SA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 | |||||
| 158830 | 1981-12-03 | Dane County Coliseum | Madison | WI | |
| flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 108335 & 153800. | |||||
| 80290 | 1981-12-05 | Market Square Arena | Indianapolis | IN | |
| flac16; Recording Info: Unknown Audience Recording From Jim Wise -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller | |||||
| 31945 | 1981-12-05 | Market Square Arena | Indianapolis | IN | |
| flac16; Recording by Doug Mow. Nak 700 shotguns (mics pointed at stacks) > Sony TC D5M > Maxell XLIIS Transfer: D5 > Edirol UA5 custom Oade mod > USB > IBM R40 > Soundforge > WAV > CDR > EAC > WinXP Pro > Flac Frontend > FLAC16. Transferred By Doug Mow EAC, conversion & upload to bt.etree.org by Alex Ford 12/23/05 | |||||
| 5488 | 1981-12-05 | Market Square Arena | Indianapolis | IN | |
| Master Soundboard Cassette > Reel to Reel > DAT > CDR, with Audience source for Ramble on Rose d1t7; CD Re-mastering, EAC'ed / SHN'ed by Scott Clugston | |||||
| 109393 | 1981-12-05 | Market Square Arena | Indianapolis | IN | |
| flac16; Updated Info: NAK 300>CM>DAT (Up Front Audience)>DAT @ 44.1k -> HT OMega 7.1 Soundcard (Optical Inputs)>WAV (44.1> >CD WAV (Track Split)>FLAC | |||||
| 111784 | 1981-12-05 | Market Square Arena | Indianapolis | IN | |
| flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 139179 | 1981-12-05 | Market Square Arena | Indianapolis | IN | |
| flac24; AUD: Beyers mics > lead deck (Richie Stankiewicz) > Sony TC-D5 > Hitachi UD-90's, FOB recording by Craig L (patched out). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 08/2017 | |||||
| 139180 | 1981-12-05 | Market Square Arena | Indianapolis | IN | |
| flac16; AUD: Beyers mics > lead deck (Richie Stankiewicz) > Sony TC-D5 > Hitachi UD-90's, FOB recording by Craig L (patched out). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 08/2017 | |||||
| 144086 | 1981-12-05 | Market Square Arena | Indianapolis | IN | |
| flac16/48kHz; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 144087 | 1981-12-05 | Market Square Arena | Indianapolis | IN | |
| flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496 | |||||
| 153869 | 1981-12-05 | Market Square Arena | Indianapolis | IN | |
| flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK-MA C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496 | |||||
| 153870 | 1981-12-05 | Market Square Arena | Indianapolis | IN | |
| flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK-MA C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496 | |||||
| 158836 | 1981-12-05 | Market Square Arena | Indianapolis | IN | |
| flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 111784 & 139180. | |||||
| 32317 | 1981-12-06 | Rosemont Horizon | Rosemont | IL | |
| flac16;Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell MX 90 transferred by Doug Mow Conversion and seeding to bt.etree.org by Alex Ford | |||||
| 78646 | 1981-12-06 | Rosemont Horizon | Rosemont | IL | |
| flac16; AUD Master Cass>DAT>HD-P2>Soundforge 6.0>CD Wave>FLAC Frontend>.flac | |||||
| 8200 | 1981-12-06 | Rosemont Horizon | Rosemont | IL | |
| Unknown Aud>DAT>CDR; via Glenn Gillis; Seeded to etree by Peter Braverman | |||||
| 108841 | 1981-12-06 | Rosemont Horizon | Rosemont | IL | |
| flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC. All Transfers and Mastering By Charlie Miller | |||||
| 119584 | 1981-12-06 | Rosemont Horizon | Rosemont | IL | |
| flac16; Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011 | |||||
| 133563 | 1981-12-06 | Rosemont Horizon | Rosemont | IL | |
| flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 139344 | 1981-12-06 | Rosemont Horizon | Rosemont | IL | |
| flac24; AUD: First Set; Richie Stankiewicz's Beyer M160's FOB. Second Set; Nakamichi CM300's w/CP4 shotguns from the floor area. Both Sets; Lead decks(s) > Sony TC-D5 > Hitachi UD-90's. Recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2017 | |||||
| 139345 | 1981-12-06 | Rosemont Horizon | Rosemont | IL | |
| flac16; AUD: First Set; Richie Stankiewicz's Beyer M160's FOB. Second Set; Nakamichi CM300's w/CP4 shotguns from the floor area. Both Sets; Lead decks(s) > Sony TC-D5 > Hitachi UD-90's. Recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 09/2017 | |||||
| 148949 | 1981-12-06 | Rosemont Horizon | Rosemont | IL | |
| flac16/48kHz; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 148950 | 1981-12-06 | Rosemont Horizon | Rosemont | IL | |
| flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496 | |||||
| 153910 | 1981-12-06 | Rosemont Horizon | Rosemont | IL | |
| flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421's + Nakamichi 300 + CP4 capsule blend > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2021 > TLH flac2496 | |||||
| 153911 | 1981-12-06 | Rosemont Horizon | Rosemont | IL | |
| flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421's + Nakamichi 300 + CP4 capsule blend > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2021 > TLH flac2496 | |||||
| 158845 | 1981-12-06 | Rosemont Horizon | Rosemont | IL | |
| flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 133563 & 139345. | |||||
| 79857 | 1981-12-07 | Des Moines Civic Center | Des Moines | IA | |
| flac16; pitch corrected version of shn id 8448: Unknown Audience Source via SirMick. | |||||
| 12970 | 1981-12-07 | Des Moines Civic Center | Des Moines | IA | |
| 2nd set only; SBD> MC> C> DAT> CD; seeded by Charlie Miller | |||||
| 8448 | 1981-12-07 | Des Moines Civic Center | Des Moines | IA | |
| Unknown Audience Source; via Scot Mellor; Seeded to etree by Willy; upgrade in circulation | |||||
| 141707 | 1981-12-07 | Des Moines Civic Center | Des Moines | IA | |
| flac24; SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller | |||||
| 141898 | 1981-12-07 | Des Moines Civic Center | Des Moines | IA | |
| flac16; SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller | |||||
| 143939 | 1981-12-07 | Des Moines Civic Center | Des Moines | IA | |
| flac24; Set 2 Source Info: Frank Streeter's Master Audience Cassette; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassette (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496 | |||||
| 143938 | 1981-12-07 | Des Moines Civic Center | Des Moines | IA | |
| flac16/48kHz; Set 2 Source Info: Frank Streeter's Master Audience Cassette; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassette (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 158878 | 1981-12-07 | Des Moines Civic Center | Des Moines | IA | |
| flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 141898 & 8448. | |||||
| 87349 | 1981-12-09 | Events Center, University Of Colorado | Boulder | CO | |
| flac16; SBD -> Master Reel (7 inch Reel @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller | |||||
| 82199 | 1981-12-09 | Events Center, University Of Colorado | Boulder | CO | |
| flac16; Recording by Jim Wise. AUD Source: Sennheiser 421's > Sony TC-D5, set up near the sbd. transferred (MAC > CD) by Jim Wise. Transfer: MAC > CD likely Nakamichi Dragon > HHB CDR burner. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC | |||||
| 11626 | 1981-12-09 | Events Center, University Of Colorado | Boulder | CO | |
| SBD>Rm>Dat>CD, with 'unknown aud' patches; See info file for details; via Zephyr; Seeded to etree by MOTU ; upgrade in circulation | |||||
| 13061 | 1981-12-09 | Events Center, University Of Colorado | Boulder | CO | |
| Master Soundboard Cassette > Reel to Reel > DAT> CDR Sennheiser 421 Audience source supplies "Mama Tried" (d1t06), the first 1:38 of "Mexicali Blues" (d1t07), as well as from 4:54 of "Space" (d3t01) thru 4:13 of "The Other One" (d3t02) Patching / CD Mastering by Scott Clugston EAC'ed / Shn'ed by Scott Clugston 10/02/02 ; upgrade in circulation | |||||
| 7827 | 1981-12-09 | Events Center, University Of Colorado | Boulder | CO | |
| SBD Unknown Analog Master> Cassette> Cassette> DAT> via 20bit SBM> DATPort> Cool Edit (NR@ 5% to reduce tape hiss)> CDWAV (split tracks)> CDR; Missing Satisfaction (2nd encore); via John Spaventa; Seeded to etree by Willy; upgrade in circulation | |||||
| 147222 | 1981-12-09 | Events Center, University Of Colorado | Boulder | CO | |
| flac24; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA (1st Set and Satisfaction) and Maxell XLIIS (2nd Set thru USBlues). Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019 | |||||
| 158935 | 1981-12-09 | Events Center, University Of Colorado | Boulder | CO | |
| flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 87349 & 82199. | |||||
| 167061 | 1981-12-11 | Club Front | San Rafael | CA | |
| flac2496 SBD > Cassette Master (Dolby B) > Cassette (TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 | |||||
| 167082 | 1981-12-11 | Club Front | San Rafael | CA | |
| flac1648 SBD > Cassette Master (Dolby B) > Cassette (TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 This is 167061 2496 > 1648 | |||||
| 83462 | 1981-12-12 | Fiesta Hall, San Mateo County Fairgrounds | San Mateo | CA | |
| flac16; Recording Details: Soundboard -> Master Reel -> DAT(4); Transfer Details: DAT(4) > Panasonic sv-3700 (spdif out)->Lynx L22 AES/EBU (spdif in)-> Soundforge 8.0 16bit/48kHz wav | |||||
| 14011 | 1981-12-12 | Fiesta Hall, San Mateo County Fairgrounds | San Mateo | CA | |
| MAC w/ Nak 300's>Sony TC-D5M (w/ Dolby B)>DAT>CDR via Andy Lemieux encoded by Matt Vernon | |||||
| 142975 | 1981-12-12 | Fiesta Hall, San Mateo County Fairgrounds | San Mateo | CA | |
| flac24; Source Info: Master Audience Cassettes; Nakamichi CM300 mics with CP4 capsules > Sony TC-D5M (dbx)> Frank Streeter's 1st generation (dbx decoded) cassettes (Sony TC-D5M)(Maxell UDXLII-C90); Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k) > TLH flac2496 | |||||
| 142976 | 1981-12-12 | Fiesta Hall, San Mateo County Fairgrounds | San Mateo | CA | |
| flac16/48kHz; Source Info: Master Audience Cassettes; Nakamichi CM300 mics with CP4 capsules > Sony TC-D5M (dbx)> Frank Streeter's 1st generation (dbx decoded) cassettes (Sony TC-D5M)(Maxell UDXLII-C90); Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 84265 | 1981-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD Set 2: SBD -> Cassette Master (Maxell UDXLII-90) Set 1 Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC Set 2 Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; note: this version has the 2 drop outs in shn id 83996 d3t02 fixed | |||||
| 83996 | 1981-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac16 Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD; Set 2: SBD -> Cassette Master (Maxell UDXLII-90) All Transfers and Mastering By Charlie Miller; upgrade in circulation | |||||
| 23897 | 1981-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording by Steven Martin. Master audience cassette (2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20' in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding | |||||
| 10533 | 1981-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| Recording by Bob Menke. AUD> MC> R> DAT> CDR> EAC> SHN; Senn 421s>Sony TC-D5; via Paul; Seeded to etree by Glyde | |||||
| 120368 | 1981-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > xACT | |||||
| 136898 | 1981-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XL-II (S1 + Encore) and Sony UCX-S (S2), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2016 | |||||
| 143446 | 1981-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac16/48kHz; Source Info: 1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90)(patched out of Jim Voss, located at the soundboard) 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90) (copy of Jim Voss's Sennheiser 421 master, located at the soundboard); 24-bit > 16-bit via dBpoweramp | |||||
| 143444 | 1981-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac16/48kHz; Set 2 Source Info: Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90) Transfer Info:Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 143445 | 1981-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Set 2 Source Info: Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90) Transfer Info:vMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 | |||||
| 143447 | 1981-12-26 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Source Info: 1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90) (patched out of Jim Voss, located at the soundboard); 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90)(copy of Jim Voss's Sennheiser 421 master, located at the soundboard); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 | |||||
| 33568 | 1981-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC Transferred and Mastered By David Gans Converted To FLAC By Charlie Miller Thanks to Joani Walker and Paul Scotton for the tapes | |||||
| 96562 | 1981-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > Plugins > r8brain Pro > 16/44.1 Wave > CD Wave > flac16 | |||||
| 9733 | 1981-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor. ; upgrade in circulation | |||||
| 8201 | 1981-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| SBD>MC>DAT>CD; Missing Baby Blue encore; via Mark Perini; Seeded to etree by Willy; upgrade in circulation | |||||
| 143630 | 1981-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 | |||||
| 120133 | 1981-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > Xact | |||||
| 140329 | 1981-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording Info: Vault Master Soundboard Cassette -> PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 | |||||
| 143469 | 1981-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 | |||||
| 143468 | 1981-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 143629 | 1981-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 167337 | 1981-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac1648 Mark Severson & Jaime Poris's Master Audience Cassettes; Nakamichi 700 mics x3 (Left/Right cardioids 6db EQ, Center omni) 35' feet from stage (at the free throw line) > Jaime Poris's custom built mixer > Sony D5M (Maxell MX-90's) Transfer Info: Master Audience Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC2020 > TLH flac2496 | |||||
| 167338 | 1981-12-27 | Oakland Auditorium Arena | Oakland | CA | |
| flac2496 Mark Severson & Jaime Poris's Master Audience Cassettes; Nakamichi 700 mics x3 (Left/Right cardioids 6db EQ, Center omni) 35' feet from stage (at the free throw line) > Jaime Poris's custom built mixer > Sony D5M (Maxell MX-90's) Transfer Info: Master Audience Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC2020 > TLH flac2496 | |||||
| 96304 | 1981-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller | |||||
| 96571 | 1981-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5.0 > Waves L3 UltraMaximizer > 16/44.1 Wave > CD Wave > TLH > flac16. Taped by Mark Severson, he who wishes to remain anonymous, and Jamie Poris. Transferred & Edited by Bgreen. Edited and Mastered by Alex Ford. | |||||
| 10534 | 1981-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| AUD (Senn. 421?s)> MC> DAT> CD; via Paul; Seeded to etree by Glyde | |||||
| 21036 | 1981-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| SBD > MC > C > DAT > CD > EAC > SHN; Hiss reduction applied; EAC/SHN by Darryl Hinko | |||||
| 123597 | 1981-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Recorded, Transferred and Mastered by N. Hoey (tagged version); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging) | |||||
| 143470 | 1981-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Source Info: Joani Walker's Master Audience Cassettes; Dan Healy's AKG 414 mics > Nakamichi 550 (Maxell UDXLII C90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 143471 | 1981-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Source Info: Joani Walker's Master Audience Cassettes; Dan Healy's AKG 414 mics > Nakamichi 550(Maxell UDXLII C90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 | |||||
| 143472 | 1981-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Set 2 Source Info: Master Soundboard Cassette; Sony D5 (Maxell UDXLIIS-90); Transfer Info:Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 143473 | 1981-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Set 2 only. Source Info: Master Soundboard Cassette; Sony D5 (Maxell UDXLIIS-90) Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 | |||||
| 143474 | 1981-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info:Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 143475 | 1981-12-28 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 | |||||
| 96582 | 1981-12-30 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16. | |||||
| 90866 | 1981-12-30 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; SBD>MC>DAT>CD>SHN>TLH>FLAC patched with: D2T01 Unknown Aud>MC>?>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC and D2T02-3 SBD>Cm>C>C>C>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC | |||||
| 8211 | 1981-12-30 | Oakland Auditorium Arena | Oakland | CA | |
| 1st Set SBD> MC> DAT> CD; 2nd Set Pre Drums SBD> Cm> PCM> Dat> CD>Cool Edit Pro> CD; 2nd Set Post Drums SBD> Cm> Reel> Cass> CD; via Charlie Miller; Seeded to etree by Willy | |||||
| 117246 | 1981-12-30 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat -> CD; Set 2 Pre Drums: SBD -> Cassette Master -> PCM -> Dat -> CD; Set 2 Post Drums: SBD -> Cassette Master -> Reel -> Cassette -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| 139771 | 1981-12-30 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Set 1 + Set 2 Partial; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK MA-90. Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2017 | |||||
| 143560 | 1981-12-30 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Source Info: Joani Walker's Master Audience Cassettes; Dan Healy's AKG 414 mics > Nakamichi 550 (Maxell UDXLII C90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 | |||||
| 143559 | 1981-12-30 | Oakland Auditorium Arena | Oakland | CA | |
| flac16 Source Info:Joani Walker's Master Audience Cassettes; Dan Healy's AKG 414 mics > Nakamichi 550(Maxell UDXLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 | |||||
| 147937 | 1981-12-30 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Source: BeyerDynamic M88's > Sony TC-D5M > Maxell XLII-S 90's, recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2019 | |||||
| 167452 | 1981-12-30 | Oakland Auditorium Arena | Oakland | CA | |
| flac1648 Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (Maxell UDXLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 2022 > TLH flac2496 | |||||
| 167453 | 1981-12-30 | Oakland Auditorium Arena | Oakland | CA | |
| flac2496 Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony D5M (Maxell UDXLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 2022 > TLH flac2496 | |||||
| 126611 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin | |||||
| 33660 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller | |||||
| 85628 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording by Matt Field. Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes. Transfer and Mastering: Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L. | |||||
| 96082 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation | |||||
| 96090 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation | |||||
| 96106 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.) | |||||
| 96107 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.) | |||||
| 96611 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. | |||||
| 331 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| Reels > Cass > Dat > CDR; via G. Lanum; 8/00: note tracklist now apparently corrected here from what had been listed originally; see pub comments for flaw notes.; upgrade in circulation | |||||
| 7041 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files | |||||
| 12784 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| Jay Ashley (Bertha) remaster of Jay Serafin's 4 TRACK RTR source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing | |||||
| 14040 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| Acoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren; upgrade in circulation | |||||
| 14686 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| Master reels->cass->DAT->CD-R->EAC(x2 w/wav compare)->shn. ; upgrade in circulation | |||||
| 143570 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp | |||||
| 143571 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac24; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 | |||||
| 143773 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - pitch correction and patches by Kevin Tobin | |||||
| 143774 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16; Matrix 2 Source Mix - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - matrix mixing by Kevin Tobin | |||||
| 143775 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| DTS-Audio-CD 5.1 Mix; - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - dts mixing by Kevin Tobin | |||||
| 143777 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - surround mixing by Kevin Tobin | |||||
| 156058 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac1648 Source Info: Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 | |||||
| 156059 | 1981-12-31 | Oakland Auditorium Arena | Oakland | CA | |
| flac2496 Source Info: Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 | |||||
| 90795 | 1981-??-?? | Unknown | Various | CA | |
| flac16; Source: FM > Cassette > Cassette/1 Transfer: Yamaha K-1020 > Sony SBM-1 > Nomad JB3 > Creative Play Center > Soundforge v6e > CDWav Creative Play Center software used to copy to laptop with firewire cable. Soundforge used to prep file for tracking. CDWave used to track and flac at level 8 compression. | |||||