SHNID 93422 Phish 1998-07-26
Coca-Cola Starplex Amphitheatre, Dallas, TX

Summary (download all files)
[DTS 5.1 Audio CD] - (ALD SBD>D8) + (Schoeps CMC641->Lunated V2->DA-P1)

Textdoc (download)
Phish
7-26-98
Starplex Amphitheatre
Dallas, TX

**DTS 5.1 Audio CD **

Source Info
1. ALD SBD>D8 taped by texaskaje
2. Schoeps CMC641->Lunated V2->DA-P1(from <a href="http://bt.etree.org/details.php?id=503353">http://bt.etree.org/details.php?id=503353</a>) taped by unknown. seeded by discocape.

Transfer:
1. ALD SBD MASTER DAT>M-Audio Transit (7pin to Lightpipe)>Mac G4 (Audiohijack)
2. AUD:DA-20->Delta Dio 2496->Soundforge 4.5 (48>44.1 resampling on highest accuracy setting with anti alias filter)->CDWAV->SHN>Mac G4 from download.

DTS 5.1 mixdown by texaskaje.


Disc 1:
Set I:
1.Birds of A Feather-6:51
2.Too Much of Everything-8:37
3.David Bowie-13:57
4.Frankie Says- 5:57
5.Reba-14:36
6.Funky Bitch-6:40
7.Good Times Bad Times-6:53

Disc 2:
Set II:
1.La Grange-10:23
2.You Enjoy Myself-29:36
3.Albuquerque -> 4:04
4.Simple-> 9:44
5.Bold As Love-6:39
6.Sample in a Jar-4:57

Disc 3:
Encores:
1.E: Punch You in the Eye-8:16
2.Bittersweet Motel-4:18


Welcome to the third row of the Starplex.
Certainly not the best sounding venue, but in a good seat, it can sound nice. And this is pretty much what it sounded like standing there. I've mixed this to sound more like you are at the show rather than have it sound like a soundboard recording with audience coming out of the rear speakers.
All final mix determination was done on a 14 speaker DTS system designed by Mark Levinson. Many thanks to nakguy for affording me that luxury.

This is built from the same sources I used to make the matrix, so the notes to that version still apply as far as patches and fm noise which are:
There is some on and off FM noise up through david bowie. There are also some dropouts in Birds and at the very beginning of TMOE. The longest of which is about 2 minutes. I call that the McNally Gap for reasons known to him. Times for the obvious SBD d/o's are
1:50-1:51
2:36-2:38
2:46-4:27
There is no crowd noise between Sample and PYITE. There is crowd noise and house music at the end of Bittersweet. The crowd music is the BeeGees Night Fever.

In the DTS mix, the D/Os are essentially a quad mix of the schoeps.

Mixdown:
The FR and FL channels are the almost exactly the same ratio's I used for the matrix mix.
The LR and RR are pure Schoeps source
The C channel is a mono mix of the board gained to -3db.
The LFE channel is from the Mono mix of the Center channel with a Low Pass of 100hz applied then gained to 0db.

Surcode DTS-CD Professional was used to create the final DTS wav files.

I see the caveat everyone has on their DTS mixes about never using analog with DTS. I'm not quite sure they qualify that correctly.
I prefer to listen through a DVD player with a good DTS decoder and 6 discreet analog outs. You can run them directly to your amps, or you can run them to a receiver that has 6 discreet input channels for DTS. You can, of course, run it via optical cable to a DTS ready reciever. 
In either configuration it sounds more like the intended mix running through the 6 discreet analog outs rather than the optical out.
I would imagine this comes from the difference in the decoders. ( the DVD DTS decoder vs. the receiver decoder) In a cost effective solution, or as a beginner set up,  it's much cheaper to buy a DVD player with a good DTS decoder than a receiver with a good DTS decoder. Another option, If your rich and can find one, is to use an external DTS Decoder box.
In any event, NEVER play a DTS CD through a 2 channel Stereo set up.
Media Size
0
Media Size Uncompressed
0
SHN Disc Count
0
WAV Disc Count
0
Date Circulated
07/26/08
Entered By
jasonsobel
Created At
Mon Jul 28 2008 18:07:46 GMT+0000 (Coordinated Universal Time)
Updated At
Mon Jul 28 2008 20:55:15 GMT+0000 (Coordinated Universal Time)

Checksums
ffp (download)
PH1998_07_26_d01t01_DTS.flac:2415c616b41aa9dfadb37e8d58a190ee
PH1998_07_26_d01t02_DTS.flac:57a104fb8ca4c6387d4b89fd534777df
PH1998_07_26_d01t03_DTS.flac:181e787a9f09607defbda083632d5283
PH1998_07_26_d01t04_DTS.flac:43611bc6cf714dbe87e5175a98587163
PH1998_07_26_d01t05_DTS.flac:9958507cf25a3b6b44caa2eae1829511
PH1998_07_26_d01t06_DTS.flac:1e04e838fc853272196478533f143df3
PH1998_07_26_d01t07_DTS.flac:3195b1b6a15c684fb2e80ee858bbbfc2
PH1998_07_26_d02t01_DTS.flac:673f0381dcffd6a0cc23ae289d1ae5e1
PH1998_07_26_d02t02_DTS.flac:bc90300315e9170fff3c48df36fd4f1b
PH1998_07_26_d02t03_DTS.flac:ad45f6fc352d416d8c30cfd7ae8013ea
PH1998_07_26_d02t04_DTS.flac:e3c3dea791c5d46c5134f79b567b0e52
PH1998_07_26_d02t05_DTS.flac:a7afec5f6a8880ba7d61dbda1ba25eaa
PH1998_07_26_d02t06_DTS.flac:888967c1c2c8c97cb75005a4c5db8d83
PH1998_07_26_d03t01_DTS.flac:9cefcad3d11e28665af8150c28dc586a
PH1998_07_26_d03t02_DTS.flac:be3d3b855631bc880ccb7b07bad1094a

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