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Live Concert Database
Sources for Grateful Dead
SHNIDDateVenueCityStateArchive Identifier
181201970-01-02Fillmore East early showNew YorkNY
complete early/late shows; SBD> MR> C> D> CD> EAC> SHN with aud patch; Thanks to A. Lemiex, Uli & Hanno
126241970-01-02Fillmore East early showNew YorkNY
likely early show, had been marked late show; SBD plus AUD patches; via Hanno Bunjes, Uli Teute
861970-01-02Fillmore East - late showNew YorkNY
late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St. Stephen from reel change
1373751970-01-02Fillmore East - late showNew YorkNY
flac16; Soundboard > 7 1/2' Reel Master @ 7.5 ips (Recorded By Bear on a Sony 770 Reel Deck) > 1st gen (TDK SAX-100 cassette) from Dick Latvala (Master Reel Playback on a Technics 1506 Reel to Reel > Tascam 122 MK111 Cassette Deck No dolby) > Analog to Digital (Cassettes played back on Nakamichi Dragon > Sony PCM-R700 DAT @ 44.1 by Jim Wise 1998); Edited and mastered SIRMIck
1375591970-01-03Fillmore East (Early Show)New YorkNY
flac16/48kHz; Early & Late Show Recording Info: SBD > Master Reel > Cassette > Dat (48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
977431970-01-03Fillmore East (Late Show)New YorkNY
flac16; Source: Soundboard Master Reels > DAT Master [44.1] Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab Mastering in WaveLab with iZotope Ozone 4 > CD Wave > TLH > Flac Transfer and Mastering Bill Koucky March 6, 2009, Green Mountain Bros.
66421970-01-03Fillmore East (Late Show)New YorkNY
early and late; SBD > MR > DAT > C > DAT > CDR; via Mike Lai, with thanks to Wayne Gucwa; info file by Jeff Hannan
194401970-01-03Fillmore East (Late Show)New YorkNY
improvements on previous seed: Sound improved on d1t02, by Bill Giles; SBE's corrected; seeded by RET
1388111970-01-03Fillmore East (Late Show)New YorkNY
flac16/48kHz; Source: sbd > 1st gen reel > dat (48k); provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; transferred by Charlie Miller; Lineage: iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick July 2017
896141970-01-10Golden HallSan DiegoCA
flac24; source: MR > R1 > RX (purported to be 2nd gen) transfer: RX > Technics RS-1506 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > wav [24/96]
898621970-01-10Golden HallSan DiegoCA
flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
892811970-01-10Golden HallSan DiegoCA
flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
891751970-01-10Golden HallSan DiegoCA
flac16; source: MR > R1 >RX (purported 2nd gen) transfer: RX (purported 2nd gen) > Technics RS-1506 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > wav [24/96]
66631970-01-10Golden HallSan DiegoCA
Master Soundboard Reel > Reel to Reel > DAT> CDR; CD Mastering by Scott Clugston; to abgd
173451970-01-10Golden HallSan DiegoCA
Lineage: S:MR>DAT>CD ; pitch shifted down 48.4 centones using SoundForge 4.5 and reburned by David Hollister.
1272271970-01-10Golden HallSan DiegoCA
flac24; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
1272281970-01-10Golden HallSan DiegoCA
flac16; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/16; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller
71111970-01-16Springer's Inn PortlandPortlandOR
sbd> ??> cdr> eac> shn; a few cuts (see tracklist); eac>shn by popi n. feeldz, with thanks to Moss Willow
1319101970-01-16Springer's Inn PortlandPortlandOR
flac16; restoration of source ID 7111; see info file for details
1409671970-01-16Springer's Inn PortlandPortlandOR
flac16; Source: sbd > reel master > reel > pcm (sony beta tape ESX-HiFi/L-750) - Given to Tim Dalton by the late Harvey Lubar; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) - transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018
22201970-01-17Gill Coliseum, Oregon State UniversityCorvallisOR
Master Soundboard Reel > DAT > CDR; via Scott Clugston
192831970-01-17Gill Coliseum, Oregon State UniversityCorvallisOR
SBD>MR>D>CD>EAC>SHN; pitch corrected via J. Cotsman
881970-01-23Honolulu Civic AuditoriumHonoluluHI
updated lineage: SBD > MASTER REEL > CASS > DAT > CD > SHN; via Teddy Goodbear to abgd, later to etree
181531970-01-23Honolulu Civic AuditoriumHonoluluHI
Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor
78901970-01-24Honolulu Civic AuditoriumHonoluluHI
SBD: Master Reel > cassette > DAT > CD > SHN; T06 (Black Peter): subsecond dropout/splice @ 7:44; T07 (Good Lovin'): cuts right before last verse; via Seth Kaplan, upload by G.S. Hamilton
105461970-01-30The WarehouseNew OrleansLA
SBD>MR>C>DAT>CDR; via Raoul Duke; seeded to etree by Matt Vernon
70451970-01-31The WarehouseNew OrleansLA
SBD> MR> C> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman
240281970-01-31The WarehouseNew OrleansLA
SBD>MR>C>D>CD>EAC>SHN 7inch Master Reel@7.5ips SBE fix of shn ID 7045; shntool was used to fix sector boundary errors and seek tables were appended.
96291970-02-01The WarehouseNew OrleansLA
SBD>MSR>C>DAT>CD; Seeded to etree by Seth Kaplan
181211970-02-01The WarehouseNew OrleansLA
Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit
1262751970-02-01The WarehouseNew OrleansLA
flac16; Lineage: Source 1 SBD > MSR > C > DAT (Biodtl thru O1(7:27); Source 2 MR > Revox A77 > tube pre (O1@7:27 thru Lovelight); Transfer info: Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
178091970-02-02The Fabulous Fox TheatreSt. LouisMO
SBD> MR> R> R> PCM> D> CD> EAC> SHN; pitch corrected; edits/encoding by JCotsman
181221970-02-02The Fabulous Fox TheatreSt. LouisMO
Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit
333341970-02-02The Fabulous Fox TheatreSt. LouisMO
SBD> RR> RR> PCM> DAT; Transfer: Tascam DA-20 mkII> SB Audigy> SF 6.0> CDWave>mkwACT> .shn
103741970-02-02The Fabulous Fox TheatreSt. LouisMO
SBD>MR>R>R>PCM>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
1210411970-02-02The Fabulous Fox TheatreSt. LouisMO
flac16; SBD -> Master Reel -> Reel (7.5ips/Dolby B) Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k) Mastering Info: Wav (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Transferred By David Gans; Mastered By Charlie Miller
1210421970-02-02The Fabulous Fox TheatreSt. LouisMO
flac24; SBD -> Master Reel -> Reel (7.5ips/Dolby B) Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: Wav (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Transferred By David Gans; Mastered By Charlie Miller
121301970-02-04Family Dog at the Great HighwaySan FranciscoCA
SBD>Rm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Miller
126011970-02-04Family Dog at the Great HighwaySan FranciscoCA
Composite of "crisp" Charlie Miller sbd seed and additional mono tuneage from PBS TV broadcast; via Jeff Cotsman
141881970-02-04Family Dog at the Great HighwaySan FranciscoCA
Lineage: MSR>C>D>CD Tracks 2-7 ** - Two added tracks sourced from PBS TV broadcast via Seth Kaplan
39111970-02-05Fillmore WestSan FranciscoCA
SBD> MR> C> D> CD; via Don Bean
91841970-02-05Fillmore WestSan FranciscoCA
SBD MR> C> D> CD + AUD low-gen; more material than previous versions, >80 min including bonus track; pitch correction, EQ, CD mastering by Hanno Bunjes, with thanks to Uli Teute
1670361970-02-05Fillmore WestSan FranciscoCA
Flac16
Reel To Reel > CD Burner > Roxio Sound Editor > Wav > Flac Frontend
--Recorded my Reel with a TEAC 2300S reel to reel into a 1997 Sony CD Burner (Analogue to Digital with RCA cable output on the TEAC and input to the burner).
Ripped the CD's that were burned using Roxio import CD function on my Windows 7 computer and saved them as 14H kbps / 44 kHz .wav files . Tracked and adjusted volume of the .wav files using Roxio Sound Editor (2009). converted to Flac Frontend - flac 16.
All work done by Brian Flegel - brianflegel@gmail.com - 02/29/2024 & 03/01/2024
1670671970-02-05Fillmore WestSan FranciscoCA
flac1644 Soundboard Aud composite, speed corrected by Brian Flegel
1682801970-02-05Fillmore WestSan FranciscoCA
flac1644 Reel To Reel > CD Burner > Roxio Sound Editor > Wav > WavePad > Flac16 Patched with SBD MR>C>D>CD All work done by Brian Flegel
1682791970-02-05Fillmore WestSan FranciscoCA
flac1644 Reel To Reel > CD Burner > Roxio Sound Editor > Wav Recorded my Reel with a TEAC 2300S reel to reel into a 1997 Sony CD Burner (Analogue to Digital with RCA cable outpout on the TEAC and input to the burner). All work done by Brian Flegel
39131970-02-06Fillmore WestSan FranciscoCA
SBD> MR> C> D> CD; via Don Bean
36481970-02-07Fillmore WestSan FranciscoCA
SBD> MR> C> D> CD; EAC> SHN by naked_jaybird
39121970-02-07Fillmore WestSan FranciscoCA
SBD> MR> C> D> CD; via Don Bean
105271970-02-07Fillmore WestSan FranciscoCA
SBD MR>C>D>CD + AUD MC>4C>CD patches; via Uli Teute; Seeded to etree by Hanno Bunjes; Note- This is an eac of the 'same' source discs as the previous Hanno seed; See info file for Hanno's comment
176791970-02-08Fillmore WestSan FranciscoCA
MAC> R> PCM> DAT> CD; MSR> C> DAT> CD; MSR> ?> C> DAT> CD (end of Lovelight); Source discs supplied by Andy Lemieux, CD> EAC> WAV> SHN by Sean Cribbs
181231970-02-08Fillmore WestSan FranciscoCA
AUD Source: MAC>R>C>DAT>WAV>SHN SBDa Source: MSR>R>Cassettes>DAT>WAV>SHN SBDb Source: MSR>R>C>DAT>WAV>SHN C>SHN Conversions By Cousinit
191521970-02-08Fillmore WestSan FranciscoCA
composite: AUD>MC>R>PCM>D>CD>EAC>SHN; SBD>MR>C>D>CD>EAC>SHN; several other sources used as patches; differs from previous seeds as having SBD source for Smokestack & SOTOTW; Thanks to Andy Lemieux
282921970-02-11Fillmore East (late show)New YorkNY
flac16; portions of early and late shows; Master soundboard reels > DAT > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); includes Patch for Dark Star: Master audience tape > ? > DAT > CD; EAC> FLAC by Jack Warner, with thanks to anonymous and Bob Murphy for patch material
284021970-02-11Fillmore East (late show)New YorkNY
flac16; late show conclusion; Soundboard (except misc patches as noted): MSR> DAT> CDR> EAC> FLAC; Patched, remastered by Dave Greenberg; DAE> FLAC by Marc Evans; Project coordinated by Jim Powell with a special thanks to DW
990521970-02-11Fillmore East (late show)New YorkNY
flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC > Cool Edit Pro > TLH > FLAC16
991541970-02-11Fillmore East (late show)New YorkNY
flac16; SBD MR w/ AUD Patches * > DAT > CD > EAC > WAV > FLAC
991521970-02-11Fillmore East (late show)New YorkNY
MAR > ? > R @ 3 ¾ ips. > DAT > CD > EAC > WAV > FLAC
901970-02-11Fillmore East (late show)New YorkNY
early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown
333351970-02-11Fillmore East (late show)New YorkNY
SBD> RR> RR> DAT (tapers John Chester and Alan Mande recorded this show in the basement of the Fillmore using a Revox reel-to-reel tape deck with 15" reels.)l Transfer: DAT> HD-P2> Sound Forge 6.0> CD Wave> mkwAct> .shn
1274821970-02-11Fillmore East (late show)New YorkNY
flac24; Partial Set 2 Lineage SBD MR - (primary source for disc 2) Technics RS 1506 @7.5 ips > Revox A77(Bob Menke)@7.5 ips > Revox A77 (Pat Lee) @7.5 ips; Transfer info: Akai GX636 direct tape head output > Telefunken Tube tape pre w/a pair of Tesla tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
1262511970-02-11Fillmore EastNew YorkNY
flac16; SBD MR > DAT (disc 1 and first part of Star, last part lovelight via a DAT transfer so is not from circ. source); MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight); SBD MR > A77 > A77@ 71/2 ips (primary source for disc 2); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
59321970-02-12Ungano's Night ClubNew YorkNY
SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed discs; see Jay's extensive notes; note could really be 2/13/70 early show- see discussion in pub comments
889081970-02-12Ungano's Night ClubNew YorkNY
SBD > 8 TRACK 1" RTR @ 7.5 I.P.S. > MASTER ARCHIVE 24-BIT D > SSSB (note: a SBE fixed file set also circulates)
316361970-02-13Fillmore East (Late Show)New YorkNY
flac16; Early Show Source: SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D >SSSB > EAC (High, secure) > WAV > SHNv3 by Patrick Murphy > ? > .flac
976131970-02-13Fillmore East (Late Show)New YorkNY
flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (Fixed version now in circulation)
976391970-02-13Fillmore East (Late Show)New YorkNY
flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613)
181141970-02-13Fillmore East (Late Show)New YorkNY
early and late; mostly from SBD> MR> D> CD> EAC> SHN, with patches from SBD> MR> PCM> D> CD >EAC> SHN and SBD> MR> R> D> CD> EAC> SHN; mastered on 7" reels @ 15ips; encoding by JCotsman, with thanks to Paul Hartman, David Litfin et al
1238141970-02-13Fillmore East (Late Show)New YorkNY
flac16; Late show. Recorded by Jim Cooper from seat # BB 108 (2nd row Center) Hitachi trq-222, 2 Hitachi mikes; Transferred > sony d5pro2 > dbx 2231 EQ > sony rcd w500c
1316781970-02-13Fillmore East (Late Show)New YorkNY
flac16; 2-source matrix mix of shnid #97639(SBD) and shnid #123814(AUD)
1095351970-02-13Fillmore EastNew YorkNY
flac16; 5th gen aud casette from unknown source > WAV
22081970-02-13Fillmore EastNew YorkNY
early show; Sbd > Master reel >DAT >Sonic Solutions workstation >CDR >EAC >shn; Seeded by David Gans; posted to abgd
91911970-02-13Fillmore EastNew YorkNY
reportedly early show, though the shns have been circulated as reported 2/12/70 (see alternate entry); SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB , via Jay Serafin, Patrick Murphy
1448561970-02-13Fillmore EastNew YorkNY
flac24; unknown mono recording equipment -> master tapes -> 1st generation analog (no digital beforehand) Maxell XLII-90 cassettes, Dolby B on -> Nakamichi 680ZX cassette deck, Dolby B on, azimuth adjusted for individual tapes, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 -> 96kHz/24-bit WAV files
976441970-02-14Fillmore EastNew YorkNY
flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
181151970-02-14Fillmore EastNew YorkNY
complete early/late shows from: SBD> MR> D> CD> EAC> SHN & SBD> MR> PCM> D> CD> EAC> SHN; TMNSP release, encoding by JCotsman
1244951970-02-14Fillmore EastNew YorkNY
flac16; source: aud cassette master taped by Jim Cooper; hitachi trq-222 deck nak bx-300 > benchmark adc1 > adobe audition cs6 > tlh flac; transferred & seeded by Rob Berger
1410071970-02-14Fillmore EastNew YorkNY
flac16; Late Show Recording Info: Master Soundboard Reels (recorded by the Fillmore crew from under the stage) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; the original version of this source had a 0:02 digital anomaly in "Uncle John's Band" (t11)
1669281970-02-14Fillmore EastNew YorkNY
flac1644 Soundboard source: Master Soundboard Reels (recorded by the Fillmore crew from under the stage) > PCM - shnid 141007 - from the Tim Dalton coilleted, transferred by Charlie Miller and mastered by Scott Clugston. Audience source: hitachi trq-222 > cassette master - shnid 124495 - recorded by Jim Cooper, transferred and mastered Rob Berger. Matrix mix sbd 80% / aud 20%
103751970-02-23The AuditoriumAustinTX
SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
288331970-02-27Family Dog at the Great HighwaySan FranciscoCA
flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller
21911970-02-27Family Dog at the Great HighwaySan FranciscoCA
Master Soundboard Reel > Cassette > DAT > CDR; via Scott Clugston to abgd and etree; note includes Casey and Cumberland
93771970-02-28Family Dog at the Great HighwaySan FranciscoCA
SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band
911970-03-01Family Dog at the Great HighwaySan FranciscoCA
S:MR> C> D> CDR; not complete show, but all that's available of this version; via Dave Goldstein, Ben Yerys; note reel splice @ 5:29 of King Bee
46411970-03-01Family Dog at the Great HighwaySan FranciscoCA
SBD MR>C>D>CD; patch of circulating SBD with AUD by Hanno Bunjes: 3rd gen cassette > CD > SoundForge (5% speed correction/amplify) > CD; to BUDD offer; Hanno's notes
1327691970-03-01Family Dog at the Great HighwaySan FranciscoCA
flac16; Recording Info: SBD Master Reels -> Dat (Panasonic 3700); Transfer Info: Delta DiO 2496 sound card > HD > CD-R; Mastering Info: HD > CD WAV > Cool Edit > Trader's Little Helper 2.7 > xACT 2.35 FLAC 8; Mastering by Seth Kaplan (alligator69@optonline.net) March 25, 2015
1366661970-03-01Family Dog at the Great HighwaySan FranciscoCA
flac16; Source: Soundboard > Mater Reel > Dat (44.1k)
61561970-03-07Civic AuditoriumSanta MonicaCA
low-gen AUD; shn'ed by Hanno Bunjes, with thanks to Uli Teute for the AUD source; Hanno's notes
91951970-03-08Star TheatrePhoenixAZ
SBD MR>C>D>CD; Unknown seeder
131911970-03-08Star TheatrePhoenixAZ
SBD>?>DAT>CDR uploaded by theotherwayne@yahoo.com
1133591970-03-08Star TheatrePhoenixAZ
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
1459511970-03-08Star TheatrePhoenixAZ
flac16/48kHz; Source: sbd > ??? > cassette (from The Knudsen Collection at Lossless Legs); Transfer: cassette > Nakamichi CR-7A > TASCAM DA-3000 > wav 24/48 - Transfer by Tom Markson; Lineage: wav 24/48 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/48 >CD Wave > Flac 1648; edited and mastered SIRMick April 2019
1459521970-03-08Star TheatrePhoenixAZ
flac24; Source: sbd > ??? >cassette (high gen, from The Knudsen Collection at Lossless Legs); Transfer: cassette > Nakamichi CR-7A > TASCAM DA-3000 > wav 24/48 -Transfer by Tom Markson; Lineage: wav 24/38 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick
991821970-03-20Capitol TheaterPort ChesterNY
flac16; SBD MR > ? > R @ 7.5 ips > CD > EAC > WAV > FLAC
13151970-03-20Capitol TheaterPort ChesterNY
S:mR> ?> DAT> CDR; EAC/SHN by Ben Yerys, from Jared Minkoff seed; see info file for misc flaw notes
142871970-03-20Capitol TheaterPort ChesterNY
mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz
53151970-03-21Capitol Theater (Early)Port ChesterNY
early electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes- (although these may not even be true- see user comment); Usher tree shn branch
201841970-03-21Capitol Theater (Early)Port ChesterNY
early show; Cassette Master> Soundforge> cd> EAC> SHN; Recorded by Ken & Judy Lee on a Sony 124 cassette deck with Sony dynamic mics on a Norelco 120 normal bias tape. Microphones were set up in the balcony with a 20 foot spread; Original tape was baked in "Susie Q", shell replaced and transferred on a Tascam 122mk3 via a Lucid ADA1000 Analog to Digital Converter directly to disc on a Tascam CDRW700 by John Jay Hance.; Cleanup performed by Peter G with Soundforge; EAC performed with correct offsets. SHN conversion with MKWact & retracking done with CD Wave and EAC by Evan Bellaff; Port Chester "Resurrection" Project #2
1186701970-03-21Capitol Theater (Late)Port ChesterNY
flac16; Late Show Audience Recording Information: unknown mono reel-to-reel equipment -> master reel-to-reel tape -> 1st generation Maxell XLII-90 cassettes, Dolby B on. Playback 2012-01-20: 1st generation Maxell XLII-90 cassettes on Nakamichi BX-300 cassette deck, Dolby B on, azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL pro CD recorder -> CD-RW -> computer, EAC secure -> wavs -> Audacity (as little as possible... some fades &/or glitches, dropouts, minor volume adjustments, no EQ) -> CD Wave (track splits) -> Trader's Little Helper -> flacs.
53161970-03-21Capitol Theater (Late)Port ChesterNY
late acoustic, electric-2; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch
217791970-03-21Capitol Theater (Late)Port ChesterNY
late show; Cassette Master> Soundforge> cd> SHN; see more details in txt; Port Chester Resurrection Project
1241481970-03-21Capitol Theater (Late)Port ChesterNY
flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger
1443831970-03-21Capitol Theater (Late)Port ChesterNY
flac16; Late Show; Recording Information: unknown mono reel-to-reel recorder & mike -> master 3" reel-to-reel tapes -> unknown digital transfer, except #14-17 from 1st generation 7 1/2 IPS Maxell UD35-90 reel -> wavs; Playback 2018-12-xx: M & M1 wavs -> Audacity (very little work done... some fades, popmute on clapping in a few places for volume control, minor volume adjustments, pitch (speed) OK on master reel transfers but M1 trax #14-17 used +0.8% fix with single pass after frequency analysis & with pitchpipe verification, no EQ or NR applied) -> CD Wave (track splits) -> Trader's Little Helper
1446041970-03-21Capitol Theater (Late)Port ChesterNY
flac16; Late Show: Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Lineage: CD > Wavelab 6 > wav 16/44.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; further editing by John Hance and myself; remastered by SIRMick January 2019
320541970-03-24Pirates WorldDaniaFL
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC
29901970-03-24Pirates WorldDaniaFL
S:MR> Cass> DAT> Cass> DAT> ZA2> CDWAV> SHN; note differs from previous shn set in fille (8/4/67) and tracking; presumably transferred by David Hollister; see info file for notes; upload by Ben Yerys?
1366671970-03-24Pirates WorldDaniaFL
flac16/48kHz; Source: Soundboard > Master Reel > Cassette > Dat (48k)
38621970-04-03Field House, U. of CincinnatiCincinnatiOH
SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth
42831970-04-03Field House, U. of CincinnatiCincinnatiOH
SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via thecore@core.com
1145691970-04-03Field House, U. of CincinnatiCincinnatiOH
flac24; SBD MR>R>FLAC; Monitor Noise throughout show; tranfer Matt Smith 7/2011
1146161970-04-03Field House, U. of CincinnatiCincinnatiOH
flac16; SBD MR>R>FLAC; Converted to 16 bit via r8brain high > TLH level 6 flac; tranfer Matt Smith 7/2011
1191181970-04-03Field House, U. of CincinnatiCincinnatiOH
flac16; MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source.
1412171970-04-03Field House, U. of CincinnatiCincinnatiOH
flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
1412241970-04-03Field House, U. of CincinnatiCincinnatiOH
flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
1413611970-04-03Field House, U. of CincinnatiCincinnatiOH
flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
1448901970-04-03Field House, U. of CincinnatiCincinnatiOH
flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
1544821970-04-03Field House, U. of CincinnatiCincinnatiOH
flac16/44 Source: Reel Master (7 inch Master Reel @ 7.5ips 1/2trk) > Cassette >Tascam 122mkIII > Panasonic SV-3700 > DAT (44k) > wav 16/44.1 - All Transfers by Rob Eaton Lineage: wav > Adobe Audition 3 > iZotope RX9 Advanced > CD Wave > Flac 16 edited and mastered SIRMick November 2021
61571970-04-09Fillmore WestSan FranciscoCA
complete; SBD MR> C> D> CD + AUD MC> 4C> D> CD; AUD taper Harry Ely; sources assembled by Hanno Bunjes, with thanks to Julian for the SBD and Uli for the AUD; Hanno's notes
1371041970-04-09Fillmore WestSan FranciscoCA
flac16; Source: Unknown Taper+Equipment>MA>Cass(Unk); Conversion: NAK Dragon>Cass>WAV>FLAC; FLAC encoding via TLH
1457151970-04-09Fillmore WestSan FranciscoCA
flac16; 1) sbd > Dick's Cassette (start through to "UJB") Transfer: Cassette > Nakamichi Dragon > Sony PCM-R700 > wav 16/44.1 - Transferred by Jim Wise; 2) unknown audience recording (through to "Cryptical Envelopment" shnid 137104 seeded by Cousinit) and 3) unknown audience recording ("NFA > Turn On Your Lovelight shnid 6157, seeded by Hanno Bunjes); Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019
120721970-04-11Fillmore WestSan FranciscoCA
Partial; 30 min Lovelight and ~2 mins NFA; See info file for details; SBD>MR>C>D>CD; via Chuck Gannon; Seeded to etree by JCotsman
1324701970-04-11Fillmore WestSan FranciscoCA
flac16; Partial Set 3; 7 Inch Half Track Reel Master @ 7.5 ips-Recorded by Bear (Reel # 4 Only); 1st Generation Cassettes(TDK SA-X 100's) Transferred By Dick Latvala; (Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No Dolby); Analog to Digital Transfer (Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise); Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)
1366681970-04-11Fillmore WestSan FranciscoCA
flac16; Partial Show Source: sbd > Reel Master > Cassette > DAT (44k)
1495541970-04-12Fillmore WestSan FranciscoCA
flac16; FM broadcast of source id 3820 Source: SBD for all except Casey Jones through Deep Elem Blues; Small fixes and audio massage by Jamie Waddell; pitch correction by Jason Chastain [100.25%]
38201970-04-12Fillmore WestSan FranciscoCA
combination (SBD Reel master > Sonic Solutions > DAT ) plus (Aud cassette master > PCM > DAT > Sonic Solutions) > CD > EAC > SHN; see info file for notes; seed via Seth Kaplan
1434931970-04-12Fillmore WestSan FranciscoCA
flac16; One song audience > unk gen > xlII 90 dolby C, tape trade Dec 1984
66441970-04-15Winterland ArenaSan FranciscoCA
sdb> Master Reel> Cassette> Dat> CD; via Mike Lai, with thanks to Wayne Gucwa
143541970-04-15Winterland ArenaSan FranciscoCA
MSR>DAT>CD>EAC>SHN (mkwACT) via Seth Kaplan includes 5 additional songs from a prior seed
1327341970-04-15Winterland ArenaSan FranciscoCA
flac16; Sony 770 7 Inch Half Track Reel Master @ 7.5 ips-(Bob Mathews); DAT x Zero (DL) > DAT x One (RE) > DAT x Two (JW); play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise (note: A fixed version of this source was seeded on 03/28/2015 to address tagging errors. Please don't circulate the original fileset.)
94981970-04-24Mammoth GardensDenverCO
AUD>MC>C>D>CD; via Chuck Gannon; Seeded to etree by J. Cotsman; Note- Original d2 was 'messed up' and scrapped early. Likely it does not circulate.
176851970-04-24Mammoth GardensDenverCO
MAR> Reel> DAT> Cool Edit Pro> CDR (From Gergard S' first gen reels) via Glen Gillis
195311970-04-24Mammoth GardensDenverCO
AUD master C-120 > reel 3.75ips > DAT > CD ; improvement over all circulating copies, via Hanno Bunjes, Uli Teute, Carsten Baumann, Gerhard Schinzel
272051970-04-24Mammoth GardensDenverCO
sources: aud master C-120 > reel 3.75ips > dat > cd > eac > shn > wav > shn.This is a re-master of shn id 19531;see txt file for details. Seeded by SirMick (thedarkstar@btinternet.com)December 2004
853221970-05-01Alfred CollegeAlfredNY
flac16; SBD > Rm > Dat > Sonic Solutions > CD > Samplitude > Flac
Seeds provided by David Gans, Remastered by Charlie Miller
956831970-05-01Alfred CollegeAlfredNY
flac16 ; Recording Info: Source 1: SBD -> Master Reel -> CD Source 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Source 3: SBD -> Master Reel -> Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
931970-05-01Alfred CollegeAlfredNY
partial acoustic; filler on both 3/31/73 and 10/9/76 (qv)
54651970-05-01Alfred CollegeAlfredNY
Master Soundboard Reel > (reel to reel, for part)> DAT > Sonic Solutions > CDR; EAC'ed / SHN'ed by Scott Clugston
1000071970-05-02Harpur CollegeBinghamtonNY
flac16; SBD > 3xcass (maxell XLII), transfer: cassette > Yamaha KX-W282 > Monster digital cable > Yamaha RX-530 > Monster digital cable > JVC XL-R5000 > CDR > EAC (offsets set) > CDWav > Flac (level 8), Dick's Picks 8 Outtake
1086731970-05-02Harpur CollegeBinghamtonNY
flac24; reel> cass > cass Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell
1089551970-05-02Harpur CollegeBinghamtonNY
flac16; Gen 4 SBD Cassettes > SonyTC-W320 > Marantz 510 > CD > EAC > CD Wave Editor > Flac level 8; see info file for details
1200811970-05-02Harpur CollegeBinghamtonNY
flac16; reel> cass > cass; Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell; Resampled from 96 to 44.1 khz in r8brain Pro > dithered in Izotope Ozone 3 (MBIT+, high noise shaping, 16 bit depth, normal dither, DC offset filter on) > exported to 16 bit in Audacity 2.0.0 > FLAC
1382271970-05-02Harpur CollegeBinghamtonNY
flac16/48kHz; Recording Info: SBD > Master Reel (7inch @ 7.5ips 1/2trk) > Dat/48k; Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
93781970-05-03Field House, Wesleyan UniversityMiddletownCT
AUD>MC>?>C>D>CD; via Jeff Cook; Seeded to etree by J Cotsman
208521970-05-03Field House, Wesleyan UniversityMiddletownCT
AUD>MR>?>CD>EAC>SHN. Digital editing by Jim Goldman, wavs provided by, minor editing and retracking SIRMick (The Sugarmegs Restoration Krewe)
1306671970-05-03Field House, Wesleyan UniversityMiddletownCT
flac16; Audience cassette master (not sbd as previously thought) > ? > CDr > EAC > Soundforge - editing > shn > aiff (xACT) > flac
1308441970-05-03Field House, Wesleyan UniversityMiddletownCT
flac16; Recording Information: unknown stereo(?) recording equipment -> master AUD cassette (NOT a SBD as noted in shnid 9770) -> ? -> unknown generation tape used for shnid 9770 -> CDr > EAC > Soundforge (normalize & pitch correction -> shn -> aiff (xACT) -> flacs; flacs -> TLH -> wavs -> Audacity using right channel for mono signal [fades, manual one-at-a-time glitch, bump, pop, click, dropout & dullspot repairs, volume adjustments, NO equalisation] -> CD Wave (track splits) -> flacs (Trader's Little Helper)
958161970-05-06Kresge Plaza, M.I.T.CambridgeMA
flac16; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins Rate Conversion with r8brain to [16bit/44.1 mhz] > TLH > Flac Transfer and Mastering: Bill Koucky, Green Mountain Bros. November 15, 2008 Transfer from Reels to DAT was done in 1994 by Eli Polansky from WMBR MIT Radio Archives for Jim Birkhead, and cloned to Bill Koucky
958171970-05-06Kresge Plaza, M.I.T.CambridgeMA
flac24; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins > TLH > Flac Transfer and Mastering: Bill Koucky
941970-05-06Kresge Plaza, M.I.T.CambridgeMA
MSR (MIT WMBR Reels) 10", 2-sided, 1/2 Track Mono (no extra reel gen)-> Otari MX 55 2 track (playback) ->  TC 2000 Studio Effects Processor (using only the A->D converter, no effects) ->  Sonic Solutions (at 20 bits resolution) -> mastered to CD using Sony SBM 2  (No DAT generations) -> CD (from Gans) > EAC > SHN; (note updated source details); via E. Polonsky, D. Gans,  R. Keshavan, D. Sacks; note reel splice at China/Rider transition (track boundary at splice)
951970-05-06Kresge Plaza, M.I.T.CambridgeMA
Gans version as for other shn set, SHNed by M. Hall (not sure if this copy got into wide circulation)
1561781970-05-06Kresge Plaza, M.I.T.CambridgeMA
Source: MSR (MIT Reels) > Sonic Solutions Digital Editing (gans) > DATs > CDRs > EAC > SHN; 2022 reseed: SBE repaired in track 04, SHN files re-encoded to FLAC-8: SHN>WAV>FLAC-8
322761970-05-07Dupont Gymnasium, MITCambridgeMA
main source: AudMC > ? > 7" R > DAT > HD > SHN Taper, mics, and deck unknown A > D transfer by Noah Weiner - noahbw@home.com This is a remaster of shnid 5439. See text file for full details
54391970-05-07Dupont Gymnasium, MITCambridgeMA
AudMC > ? > 7" R > DAT > HD > SHN; Taper, mics, and deck unknown; A > D transfer by Noah Weiner; almalgam of different sources; pitch corrected; see info file for mastering and flaw notes; via Audience Devotional Tree
1410931970-05-07Dupont Gymnasium, MITCambridgeMA
flac16; Source: Audience Cassette Master > Reel > PCM (Sony HG) - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; New Riders Of The Purple Sage Source: Audience Cassette Master > ? > 7" Reel > DAT; Transfer: DAT > HD > SHN - Transferred by Noah Weiner; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018; the original version of this source had a tracking error in the set 3 files
320561970-05-08Farrell HallDelhiNY
flac16; Recording Info: (Stage) Unknown Mic -> Cassettte Master Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
97701970-05-09Worcester Polytechnic InstituteWorcesterMA
Acoustic; SBD>MR>?>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
975481970-05-14Meramec Community CollegeKirkwoodMO
flac16; MSR > DAT > CDR > EAC > FLAC (with portions from MSR > MP3 > WAV > FLAC)
287161970-05-14Meramec Community CollegeKirkwoodMO
flac16; Source: Soundboard Lineage: MSR> DAT> CDR> EAC> FLAC except * = MSR> DAT> CASS> ?> CASS> DAT> CDR> EAC> FLAC
76041970-05-14Meramec Community CollegeKirkwoodMO
Master Soundboard Reel > Cassette > DAT> CDR; via Scott Clugston
124391970-05-14Meramec Community CollegeKirkwoodMO
SBD>MR>?>D>CD>EAC>SHN (acoustic set); SBD>MR>D>CD>EAC>SHN (electric set); complete show except for Dire Wolf and Cold Jordan, which are probably not on the masters; Thanks to Dan Capshaw and Walter Schnell; edits/encoding by JCotsman
242231970-05-14Meramec Community CollegeKirkwoodMO
SBD>MR>?>D>CD>EAC>SHN (acoustic set) SBD>MR>D>CD>EAC>SHN (electric set) same as /shninfo_detail.php?shnid=12439 with sbe's fixed and seektables appended.
341651970-05-14Meramec Community CollegeKirkwoodMO
Acoustic Set; Source: Soundboard of unspecified provenence; CD Re-Mastering / Shn'ed by Scott Clugston 2/15/03
1366451970-05-14Meramec Community CollegeKirkwoodMO
flac16; Set 2 Source: Soundboard > Reel Master > DAT (48k)
971970-05-15Fillmore East (Late Show)New YorkNY
acoustic and electric, early and late, includes NRPS; MR > DAT > ZA2 > CDR, except the NRPS sets which have 2 cass gens; this is apparently the best possible available copy- one fewer cass gen than first etreed version, complete NRPS 2nd set, less hifreq hiss; more details in info file; via D. Hollister, J. Tiedrich, D. Finney. L. Orf; note L. Orf did very minor editing, mostly putting tasteful fades where there were cuts in the original- no NR
294731970-05-15Fillmore East (Late Show)New YorkNY
New Master Reel transfer: SBD:10" 1/2 track Master Reels @ 7.5 ips>Revox A700 playback deck>Alesis Masterlink ML 9600>CD. No PCM generation in GD/NRPS sets. No analog gens in NRPS sets. Upgrade from previously circulating source. Seeded to etree 5/31/2005 by Chuck Reynolds and Seth Kaplan.
1365741970-05-15Fillmore East (Late Show)New YorkNY
flac24; source: aud cassette master; taped by Jimmy Cooper; 2 hitachi mics > hitachi trq-222; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
1365751970-05-15Fillmore East (Late Show)New YorkNY
flac16; source: aud cassette master; taped by Jimmy Cooper; 2 hitachi mics > hitachi trq-222; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
147691970-05-16Temple UniversityPhiladelphiaPA
AUDMC > ? > C > CD/0 > EAC > WAV > SHN via Noah Weiner
170271970-05-16Temple UniversityPhiladelphiaPA
AUD>MC>?>C>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; This shn set is derived from the Noah Weiner seed, and following Noah's edits, has been pitch corrected using Sound Forge; edits/encoding by JCotsman
61591970-05-24Newcastle-Under-LymeNewcastleEngland
AUD MR> C> D> CD; mastered by Hanno Bunjes; source supplied by Uli Teute; Hanno's notes
64811970-05-24Newcastle-Under-LymeNewcastleEngland
SBD MR> C> D> CD + AUD MR> C> D> CD patches; mastered by Hanno Bunjes, with thanks to Uli for the AUD source; Hanno's notes
1357161970-05-24Newcastle-Under-LymeNewcastleEngland
flac16; MSR > CDR > PC > my edits in Goldwave > CDR > FLAC; patched with unknown MR > cassette > PC and with shnid 6481
1358031970-05-24Newcastle-Under-LymeNewcastleEngland
flac16; MSR > CDR > PC > my edits in Goldwave > CDR > FLAC; patched with unknown MR > cassette > PC; further patched with shnid 6481
1364241970-05-24Newcastle-Under-LymeNewcastleEngland
flac16; Unknown Board MR > Maxell XLII-S90 cassette (unknown generation) > Audacity via soundcard > Goldwave (to increase volume) > FLAC
1366691970-05-24Newcastle-Under-LymeNewcastleEngland
flac16/48kHz; Source: sbd > reel master > cassette > dat (48k)
121351970-06-04Fillmore WestSan FranciscoCA
Partial; Last three songs; See info file for details; SBD->Rm->Cass->?>Dat>CD; Seeded to etree by Charlie Miller
1199211970-06-04Fillmore WestSan FranciscoCA
flac16; sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16
1237981970-06-04Fillmore WestSan FranciscoCA
flac16; Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald (droncit@yahoo.com): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise.
1237991970-06-04Fillmore WestSan FranciscoCA
flac16; Matrix of Soundboard (shnid:119921) sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16; conversion by: miogi; Soundboard (shnid:12135) SBD->Rm->Cass->?>Dat>CD>EAC>SHN CD>EAC>SHN done by charlie miller; The entire acoustic set has been matrixed. The last three songs of the electric set have been matrixed with (shnid:123798) Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape.
1327901970-06-04Fillmore WestSan FranciscoCA
flac16; Partial SBD Recording; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel Deck)-1st Generation(TDK SAX-100 cassette)Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No dolby); Analog to Digital(Cassettes on Nakamichi Dragon-Sony PCM-R700 DAT @ 44.1KHz by Jim Wise); DAT X Zero play back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise
286531970-06-05Fillmore WestSan FranciscoCA
flac16; Source: Soundboard (except where patched with low gen AUD as noted) Lineage: MSR> CASS> DAT> CDR> EAC> FLAC
43611970-06-05Fillmore WestSan FranciscoCA
SBD> MR> C> D> CD> SHN; see info file for flaw notes; via thecore@core.com
75891970-06-05Fillmore WestSan FranciscoCA
SBD MR>C>D>CD + AUD patch from low-gen cassette courtesy Uli Teute (see info); via Hanno Bunjes; Hanno's notes
1098471970-06-05Fillmore WestSan FranciscoCA
flac16; Unknown gen cassettes from unknown aud source > WAV; see info file for details
1237021970-06-05Fillmore WestSan FranciscoCA
flac16; Matrix from Soundboard (shnid:28653) (except where patched with low gen AUD as noted) Lineage: MSR> CASS> DAT> CDR> EAC> FLAC and Audience (shnid:109847) Lineage: Source #1: Dire Wolf through New Speedway - unknown gen aud cassette; Source #2: Cold Rain through Mama Tried - unknown gen aud cassette; Source #3: Cryptical through Casey - unknown gen aud cassette
1323951970-06-05Fillmore WestSan FranciscoCA
flac16; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)-1st Generation Cassettes Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no Dolby); Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's); Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) JW:February 2015
869511970-06-06Fillmore WestSan FranciscoCA
flac16; Electric Set Only: Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC. All Transfers and Mastering By Charlie Miller.
21721970-06-06Fillmore WestSan FranciscoCA
electric set; SBD Reel master > cassette > DAT > CD > SHN; Seeded by Jay Ashley; see info file for listening notes
1321571970-06-06Fillmore WestSan FranciscoCA
flac16 Acoustic Set Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller
1324871970-06-06Fillmore WestSan FranciscoCA
flac16; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SAX-100's) Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No Dolby); Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's) Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise
61851970-06-07Fillmore WestSan FranciscoCA
shn set from Bob Clevenger ; derived from some other source with edits/changes by Bob
981970-06-07Fillmore WestSan FranciscoCA
acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield
1323251970-06-07Fillmore WestSan FranciscoCA
flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name)
90791970-06-13Red VestOahuHI
Complete; SBD MR> R> D> CD + AUD low-gen; patched by Hanno Bunjes, with thanks to Paul B. and Uli
61601970-06-21Pauley Ballroom, U. of CaliforniaBerkeleyCA
AUD C/3 > CD; extracted/ shortened by Hanno Buunjes, with thanks to Uli for the AUD tape; Hanno's notes
1540861970-06-21Pauley Ballroom, U. of CaliforniaBerkeleyCA
flac1648; AUD said to have been recorded by Harry Ely > unknown transfer to WAV-1648 marked 2nd-Gen > Wavelab (small edits & speed adjust) > CD-Wave > TLH > FLAC 1648 tagged.
327101970-06-24Capitol Theater (Late)Port ChesterNY
Audience tape recorded by J.Cooper: Hitachi trq-222 stereo casstte recoder using 2 hitachi mics and a 120 minute tape. Transferred by Coopernicus March 2006: Sony tcd5pro2>dbx223> Sonyrcdw500c MC>EQ>CDR>EAC>FLAC
230621970-06-24Capitol Theater (Late)Port ChesterNY
early and late shows (see discussion in txt and pub comments); Sony TC124 with unknown Sony dynamic mics
988801970-06-24Capitol Theater (Late)Port ChesterNY
flac16; Late Show partial source: aud reel lineage: aud>?>7" reel @ 3.75 ips, dolby b; transferred & seeded by Rob Berger; pitch correction by Moose
1002231970-06-24Capitol Theater (Late)Port ChesterNY
flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC(secure, offset corrected) > Cool Edit Pro > TLH > FLAC16 Analog to Digital by Bill Gadsden, April 2009
53391970-06-24Capitol Theater (Late)Port ChesterNY
late electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch
74671970-06-24Capitol Theater (Late)Port ChesterNY
late show, plus 7/10/70 mislabled as 6/24 early; reportedly AUD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa
93301970-06-24Capitol Theater (Late)Port ChesterNY
Late Show--Electric Set; center lodge, mics mounted on rails->120-min. Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect->EAC->Sound Forge->SHN; via Crazy Jimi; Seeded to etree by Harlan
1241751970-06-24Capitol Theater (Late)Port ChesterNY
flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger
1452611970-06-24Capitol Theater (Late)Port ChesterNY
flac16; Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Transfer: The cassettes were baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave . Flac 16; edited and mastered SIRMick February 2019
96241970-07-01Winnipeg FairgroundsWinnipegMB
SBD>?>VHS>CD; assumed to be a portion taken from the raw video footage shot during the Trans Continental Pop Festival Tour across Canada by train; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
173511970-07-10Fillmore EastNew YorkNY
AUD>MR>CD>EAC>SHN recorded by Marty Weinberg on an Uher 5 inch open reel deck encoding/edits by Jeff Cotsman
93791970-07-11Fillmore EastNew YorkNY
AUD>MC>C>C>D>CD; via Andrew Clarke; Seeded to etree by J. Cotsman
246631970-07-12Fillmore EastNew YorkNY
source: aud > ??? > shn > wav > shn via SirMick
1080021970-07-12Fillmore EastNew YorkNY
flac16; unknown audience recording; edited and mastered by Jamie Waddell; all transfers and work performed in the 24 bit realm Weiss-Saracon for 16 BIT 44.1kHz; SBE Free, Flac Level 8 with TLH, Meta Data with Tag & Rename
1081561970-07-12Fillmore EastNew YorkNY
flac16; Marty Weinberg's 5" 1/4 track Master Audience Reel>HHb CDR-850>CDR>EAC>CDR>EAC>.WAV>TLH>.FLAC
1227071970-07-12Fillmore EastNew YorkNY
flac16; Jim Cooper's Hitachi TRQ-222 Cassette recording > CDR > WAV > FLAC
1309381970-07-12Fillmore EastNew YorkNY
flac16; Combination of the two audience recordings shnid 9379 and shnid 122707; edits were limited to volume, speed, cross-fades at the beginning and end of patches, and such elimination or reduction of drops, static, clicks, and bumps as I could obtain without losing any music; see info files for details
178151970-07-14Euphoria BallroomSan RafaelCA
both sets; SBD> MR> C> D> CD> EAC> SHN; aud patch for Don't Ease; edits/encoding by JCotsman
966281970-07-14Euphoria BallroomSan RafaelCA
sbdmr> dat> cd> shn> cd> ?> shn; this source is possibly derived from source id 1030
325511970-07-16Euphoria BallroomSan RafaelCA
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller
64851970-07-16Euphoria BallroomSan RafaelCA
partial; Master Soundboard Reel > Cassette > Cassette > CDR; CD Mastering by Scott Clugston; to abgd
325751970-07-16Euphoria BallroomSan RafaelCA
Set 2; SBD>MR>?>C>CD>SHN
1403101970-07-16Euphoria BallroomSan RafaelCA
flac16; Source: SBD > Master Reel > Cass > CDR; Lineage: CDR > Eac > wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick December 2017
170771970-07-30Lion's ShareSan AnselmoCA
SBD>??>CD>EAC>SHN via Chuck Gannon edits/encoding by Jeff Cotsman
1140201970-07-30Lion's ShareSan AnselmoCA
flac16; MR(Abrams)>R@ 7.5 ips.(Peter Kafer)>R @ 7.5 ips.(Will Boswell) > CD; Transfered and mastered by Matt Smith 5/11; cd > flac dbpoweramp cd ripper
1065711970-07-??Festival Express TrainUnknownCanada
flac16; Recording Info: Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
1544901970-08-05Golden Hall Community ConcourseSan DiegoCA
flac16 Source: Restoration of SHNID 017271 Thanks to Joe Jupille and Andy Lemiuex for the original source
Transfer: MSR > Reel > PCM > DAT > CDR > EAC > SHN
49411970-08-05Golden Hall Community ConcourseSan DiegoCA
SBD> MR> PCM> D> CD> EAC> SHN; some normalization and editing with Soundforge; via thecore
172711970-08-05Golden Hall Community ConcourseSan DiegoCA
MSR > Reel > PCM > DAT > CDR > EAC > SHN via Andy Lemieux, encoding Joe Jupile
120731970-08-17Fillmore WestSan FranciscoCA
Partial; 2+ songs & date is 'uncertain'; See info file for details; AUD>MC>D>CD; via Chuck Gannon; Seeded to etree by JCotsman
13461970-08-18Fillmore WestSan FranciscoCA
AUD mC> Rx2> DAT> CDR; EAC and SHN'd by Ben Yerys from Jared Minkoff's seed; DAT>CD transfer by Miles Garret
1410711970-08-18Fillmore WestSan FranciscoCA
flac16; AUD mC> Rx2> DAT> CDR; this new version has been pitch adjusted with the following ratios: acoustic set with a 'slight' sliding time scale/pitch shift of +0.123%; 2) electric set with a sliding time scale/pitch shift of +9.678%; (electric [lower volume level] set has also been amplified by +3.9%)
1424141970-08-18Fillmore WestSan FranciscoCA
flac24; Unknown Audience Cassette > FLAC; Fixed version in circulation
1424161970-08-18Fillmore WestSan FranciscoCA
flac16/48kHz; Unknown Audience Cassette > FLAC
1424171970-08-18Fillmore WestSan FranciscoCA
flac24; Unknown Audience Cassette > FLAC
816051970-08-19Fillmore WestSan FranciscoCA
flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic Acoustic Set: Master Electric Set: 1st generation cassette Transfer and FLAC encoding by David Minches: Master/1st generation cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded
817751970-08-19Fillmore WestSan FranciscoCA
flac16; Set 1: AUD>MC>D>FLAC>AIFF>FLAC Set 2: AUD>MC>R>PCM>D>CD>EAC>SHN>AIFF>FLAC
117971970-08-19Fillmore WestSan FranciscoCA
AUD>MC>R>PCM>D>CD; Missing several songs; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & JCotsman
127501970-08-30KQED StudiosSan FranciscoCA
FM-> 7inch MR-> DAT-> CDR-> EAC-> SHN V.3; via D. Backus
127621970-08-30KQED StudiosSan FranciscoCA
Master FM Reel (Taped by Michael Parrish, Sony TC-366 Reel to Reel using "Concert" polyester tape) > 3 CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > .shn encoding using mkwACT. Proper sector boundaries verified using .shntool. EAC > SHN by Joe Jupille, with thanks to Andy Lemieux for the source CDs.
338261970-09-17Fillmore EastNew YorkNY
AKG190E>Uher 400L>Master Audience Reel>Reel>DAT>CDR>EAC(Secure Mode)>WAV>Soundforge (Speed Corrected)>FLAC Taped by Marty Weinberg A GEMS production -+-+- www.shnflac.net -+-+- March 2006
159831970-09-17Fillmore EastNew YorkNY
MAC> Reel> Cassette> DAT> CD> EAC> SHN; submitted by user seabass; note slightly different tracking from previous shn set
160901970-09-17Fillmore EastNew YorkNY
mixed sources: MAC> R> C> CD recorded by Jack Toner, with a Sony TC-110 with built-in microphone; plus MAC> ?> C> R> CD and MAC> ?> C> R> R> CD, Unknown tapers/equipment; Source tapes from Dwight Holmes, Transfer to digital by David Minches, Patches and SHN encoding by Jack Warner
275911970-09-17Fillmore EastNew YorkNY
remaster of shnid 16090, by SIRMick
1458911970-09-17Fillmore EastNew YorkNY
flac16; Partial Set 3 Source: AKG190E > Uher 400L > Master Audience Reel > ??? > Reel 3.75 ips (low gen) - Recorded by Marty Weinberg and provided by Don Wolfe; Transfer: Reel > Akai GX636 > Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > wav 24/96; Lineage: wav 24/96 >Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac16; edited and mastered SIRMick March 2019
1458921970-09-17Fillmore EastNew YorkNY
flac24; Partial Set 3 Source: AKG190E > Uher 400L >Master Audience Reel > ??? > Reel 3.75 ips (low gen) - Recorded by Marty Weinberg and provided by Don Wolfe; Transfer: Reel > Akai GX636 > Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > wav 24/96; Lineage: wav 24/96 >Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac24; edited and mastered SIRMick March 2019
1460271970-09-17Fillmore EastNew YorkNY
flac16/44.1khz Matrix of Dark Star by Sirmick
308821970-09-18Fillmore EastNew YorkNY
flac16; source 1: sbd > mr > r > d > cd > eac > shn > wav > flac; source 2: aud > mc > ? > c > r > cd > eac> shn > wav > flac; remaster of the sources from shnid 17893; via SIRMick
975251970-09-18Fillmore EastNew YorkNY
flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> TLH(flac encoding) -> FLAC Circulated by Chuck Reynolds, February 13, 2009
1001970-09-18Fillmore EastNew YorkNY
updated source info: ?> bootleg CD> CD; previously marked SBDMR > DAT > CD; partial; filler 2/2/70 Dark Star; brief reel glitch in Dancin' at 5:06; original seed via Morgan Evans (1997)- see his notes; etreed via G. Hamilton
46701970-09-18Fillmore EastNew YorkNY
SBD > MR > R > DAT > CDR > EAC (Secure, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky, from Paul Botiglio's CD
178931970-09-18Fillmore EastNew YorkNY
Soundboard (via Andy Lemieux) and Jack Toner audience tape (via Jack Warner) composite edited and encoded by Jeff Cotsman. Include NRPS, Dead Acoustic and Electric sets
315101970-09-19Fillmore EastNew YorkNY
flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473) edited, mixed and converted by Chris Chappell
254731970-09-19Fillmore EastNew YorkNY
Composite Audience Source (Master audience cassette Taped by Jack Toner, Sony TC-110 with built-in microphone and Master audience reel Taped by Marty Weinberg, AKG190E>Uher 400L) via Dwight Holmes and Dr. Michael Parrish. Patches and EAC > SHN by Jack Warner
979061970-09-19Fillmore EastNew YorkNY
flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> CoolEdit Pro -> TLH -> FLAC16; Circulated by Chuck Reynolds
1021970-09-19Fillmore EastNew YorkNY
SBD > Reel(0) > DAT > Mac (via Lucid PCI24) > CD-R; DAT from "3 Decades of Dead" Tree CDR; Conversion by Tim Buller
52171970-09-19Fillmore EastNew YorkNY
MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete than previously etreed versions
1197221970-09-19Fillmore EastNew YorkNY
flac16; source: aud 1st gen reel; Jerry Moore's copy; lineage: aud reel master>reel @ 3.75 ips master taped by Marty Weinberg: akg d190e>Uher 4000L reel; technics rs-1506>hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred & seeded by Rob Berger
1503471970-09-19Fillmore EastNew YorkNY
flac16; Set 1 Source unknown, thought to be Jack Toner's audience recording; Lineage: AUD > ?? > CD WAV > FLAC
1527051970-09-19Fillmore EastNew YorkNY
flac1644 ; AUD fragment; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021
973641970-09-20Fillmore EastNew YorkNY
flac16; MR > R Heavily Edited > R @ 71/2ips > CD * Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16
817281970-09-20Fillmore EastNew YorkNY
flac16; AUD MR>CD Marty Weinberg master 5" Uher open-reel. via Jack Warner, Hanno Bunjes
11901970-09-20Fillmore EastNew YorkNY
mixed sources (see info file for details, plus additional details in pub comments); seed assembled and distributed by Jim Wise; CD> EAC> SHN by Darrin Sacks; Darrin comments: "Has a fair amount of hiss and analog tape wear, but is the best we're probably ever going to hear, as this show isn't in the Vault."
275831970-09-20Fillmore EastNew YorkNY
This is a remaster of shn id 1190; hiss has been reduced, a number of clicks and pops have been removed and some other artifacts cleaned up, a number of volume adjustments have been made, final mastering using iZotope Ozone
1357981970-09-20Fillmore EastNew YorkNY
flac16; This is a restored version of shind: 97364; MR > R (Buddy Miller) HEAVILY EDITED > R @ 71/2ips (Will Boswell) > CD; Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16 Restoration completed with Diamond Cut Forensics 10.2.
1367291970-09-20Fillmore EastNew YorkNY
flac16; Set One: Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Set Two: DAT-> PANASONIC SV-3700-> TASCAM DA-30 (Spring 1996)-> DAT-> Panasonic SV-3800-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> Adobe Audition 3.0.1; Wavelab 7.1 mastering by Jamie Waddell; Track, FLAC and Pack by John Wenzel; a project **GEMS**
1406641970-09-20Fillmore EastNew YorkNY
flac16; Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
1406651970-09-20Fillmore EastNew YorkNY
flac24; Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
49421970-10-04Winterland ArenaSan FranciscoCA
SBD FM> MR> R> ?> CD> SHN; via thecore; see info file for flaw notes
199851970-10-04Winterland ArenaSan FranciscoCA
SBD> FM> MR> R> R> DAT> WAV> SHN; R>SHN; Conversion By Cousinit, seeded to abgd
283631970-10-04Winterland ArenaSan FranciscoCA
KSAN-FM Master Reel> Barry Glassberg's 1st gen Reel (Dolby B Decoded)> PCM> CDR> EAC> CoolEdit2000 (see notes)> SHN; EAC> seekable SHN by D.Winters, with thanks to Harvey Lubar, Tony Cortazzo, Chuckles
1458281970-10-04Winterland ArenaSan FranciscoCA
flac16; Source: KSAN-FM > Reel Master > Barry Glassberg's 1st Gen 1/4 tr Reel > PCM > CD > Wav - Received from an anonymous benefactor; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019
75901970-10-10Colden Auditorium - Queens CollegeFlushingNY
AUD, from low (< 5th) generation tape; via Hanno Bunjes, with thanks to Ulie Teute; Hanno's notes
1446361970-10-10Colden Auditorium - Queens CollegeFlushingNY
flac16/48kHz; Source: Sony F95's > Sony TC124s > Master Cassette (Ampex 361) > Cassette (Maxell XL2S) > DAT(48k) - Recorded by Ken and Judy Lee; Transfer: DAT > Sony PCM-M1 > Edirol HR09 > Wave > 24/88.2 - Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/48 > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick January 2019
95001970-10-11Marion Shea Aud., Paterson State Col.WayneNJ
AUD>MC>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
1193291970-10-17Cleveland Music HallClevelandOH
flac16;Recording Info:Unknown Mic -> Cassette Master (Mono); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
850711970-10-23McDonough Arena, Georgetown U.WashingtonDC
flac16; Source: Audience Media: Mallory Duratape C-60 Lineage: AUD > Sony TC-124 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Marantz PMD671 > WAV Taped by: Cary Wolfson Transfer by: D. McCabe Mastering by: D. McCabe
122271970-10-23McDonough Arena, Georgetown U.WashingtonDC
includes NRPS; source (a guess?): AUD Taper: Cary Wolfson, Sony TC124 with a 1 point stereo mic 15 feet back from stage > MC > C > DAT > ??? > CD > EAC > shn; seeded by Sketchy; shn info submitted by user jamballyho
150801970-10-23McDonough Arena, Georgetown U.WashingtonDC
Source: AUD-MCass>DAT>DAT>CDR DAT speed-corrected by David Gans. Various glitches edited out by CW posted to abgd 11/2002. SBE's on all tracks except d2t03
319481970-10-24Kiel Opera HouseSt. LouisMO
flac16; SBDMR->R->R->DAT->DAT->ZA2->DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)-> CD "via D. Hollister, J. Ayers" pitch correction using SoundEdit 16 on the Macintosh platform by Bob Bihlmayer (howlin_bob@hotmail.com) 7/16/05: SHN->xACT->AIFF->SoundEdit16->FLAC
1031970-10-24Kiel Opera HouseSt. LouisMO
S:MReel> Reelx2> DATx2> ZA2> DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)> CD; cut at beginning of NFA (reel flip?); via D. Hollister, J. Ayers; w/ 12/31/70 filler; 12/31/70 filler
1409231970-10-24Kiel Opera HouseSt. LouisMO
flac16; Recording: SBD > Master Reel > Reel > (7.5ips) > PCM (Sony HG tape); Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
1414291970-10-24Kiel Opera HouseSt. LouisMO
flac24; Source: Unknown mono soundboard (low gen) - provided by Will Boswell; Transfer: low gen Reel > Technics RS-1506 > Apogee Mini Me > Mini DAC > WaveLab 5 > .wav 24-bit/96k; edited and mastered SIRMick
1449031970-10-24Kiel Opera HouseSt. LouisMO
flac16; Source: Unknown mono soundboard (low gen) - provided by Will Boswell; Transfer: low gen Reel > Technics RS-1506 > Apogee Mini Me > Mini DAC > WaveLab 5 > .wav 24-bit/96k; edited and mastered SIRMick; This file set is 16 bit @ 44.1
200441970-10-30Gym, SUNY (Late Show)Stony BrookNY
SBD>MR>PCM>D>CD>EAC>SHN; complete early/late shows via Jeff Cotsman
291901970-10-30Gym, SUNY (Late Show)Stony BrookNY
Late Show: MSR>C>DAT>WAV>SHN Circulated via alt.binaries.gdead usenet group in 4/2003 Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09
1526441970-10-30Gym, SUNY (Late Show)Stony BrookNY
flac1644; 1-song only; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021
74661970-10-30Gym, SUNY (Early Show)Stony BrookNY
early show; SDB> MR> PCM> CD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa
173591970-10-30Gym, SUNY (Early Show)Stony BrookNY
Early Show: MSR>C>DAT>WAV>SHN via Cousinit (Cassette Source recorded directly from Master Reels)
1211251970-10-30Gym, SUNY (Early Show)Stony BrookNY
flac16/48kHz; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/48k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06)
1211261970-10-30Gym, SUNY (Early Show)Stony BrookNY
flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06)
1530061970-10-30Gym, SUNY (Early Show)Stony BrookNY
flac24/96 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick August 2021
1530051970-10-30Gym, SUNY (Early Show)Stony BrookNY
flac16/44 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021
1532051970-10-30Gym, SUNY (Early Show)Stony BrookNY
flac16/44 FIXED Version. Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16
1532061970-10-30Gym, SUNY (Early Show)Stony BrookNY
flac24/96 FIXED Version. Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24
65171970-10-31Gym, S.U.N.Y. (Early)Stony BrookNY
early electric; SBD > Reel > DAT; Transfer: D7 > Coresound > Prodif Plus > Samplitude 5.5 > CDwav > SHN, by Mike Fischer
1220421970-10-31Gym, S.U.N.Y. (Early)Stony BrookNY
flac16/48kHz; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/48k; Transferred By Digitalrbb; Mastered By Charlie Miller
1220431970-10-31Gym, S.U.N.Y. (Early)Stony BrookNY
flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Transferred By Digitalrbb; Mastered By Charlie Miller
1530591970-10-31Gym, S.U.N.Y. (Early)Stony BrookNY
flac16/44 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) > Gordon Healy's Reel 1st transfer: Gordon Healy's Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021
1530601970-10-31Gym, S.U.N.Y. (Early)Stony BrookNY
flac24/96 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) > Gordon Healy's Reel 1st transfer: Gordon Healy's Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > flac24 edited and mastered SIRMick August 2021
335661970-10-31Gym, S.U.N.Y. (Late)Stony BrookNY
SOURCE INFO: Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC Note: Appeared on bt.etree.org ~ 4/1/2006
169021970-10-31Gym, S.U.N.Y. (Late)Stony BrookNY
Late Show, includes NRPS set; MSR> C> DAT> WAV> SHN; Cassette Source recorded directly from Master Reels; C>SHN Conversion by Cousinit; note parens in filenames
291921970-10-31Gym, S.U.N.Y. (Late)Stony BrookNY
Early Show: MSR>C>DAT>WAV>SHN
Circulated via alt.binaries.gdead usenet group in 4/2003
Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09
1531461970-10-31Gym, S.U.N.Y. (Late)Stony BrookNY
flac24/96 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) Transfer: Master Reel > Kenny Mance’s Revox 77A > Korg MR1000 > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 Edited and mastered SIRMick August 2021