Umphrey's McGee
2004-10-01
Fox Theater
Boulder, Colorado  

Source:  
	 (2) AT4050's ORTF (panned left/right) + (1) BLUE Baby Bottle (center) >
	 (via XLR) Digi002 > (via firewire) Mac G4 Powerbook 
	 (wav's @ 44.1KHz/16bit) running ProTools 6.1.2 LE > 
	 (via firewire) Lacie 160GB Drive

Location:  
	 Front of taper section, DFC, 12' up

Tracking, "Transfer," & Patching:  
	 Tracked, patched, and mixed in ProTools 6.1.2 LE.  
	 Bounced (real time!) out of ProTools as a 16bit/44.1KHz/Stereo .wav > 
	 FLACed via MacFlac at level 8 (verified).

Taped, Transferred, Tracked, Patched & FLACed by:  
	 fUNKYbret (bret@funkybret.com) for Funky Egg Productions.  

A "WORD" from the taper:  
	 If you have a bass boost enabled on your playback system, 
	 fUNKYbret recommends disabling it for the playback of this recording.
	 It's mixed to be heard "flat" and loud!  Bass boost will most likely 
	 make it a bit muddy.  You've been warned.  I was assisted greatly 
	 by Ethan Bernstein and Michael Gustin, two really cool dudes.
	 Thanks to another cool dude, Atom at Audio Consulting Services for 
	 all the help!  Oh yeah, and when Jake thanks "John for the guitar 
	 setup" at the end of the show, that's my boy, Johnny Tone.  He setup 
	 Ryan's bass and Jake's backup G&L Telecaster before the show.
	 Also, I had a ProTools related problem from 3:03 to 6:26 in Soul
	 Food I (d3t4).  The problem was that this section (3:22 in length) 
	 wasn't recorded.  I patched it with the only other source from
	 that night (other than Kevin's official matrix), a pair of on-stage 
	 SP cmc4's.  I gained it up a bit in ProTools to try to make the 
	 transition a bit smoother.  It works, but I'm not going to win an 
	 award for it or anything.  But it makes this source complete, and 
	 that's cool!  Thanks to Peter Coffan (aka airzot) for making that 
	 happen. 

Patch Info: 
Recorded and Transferred by:
	 Peter Coffan
Seeded to COtapers.org
Source:  
	 SP CMC4's > SP battery box > Sony D8
Location:  
	 Mics clipped to drink rail on stage.  Alot of Front Row Crowd noise 
	 at times.
Transfer lineage:  
	 Sony D8 > Zotrix Nightingale pro 6 > Cool Edit Pro > CDWave (splits) > 
	 Flac Frontend (.flac) 
What I did when I got it:  
	 COtapers.org > Lacie 160GB > MacFlac > .wav > "imported to track" in 
	 ProTools 6.1.2 LE > manually aligned for sync, gain boosted to help 
	 transition & edited to fit the hole just right.


Disc/Set One: (67:05)

1.  Anchor Drops (5:36)
2.  Prowler > (5:18)
3.  The Crooked One (8:09)
4.  Resolution > (15:03)
5.  Kimble (5:07)
6.  XXXplosive (3:34)
7.  Blue Echo (4:59)
8.  The Bottom Half (5:26)
9.  Hurt Bird Bath (13:48)

Set Two: 

Disc Two: (53:53)

1.  Bright Lights (4:57)
2.  JaJunk* (21:00)   
3.  Making Flippy Floppy^ > jam^** (16:56)
4.  Wife Soup (10:57)

Disc Three: (35:34)

1.  Padgett's Profile > (4:51)   
2.  Hajimemashite > (5:19)
3.  Padgett's Profile (2:18)
4.  Soul Food I^^  (7:41)
5.  crowd (2:40)
Encore: 
6.  Nopener$ (3:49)
7.  Pay the Snucka (8:52)

Notes:  
Lotus opened (www.lotusvibes.com) I recorded them with the same 3 mic matrix 
	as well, but I also had a stereo SBD patch.  It sounds excellent. 
* with Stairway to Heaven tease  
^ with Kyle Hollingsworth (String Cheese Incident) on keyboards  
** with Shine On You Crazy Diamond jam  
^^ with Jeff Austin (Yonder Mountain String Band) on mandolin  
$ Kris on vocals; lounge version

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