SHNID 166746 Phish 2023-12-31
Madison Square Garden, New York, NY

Summary (download all files)
flac1648 mk41Vs (OTS/row6s9/20cm@65°]/~9') > Nbob KCY > Naiant PFA > MP10ii Ch7/8 (24/48)


SDHC > processed in Reaper (see notes below) > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag

recorded, processed, tagged, and posted by djphrayz

Textdoc (download)
Phish
Madison Square Garden
New York, NY
12/31/2023

AT4031s (OTS/row6s9/37cm@65°]/~9') > XLRs > MP10ii Ch3/4 (24/48)
AKG483s (OTS/row6s9/26cm@70°]/~9') > XLRs > MP10ii Ch5/6 (24/48)
--> mk41Vs (OTS/row6s9/20cm@65°]/~9') > Nbob KCY > Naiant PFA > MP10ii Ch7/8 (24/48)
DPA4061s (OTS/row6s9/AB100]/~9') > mma6000 > 1/8" TRS > MP10ii Ch9/10 (24/48)

SDHC > processed in Reaper (see notes below) > tracked in CDWav > encoded in dBpoweramp > tagged in Mp3tag

recorded, processed, tagged, and posted by djphrayz

Set 1
1.  Everything's Right
2.  Tube
3.  Ether Edge
4.  Reba
5.  Taste
6.  Ruby Waves
7.  A Life Beyond The Dream
8.  Character Zero

Set 2
1.  Down with Disease
2.  Harpua
3.  The Man Who Stepped Into Yesterday >
4.  The Lizards
5.  Punch You in the Eye >
6.  AC/DC Bag
7.  Tela >
8.  Llama
9.  Wilson
10. The Sloth >
11. Divided Sky

Set 3
1.  McGrupp and the Watchful Hosemasters >
2.  Colonel Forbin's Ascent >
3.  Fly Famous Mockingbird
4.  Auld Lang Syne >
5.  Split Open and Melt
6.  You Enjoy Myself >
7.  Loving Cup >
8.  Possum
9.  encore break
10. Cavern >
11. First Tube >
12. Tweezer Reprise

Notes: Shout out to my friends that let me borrow their Schoeps caps and the gear to run them: jadedphan from team no drama (41Vs and mount), and Noah Bickart (KCY, KCY extension, and PFA). I am now quite tempted by the power of the dark side, so thank you for that. :)

Processing: Since a lot of people misunderstand my post-processing methods, I decided to spell them out.

Typical processing:
After splitting the polywav into stereo files with Sound Device's Wave Agent and dragging them into Reaper to create separate stereo tracks, I like to peak normalize the files to -0.2 dB.  After doing so, I typically adjust the panning and and level match each mic pair with the help of visualization tools like iZotope Insight, which helps get all the sources pretty close in overall loudness.  This faciliates rendering each source through the same limiter on the master track with identical settings for each source.  I like being able to hit -16 LUFS, if I can do so without pushing the limiter too hard.  Subsequently, each mic pair has roughly the same loudness, which enables curious listeners to hear the differences between each of my microphone pairs from a given night with minimum bias towards the loudest.  That's usually all there is to it in the DAW, and that's all I did on N1-N3.  But on those nights I also had the extra fun of mixing omnis with coincident hypers, which can get me feeling fiddly with micro delay to find the sweet spot of minimum phase correlation/cancellation between the mixed pairs.

Atypical processing (i.e. loud occurances that would force the overall loudness of the recording to be lower than I desire):
I typically stay away from straight EQs/filters. They cause me analysis paralysis, leaving me unconvinced that I did more good than harm; however, after normalizing the N4/NYE stereo files, I noticed that some local claps and balloon pops were depressing the levels, so I used the De-click module in iZotope Rx to scrub them out.  You can still hear them, but they're no longer louder than the music, which allows a much more reasonable normalized level for subsequent processing.  Then I noticed sets 2 and 3 had some explosion special effects that were not only too loud but added a little too much energy in the low end of the cards (AT4031s) and omnis (DPA4061s) on a few occasions.  I chose to use iZotope's Dynamic EQ on those two sources along with a FabFilter Pro-C compressor on all the sources (individually tailored) to limit the dynamic range on those special effects as transparently as I could manage and as briefly as possible.  Applied in parallel and mixed out quickly, I compressed two cannon shots in PYITE, a few bazooka launches in Llama, a few SOAM volcano rumbles, and the loud cap at the end of the NYE countdown.  Compression was not applied to whole sets but just those problem areas where the sound effect was several dBs louder than the music and would hit the limiter too hard.  After all of these problem areas were addressed, I matched the levels and rendered through the limiter as described above.  I hope you enjoy.

Thank you Phish for always keeping us guessing, and for letting us tapers do our thing.  Much love! -djphrayz

p.s. I don't have any tickets yet, but if I can get into the Sphere for a reasonable cost, I will pull the best recordings I possibly can.  I will likley think outside my usual box, since we won't have a pair of line arrays to give us bearings on the direct/reverberant sound ratio in the room.
Media Size
0
Media Size Uncompressed
0
SHN Disc Count
0
WAV Disc Count
0
Date Circulated
Entered By
mvernon
Created At
Sun Jan 07 2024 09:23:04 GMT+0000 (Coordinated Universal Time)
Updated At
Sun Jan 07 2024 09:23:04 GMT+0000 (Coordinated Universal Time)

Checksums
ffp (download)
ph2023-12-31s1t01.flac:32536cac472388f2af52b7a1b3ea565a
ph2023-12-31s1t02.flac:12ed962454b6d265a28a7bc7bef48bac
ph2023-12-31s1t03.flac:5854b9a2f2d84c0a0695a0786fe41fe5
ph2023-12-31s1t04.flac:85fd071b97b0c6509cdd51e30bdd9450
ph2023-12-31s1t05.flac:9dcb933c6749b4a2b48aeefe89ce6f4f
ph2023-12-31s1t06.flac:a5e97333b2022868d3ba57bb9e121f92
ph2023-12-31s1t07.flac:c5d2dd1753a80aaca3d3b3844da9b585
ph2023-12-31s1t08.flac:336a2aa9e7780a00c84468d1cd454154
ph2023-12-31s2t01.flac:717e1ce25a8c0545264d4e49b4c7870a
ph2023-12-31s2t02.flac:183370d48071b38177f1df6e20720357
ph2023-12-31s2t03.flac:a7d17049ae11ac2dbbd60d34a4876bbe
ph2023-12-31s2t04.flac:d73220c9743a28b494f01c2a6f43fd5e
ph2023-12-31s2t05.flac:5d7eec3092b44bb600e547cb05e53489
ph2023-12-31s2t06.flac:b2798b2e0ef702f20e56a8434bfc132d
ph2023-12-31s2t07.flac:77ca60ff6ac5ab8800256f89042a137c
ph2023-12-31s2t08.flac:c5cccf543c210942907fb0e0e24272fa
ph2023-12-31s2t09.flac:24e87a632dc09ab8c2a3212806efeeca
ph2023-12-31s2t10.flac:ba13603da158a7b2c8bdd0c76feca24b
ph2023-12-31s2t11.flac:bb5befdeb9244f54cf1f021e3abc6ac9
ph2023-12-31s3t01.flac:7ba55b44d8631f164a592cec0cd2e18e
ph2023-12-31s3t02.flac:cf81546cbc3fb1882482a9e199ecbde6
ph2023-12-31s3t03.flac:fd52ce2c388155928ba85c1396459a0a
ph2023-12-31s3t04.flac:8e043f920c2f4dfe1afdda19e238645a
ph2023-12-31s3t05.flac:3ba1a9b2b324272d21f57fd8fa81e526
ph2023-12-31s3t06.flac:4ea035d2a3d0216b129b23f1262a6f08
ph2023-12-31s3t07.flac:5a12b9c92ed1a34549e3371e6b306df9
ph2023-12-31s3t08.flac:1f459414fbf7f4ddc2678ed30691f837
ph2023-12-31s3t09.flac:e4b6d0dd62b0c7793882f1cd7ae2b59e
ph2023-12-31s3t10.flac:8ac8d9212b491c527e8b4747192b2b69
ph2023-12-31s3t11.flac:1ad755d2a7f4f00687ff4ad040ac04df
ph2023-12-31s3t12.flac:366553648d8263f6e9e5c3ca42e5e9d8

No users own this source