In 2018 Jeff Knudsen donated his 5000+ cassette tape collection to www.shnflac.net.
The ensuing GEMS Lossless Legs production is releasing each of these tapes as raw transfers in digital format, one file per cassette side.

Lineage:  Master Cassettes > Cassette[1] by Jeff himself.  All his collection is such.  This was done by him to get the show in order on tapes, as set one was recorded on both tape sides 'A' , and set two was recorded on both sides 'B'.  Ahh, the days of analog!

Taper: Jeffrey Knudsen Equipment: AIWA-HS1 Cassette Deck and Marantz SuperScope
Microphones. Location:  "I always taped from the front row tables with the recorder simply laying on the table in full view. There was a piece of tape over the red "on" light and the mics were black with black chords. I took napkins from the venue and folded a wad up and taped the two mics together with the napkins separating the front ends and the back end were together. That way the mics had some angular separation. I then put the whole mess in a black sock and stuck it in my armpit.  Everyone stands the moment the show starts (except at the front row balcony tables in Berkeley) so I would point my shoulder at the stage when Jerry was instrumental and then I would point my shoulder up to the overhead monitors when he sang. In Berkeley I just had the mics taped, in a sock and laying on the table, and pointing at the stage.

This run of shows (10-21/22/23-82) were that last shows of 1982 that I was able to record before I moved to Barbers' Point, Hawaii.


Transfer info: Nakamichi CR-7A (Rebuilt by ESL August 2019) -> Sound Devices MixPre-3M
Transfer by: Jay Haines on August 9 and 11, 2020.


Jerry Garcia
October 21, 1982
The Stone - San Francisco, CA

AUD

Tape 1
Side 1

01. Valerie
02. Second that Emotion
03. Sittin' in Limbo
04. Deal

Set 2

05. After Midnight


Side 2

01. Russian Lullaby
02. They Love Each Oyher
03. Let it Rock
04. Tore Up
05. Tangled Up In Blue

Tape 2
Side 1

01. Let it Rock
02. Tore Up
03. Tangled Up In Blue


********** The GEMS Knudsen Tape Project  **********

In 2018, Jeff Knudsen bestowed his tape collection to the AZ GEMS
team for distribution and archiving. We have cherry picked some shows
and released them but have only scratched the surface. The process
of producing a complete and accurate mastered file set is time consuming:
select the show, compare to existing sources, adjust the tape deck,
transfer to digital, speed correct, master, aquire the source ID and
torrent. We realized we would never release most of collection using this
method.

As long as music is on tapes in a closet, it is useless. If it circulates
it is preserved for others and for the future. Rather than go through
the whole file set creation process, we transfer each tape or tape
side as a single digital file. A two tape concert consists either two big
audio files, 1 for each tape or 4 big audio files, one for each side of
the two cassettes.  We transfer professionally using the best gear and
a high quality Analog to Digital device. The Azimuth and Dolby settings
are correct. We release these files for everyone. We do not evaluate
the quality of the source, master it, or track it.

The Knudsen Tape Project is about sharing the tapes.

In each numbered release, along with the digital music files, we
include a photo of the tapes. The goal is to release as many of the
tapes as possible to the website www.shnflac.net.

We think the fruits of this project will become more interesting as time
passes. We believe that access to raw, properly transferred audio will
be of value to both present and future listeners, researchers and others.
Audio mastering technology is moving at breakneck speed. We can only imagine
the future technology that will be available. Having access to unmastered sources
could be invaluable.

HISTORY

The collection was started with a box of tapes Jeff Knudsen recieved
from his friend Dick Latvala in the late 70's. Dick was just a regular
guy in Pahoa, Hawaii and had not yet begun officially working with the
Greatful Dead. Over time, Jeff's collection grew. At that time, tapes were
currency and Jeff had gold. His collection increased to about 5000 coveted
tapes, via mail trades and all night copy-athons. Jeff shared them freely
and widely. If you had a soundboard tape in your collection years ago there
is a good chance it came from Jeff Knudsen.

WHAT CAN I DO WITH IT ?

Every release in this project is from a band that allows it's fans
to trade music non-commercially. We neither add or take away from that
permission. We only ask that you credit the Knudsen Tape Project if you
use the material. We ask nothing else of you and you do not need
to ask permission to use them. Since we ask only for source credit, we would
rather not hear complaints. Take what you need and leave the rest.

LINEAGE QUESTIONS

The notion of documenting lineage is a modern one, or simply one Jeff
did not entertain. We do not have lineage information on most of these
tapes. Any information we have will be in the photo of the tapes.
Some of the tapes sound absolutely fantastic. Others may remind
you of a tape you had long ago.

Now the rest is up to the community, with whom we have absolute faith
in the ability to discern.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Contact shnflac@gmail.com if you need more information.


SHNTOOL OUTPUT



    length     expanded size    cdr  WAVE problems  fmt   ratio  filename
    46:40.547     806557628 B   cxx   h-   ---xx   flac  0.6656  jg1982-10-21-1A.flac
    46:48.319     808795874 B   cxx   h-   ---xx   flac  0.6650  jg1982-10-21-1B.flac
    29:52.245     516166700 B   cxx   h-   ---xx   flac  0.6743  jg1982-10-21-2.flac
   123:21.111    2131520202 B                            0.6675  (3 files)

jg1982-10-21-1A.flac:e95d4fd3de08e3a2a8eace560250fb15
jg1982-10-21-1B.flac:fe06d3c275f5b4887edac5ffb5933b4c
jg1982-10-21-2.flac:8fb82653126f8052a7bc891a125dbe07